User reviews

A variation on the Three Little Pigs fable set to toe tapping jazz swinging music. Has the pigs playing different clubs which the Wolf blows down when no one likes his trumpet playing and call him a square. This was an amusing short and the music was good so I enjoyed it. Not the best of the music-centric Looney Tunes shorts, but it's still a fun time to be had be all. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2. It features a commentary by Jerry beck, as well as an optional music only track, and a vocals only track.

My Grade: B

Friz Freleng's 'The Three Little Bops' is a longtime favourite of mine. From the first time I saw it at a very early age, I was always on the lookout for a chance to see it again. While I was growing up during the 80s and 90s, Warner Bros. cartoons were frequently on TV and every so often this one came around. I was absolutely delighted when it finally became available for me to own on the essential Looney Tunes Golden Collection Volume 2. A jazz parody of Disney's famous 'Three Little Pigs' cartoon, 'The Three Little Bops' is entirely set to music with a great vocal by the underrated Stan Freberg (who finally gets screen credit in this cartoon). It tells the story of the Big Bad Wolf's unsuccessful attempts to be accepted into the Three Little Pigs nightclub act and each time he is rejected, he blows the nightclub down! The visuals are beautifully stylised, fitting perfectly with the modern theme of the cartoon, and Warren Foster's lyrics are often priceless ("Dew Drop Inn did drop down"!). It's not quite a perfect cartoon, since there are a couple of slightly mistimed moments and the section in which the Wolf adopts a series of disguises slows things down and unnecessarily breaks from the musical narration for a conspicuously long time. Nevertheless, if asked to list my favourite cartoons, 'The Three Little Bops' would always be one of the first to pop into my head. It's a toe-tapping delight of which I never tire.

Jazz, 1950s style, takes precedence in this cartoon of the "The Three Little Pigs" who are jazz musicians. They're good, too, on sax, drums, piano with a bass handy, if needed. The whole cartoon is told in song, with Stan Freberg doing his best to sound jazzy as he sings the story. It actually sounds more like very early rock 'n roll.

The story is basically a hip-dressed wolf who enters the club, hears the pigs and wants to join in with his trumpet. The pigs are nice guys and can't say "no" but when the wolf starts blowing his horn, well, it ain't' good. As Fregerg sings, "The three little pigs were really gassed; they never heard such a corny blast."

The pigs tell the wolf, "We've played in the West; we've played in the East, we've heard 'the most,' but you're 'the least!' They escort the wolf out. He winds up blowing the house of straw down!

This happens in several places as the pigs entertain elsewhere, each time the wolf coming in and getting thrown out for his horrible playing until the pigs finally build a place made out of bricks ("made in 1776" - each line is rhyme in this cartoon.)

It's this kind of dialog and singing (along with the dress-ware of the musicians) that makes this cartoon just a huge hoot to watch and hear. I loved it! It was different from anything else I've seen on these Looney Tunes collections. I felt like I was in a jazz club back in the '50s or at a Bill Haley rock 'n roll concert. This is one cartoon I will play over and over.

Why this absolutely brilliant 1957 "Looney Tunes" entry was not nominated for an Academy Award, I'll never know. In a 1992 television viewers' poll, it was deservedly voted one of the best twenty cartoons in the whole Warner Brothers' repertoire.

For once, the UPA cartoon style isn't employed by the Warner artists simply because it's flavor of the month, but because it's highly suited to the subject matter. The backgrounds and the character animation all perfectly compliment the up-beat vocal.

No matter how many times you watch and listen to "The Three Little Bops", repeated viewing does little to lessen the impact of its cleverly off-beat visual and verbal humor.

This is a jazzy little cartoon, taking the Three Little Pigs and making them a Jazz combo, consisting of a guitar, drums and piano. The Big Bad Wolf wants to join in on a jam session. He's really bad and a square, so the Pigs tell him to scram. The cartoon focuses on his attempts to join in. The music is great, the narration is sung (by Stan Freberg) and the ending is excellent. The crowd goes wild and the land saw much rejoicing! They just don't make 'em like this anymore! Great cartoon and more than worth your time. Highly Recommended.

Through many of the Looney Tunes cartoons, I've derived that the creators probably had a way with jazz, and it plays out in "Three Little Bops", as a trio of jazz-playing pigs perform in clubs, but a square wolf keeps interrupting and blowing the clubs down. But then, they find a place built out of bricks.

Not only is this a jazz-centric cartoon, but I notice that the narration sounds like "Rock Around the Clock". But that shouldn't be any surprise; after all, rock 'n' roll was pretty much based in jazz and blues. All in all, this is a very fine cartoon. I can say with certainty that Stan Freberg was as great a voice artist as Mel Blanc was.

It is always interesting to see Warner Brothers cartoons featuring characters that are not the classic ones we know and love and are iconic in animation history.

'Three Little Bops' is one of the finest examples of an animated masterpiece. It is so well made, so fun, so energetic and so cool with phenomenal music and impeccable timing that that the story is a slight one, and basically a gags matched to music experience, is completely forgotten while watching. Proof that when it comes to Warner Brothers animation, one does not need the likes of Bugs Bunny and Daffy Duck present to make it a good cartoon, with 'Three Little Bops' being on par with the best of their cartoons (high praise indeed and to me warranted).

As to be expected, the animation is great with beautiful colours and meticulous detail. The characters are drawn well with smooth movement. The music is phenomenal (being a music/gag-oriented cartoon, this component being good was essential to as whether the cartoon would work), making one sing along, tap their feet and get up and dance and it is just so infectious as well.

Furthermore, there is just so much energy and the gags are impeccably timed and often extremely funny and always clever.

Here, the characters are a joy. Especially the wolf, the funniest and most interesting character. Stan Freberg does a wonderful job here, some of the best work he ever did.

In conclusion, so much fun and so cool, a masterpiece (not a word often thrown around lately for me). 10/10 Bethany Cox

The pigs play better than the wolf, but no more hip. They're mostly just vamping on a simple boogie that sounds a lot like "Rock Around the Clock" (And Stan Freberg's inability to find the right pitch is downright painful--way worse than the wolf.)Considering this was made the year Miles released "Kind of Blue," (a year after Bird died.) and considering the really adventurous stuff Shorty Rogers was doing for Stan Kenton around this time, I have to think Warner Bros. dumbed it down musically to what they thought the Lawrence-Welk/Liberace-listening public would like.

For a cartoon that really does something with music, how about "The Rabbit of Seville"?

Glenn

Every muso you speak to knows this cartoon. When I was in year 10 my school music teacher showed us this video. I'm now a high school music teacher myself and I want to share it with my students too. Unfortunately my old teacher has lost it and I can't find a copy of it anywhere. I've described it to my students and they have named their jazz band "House of Bricks". I may sound slightly obsessed but to me watching this cartoon was a defining moment in my musical career.

The Three Little Pigs are a performing trio playing at the House of Straw. The Big Bad Wolf tries to join the band, but he plays badly. The Pigs call him square and rejects him. He leaves and blows down the place. The Pigs' next gig is the House of Sticks. The Big Bad Wolf tries again and the audience is disgusted with his playing. He gets thrown out and once again, he blows the place down. Finally, the Three Little Pigs are playing at The House of Bricks. This one has a sign that reads, "No Wolves Allowed". The wolf keeps trying, but he can't ever blow it down.

The Three Little Pigs are Looney Tunes favorites despite not being uniquely to them. I really like doing this take. Mostly, I love the narration mixed with this song. It is loads of fun and I love the ending.

The three little pigs are a city jazz combo who play to adoring crowds. When they are joined by a trumpet player by the name of `big bag wolf'. However the wolf is not a very good player and he threatens to spoil the career of the pigs. However when they kick the wolf out of the band, he blows down their gig at the Straw House. Despite their insistence that he is rubbish, he follows them to the Wood Club to try and get in again.

I have seen other Warner twists on the Three Little Pigs story, some of which have also been set to music but this one is a lot different as it totally changes the story. Sadly it is interesting enough to only watch once and then it will have lost it's novelty value and will expose it's many flaws too readily. The film is set to a constant jazzy/bebop style song and basically sees the wolf trying to play with the pigs and then taking revenge in the time honoured fashion when he is rebuffed. The material is not very funny and relies too much on the juxtaposition of the music and action. In this regard it is worth seeing once as it is a clever idea, albeit it one that needed better delivery.

The singer is not all that he could have been and doesn't sound like he is someone who sung that type of music for a living - I may be wrong but it sounded like the emphasis was on clear pronunciation of the words rather than an authentic feel to the music. On top of that the animation was too broad and colourful for me - lacking it's own feel. The characters also struggle over this and they feel too basic and blocky. Once the basic humour of the music and the action has gone the film has nothing left and didn't endear itself to me after this point.

For all it's flaws it is worth seeing once for it is a clever idea and is cool and jazzy enough to keep you happy for several minutes. However repeat viewings will not have this novelty value and you'll be left with nothing much else to replace it. Clever idea but needed better delivery.