Doctors Scott and Bach inject the dying Kyra Zelas with a formula which saves her life - but also renders her almost immortal and wickedly evil.Doctors Scott and Bach inject the dying Kyra Zelas with a formula which saves her life - but also renders her almost immortal and wickedly evil.Doctors Scott and Bach inject the dying Kyra Zelas with a formula which saves her life - but also renders her almost immortal and wickedly evil.
- Director
- Writers
- Stars
Marie Blake
- Hannah - the Housekeeper
- (as Blossom Rock)
Mary Bayless
- Party Guest
- (uncredited)
Lovyss Bradley
- Nurse
- (uncredited)
Paul Bradley
- Party Guest
- (uncredited)
Chet Brandenburg
- Pedestrian
- (uncredited)
Steve Carruthers
- Party Guest
- (uncredited)
Beulah Christian
- Party Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
They created an inhuman being who destroyed everything she touched! The woman they could not kill!
This film was written, produced and directed by Kurt Neumann, best known for "The Fly" (one of his next features). He was also allegedly considered for the director's chair on "The Bride of Frankenstein", though I must say I am glad James Whale got the job.
Worth noting is that the source material came from Milwaukee native Stanley Grauman Weinbaum, who sadly died at age 33 and never saw his work brought to the screen. Weinbaum, though not well known today, was influential in the 1930s and H. P. Lovecraft praised his work.
While all of the film is quite good, the best part is probably the awesome sequence of a car driving off a cliff... no dummies were killed in the making of the movie!
This film was written, produced and directed by Kurt Neumann, best known for "The Fly" (one of his next features). He was also allegedly considered for the director's chair on "The Bride of Frankenstein", though I must say I am glad James Whale got the job.
Worth noting is that the source material came from Milwaukee native Stanley Grauman Weinbaum, who sadly died at age 33 and never saw his work brought to the screen. Weinbaum, though not well known today, was influential in the 1930s and H. P. Lovecraft praised his work.
While all of the film is quite good, the best part is probably the awesome sequence of a car driving off a cliff... no dummies were killed in the making of the movie!
Under-the-Radar Low-Budget Science Dabbler.
Familiar Story, from Noted Author Stanley G. Weinbaum ("The Adaptive Ultimate").
A "Miracle" Cure-All is Injected into Terminal Tubercular Mari Blanchard.
She Instantly Recovers but with Positive/Negative Side-Effects. Invulnerable with Chameleon Like Body Manipulative Powers (changing hair-color in a whim),
Complication Abound Including a Personality Change into a Socio-Pathic Narcissist.
The Movie Skirts Film-Noir in Tone and Style.
It is also one of those Misogynist Movies, Typical of the Era, with Pre-Determine Roles for Women. Rigid,Conservative Hive Mentality Machinations.
With Her New-Found Abilities She will have None of that. "Try and stop me."
Mari Blanchard's Angular Odd Beauty Enhances Her Role and She Dominates All Her Scenes.
She is Co-Starred a Pre-"Maverick" Jack Kelly and Albert Dekker who is Always a Presence On Screen.
The Sleek Black and White Cinematographer is by the Famous Karl Struss with a Career Dating Back to F. W. Murnau
The Film with All its Intriguing Ingredients Contributing to Make This...
Worth a Watch.
Familiar Story, from Noted Author Stanley G. Weinbaum ("The Adaptive Ultimate").
A "Miracle" Cure-All is Injected into Terminal Tubercular Mari Blanchard.
She Instantly Recovers but with Positive/Negative Side-Effects. Invulnerable with Chameleon Like Body Manipulative Powers (changing hair-color in a whim),
Complication Abound Including a Personality Change into a Socio-Pathic Narcissist.
The Movie Skirts Film-Noir in Tone and Style.
It is also one of those Misogynist Movies, Typical of the Era, with Pre-Determine Roles for Women. Rigid,Conservative Hive Mentality Machinations.
With Her New-Found Abilities She will have None of that. "Try and stop me."
Mari Blanchard's Angular Odd Beauty Enhances Her Role and She Dominates All Her Scenes.
She is Co-Starred a Pre-"Maverick" Jack Kelly and Albert Dekker who is Always a Presence On Screen.
The Sleek Black and White Cinematographer is by the Famous Karl Struss with a Career Dating Back to F. W. Murnau
The Film with All its Intriguing Ingredients Contributing to Make This...
Worth a Watch.
When will the scientists in these 40s/50s sci-fi/horror films learn to stay away from the pineal gland? It only leads to misery and death. In She Devil, a brilliant scientist has developed a formula to help treat sick and injured patients. With the consent of a dying patient, Kyra Zelas (Mari Blanchard), Dr. Dan Scott (Jack Kelly) injects her with his formula. Once Kyra's pineal gland (here we go) is sufficiently stimulated, her disease immediately goes away. She's cured and everything's great. Well, not really. Not only did the serum cure Kyra, but it gave her other powers as well - the ability to heal instantly and the ability to change her hair color at will (which comes in handy when you're evading the police). It also took away many of her inhibitions and turned her evil. Killing to get what she wants doesn't seem to faze the new and improved Kyra.
I loved She Devil much more than I should have. The IMDb rating of 5.6 is probably more indicative of the film's quality, but I found it much more entertaining than that. I compare it to the way I felt about another film I found much more entertaining than IMDb's rating would suggest - The Devil's Hand. In some ways they're very similar. Both are B&W, neither has a particularly outstanding cast, both are from the same time period, both are low budget thrillers, and both feature similar themes - man's destruction at the hands of a woman.
What appealed to me most as I watched She Devil was Kyra's quick transformation from a sickly, docile woman to a beautiful, confident killer. Once she's cured, you can see the change on her face almost immediately. It came as little surprise when she popped the old guy on the head and took his money, changed her hair color (now that was a surprise), and coolly slipped past the police. What a fun scene! The main reason I sat down to watch She Devil was Mari Blanchard. I saw her in an episode of It Takes a Thief and was intrigued. She didn't disappoint. As Kyra, she commands the screen and dominates everything. Neither of her co-stars comes close to comparing to the screen presence she possessed. I'm looking forward to discovering more of her work.
I loved She Devil much more than I should have. The IMDb rating of 5.6 is probably more indicative of the film's quality, but I found it much more entertaining than that. I compare it to the way I felt about another film I found much more entertaining than IMDb's rating would suggest - The Devil's Hand. In some ways they're very similar. Both are B&W, neither has a particularly outstanding cast, both are from the same time period, both are low budget thrillers, and both feature similar themes - man's destruction at the hands of a woman.
What appealed to me most as I watched She Devil was Kyra's quick transformation from a sickly, docile woman to a beautiful, confident killer. Once she's cured, you can see the change on her face almost immediately. It came as little surprise when she popped the old guy on the head and took his money, changed her hair color (now that was a surprise), and coolly slipped past the police. What a fun scene! The main reason I sat down to watch She Devil was Mari Blanchard. I saw her in an episode of It Takes a Thief and was intrigued. She didn't disappoint. As Kyra, she commands the screen and dominates everything. Neither of her co-stars comes close to comparing to the screen presence she possessed. I'm looking forward to discovering more of her work.
FYI: I first saw this movie as a youngster and vividly remember it, even though I can't say it was one of my favorites. In late 2004, I watched episodes of Science-Fiction Theater, a TV series from the mid-1950's. An episode of the series titled "Beyond Return", aired in late 1955, presaged the movie with the same story and even specific points (the evolution of the meek terminally ill woman to a murderous villainess, the changing of the woman's hair color, etc.) by at least a year. The TV episode is credited to Doris Young but that may have been as screenwriter, not necessarily as the original author. I'm sure that both the TV program and "She Devil" are from the mind of Stanley Weinbaum's 1935 story titled "Adaptive Ultimate".
I too recall this picture when I saw it in a movie theater in Ashtabula, Ohio in the 50's. What I found fascinating about it was the Dr. who was in love with this patient and how difficult it was for him to finally make the decision to give her a shot of the anti-serum to stop the violence. I remember how she willed herself to change and become a blonde when she was in the changing room, how the Dr. stole some hair from her hair brush so he could have it analyzed and when she is given the final anti-serum and reverts back to the sweet brunette he loved. Even as a 8 year old,it touched me and made it quite memorable, even in these times. Would love to see it re-done as well. Also, does anyone know if there is any way to get a VHS of this picture?
Did you know
- GoofsThe 'insect' that the doctors look at through the microscope is clearly a drawing and does not look the least bit like a fruit fly.
- ConnectionsFeatures Un si doux visage (1952)
- SoundtracksSerenade in G, K. 525 (
Eine kleine Nachtmusik"), first movement (fragment)" (uncredited)
Music by Wolfgang Amadeus Mozart
Playing on the phonograph when Kyra is reclining in the library, book in hand
- How long is She Devil?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- La diabla
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 2.35 : 1
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