Filles délinquantes

Low-budget crud with a great, campy title and a marvelously-designed graphic poster, instantly calling up nostalgic memories for baby-boomers of the drive-in movie era. Sleazy, hilariously awful melodrama from A.I.P. stars Gloria Castillo as a harried young woman, pawed at by all men, who gets sent to a girls' home where she fights with the other teenagers. Edward Byrnes, 'Kookie' to his "77 Sunset Strip" fans, is odious as a windbreaker-wearing delinquent, although a very green Sally Kellerman (in her debut) isn't too bad as one of the inmates (watch out for those scissors!). Supporting players Jack Kruschen and Luana Anders look properly embarrassed. Remade (sort of) in 1994 for cable TV. *1/2 from ****

Before getting into a car with Edd "Kookie" Byrnes, ask if it's stolen. Before getting into your bed, check to make sure Yvette Vickers has not placed a snake in it. Before turning your back on Sally Kellerman, make sure she is not holding a baseball bat. Before getting beaten up by everyone for squealing, ask if you're going to get beat up whether you squeal or not. (If the answer is yes, you may as well squeal.) Before signing on to do this picture, fire your agent.

Gloria Castillo plays the title character, a nice girl living with her beyotch of an aunt and step-uncle, played creepily by Jack Kruschen (the uncle, not the aunt). Castillo goes out for a drive with her friends, unaware that the driver (Byrnes) is a thief, a scumbag, a cad, and future sidekick of Efrem Zimbalist Jr. And Roger Smith. After Byrnes tosses Luana Anders and Castillo's date out of the car, he proceeds to mow down a pedestrian. He heads for the hills, leaving Castillo holding the bag.

Speaking of bags (in particular, old ones), Castillo is sent off to the Hastings School for Girls, run by some of the oldest and/or chubbiest dames you will ever see. The school's head is played by Helen Wallace, and the "matron" is played by Dorothy Crehan. I have no idea if Crehan is related to the character actor Joseph Crehan - then again, Dorothy Crehan may be Joseph Crehan in drag.

Castillo more or less manages to fit in. Meanwhile, the new teacher, played by Ross Ford, who is also a practicing psychologist, has some difficulty adjusting to the school. Let's see - a school full of girls (well, there are about ten anyway, including one who looks like Jane Powell) and one man - what could possibly go wrong here? He asks his class to name the decisive battle of the Civil War. "Bunker Hill," is the snide reply. Close. At least they have the country correct. This would earn an A+ in today's classroom.

After Castillo and another girl are caught smooching with a couple of locals in a barn, Ford suggests that the school sponsor a dance, so everything will be out in the open. This is not one of Ford's better ideas. Meanwhile, back at 77 Sunset Strip, Byrnes, who wants to make sure Castillo keeps her trap shut, gets one of his bimbos (a woman listed in the credits as "Blonde") to drop a dime on Anders. Anders winds up at the school and blames Castillo for turning her in. This development suddenly makes the film interesting, even though it's almost over. Castillo is put in solitary after stabbing Kellerman on the arm with scissors. Anders manages to sneak a call out to Byrnes, saying Castillo is ready to spill everything. Byrnes heads for the school, determined to shut Castillo up for good.

The supporting cast is interesting, I must admit. Besides Kellerman (who towers over everyone) and Anders in their film debuts, we get to see perennial town tramp Yvette Vickers without much makeup, and veteran Thomas Jackson (the guy who gunned down Little Caesar ) in a bit part as a judge. The Statue of Liberty appears unbilled. And if you've been dying to see Jack Kruschen in an undershirt and suspenders, your wish has come true.

A little word in advance: since this producer sadly passed away in 2001, several of his film received a re-release on DVD under the group name `The Samuel Z. Arkoff Library'. Which is actually a good thing because otherwise, many of his productions would be lost and undiscovered forever. The largest part of his film is extremely low-budget horror (The Undead, The war of the colossal beast, Voodoo Women…) and at first sight, this Reform School Girl seems to be a misfit in that collection. Nonetheless, it's a film definitely worth checking out.

Reform School Girl is a raw and intense social drama, which portrays the lesser attractive aspects of humanity. Some of the main topics of the film include betrayal, egocentrism, blackmail, abuse, jealousy and juvenile violence. It's about a young girl who's sent to a reform-institution after being involved in a car accident. The guy she was with threatened to kill her if she would tell his name to the police. Therefore, her lips are sealed and she brought to a closed institution. Yet, even there she has to face that the ‘code' doesn't allow her to speak freely. Disappointed by the whole world, Donna turns into an anti-social and hostile girl who has to rediscover her trust in mankind. Even though the film obviously suffers from a lack of budget and professionalism, it still manages to touch you and leave a huge impression behind. The script contains a few illogical elements (like the uncle who's scared to death because of a phone call by a youngster) but overall, it's fascinating and a much bigger triumph than most overbudgetted drama's that are only out to bring tears to eyes of the viewer by using cheap sentiment and morality lessons. The ‘message' in Reform School Girl is kept limited and the entire atmosphere is strictly dramatic. The acting is surprisingly good considering most cast members are young and inexperienced actresses. Certainly a film worth a look whenever you have the chance of seeing it. It was re-made for the TV-screen in 1994 by Jonathan Kaplan starring Matt ‘Friends' LeBlanc, among other familiar faces.

"Donna Price" (Gloria Castillo) is a teenage girl who lives with her Aunt Rita (Claire Carlton). The problem is that the man Rita has married, "Mr. Horvath" (Jack Kruschen) is always trying to make a play for Donna. So when Donna decides to get away from Mr. Harvath, by going joy-riding with a young man she hardly knows things begin to take an immediate turn for the worst. She soon realizes that "Vince" (Ed Byrnes) is a violent, hot-headed thug who has stolen the car she is riding in. To complicate matters, Vince kills a pedestrian while trying to evade the law leaving Donna alone to face charges. Fearing for her life if she testifies against Vince, she remains silent and is subsequently sent to a reform school for juvenile delinquents. But even there things begin to get out-of-control. At any rate, rather than reveal what happens next I will just say that this turned out to be a pretty good movie. The acting was decent and there were some attractive young ladies like Yvette Vickers (as "Roxy") and Luana Anders ("Josie") which certainly didn't hurt the overall scenery. I also liked the 50's slang the girls tossed around at every opportunity. Even so, this film may not suit everyone's taste. Slightly above average.

Reform School Girl (1957)

* 1/2 (out of 4)

A good but troubled girl gets into a car with a psycho who runs over a man, killing him. The girl refuses to give the psycho's name so she's sent to reform school where she gets into more trouble but thankfully there's a teacher there who wants to help her. There were countless juvenile films released during the 1950s due to the success of Rebel Without a Cause and this one here was one of the more popular ones but it hasn't aged too well. The film is stupid, pointless and rather boring from start to finish, although the film does contain a few campy moments. The performances are all rather bad but this adds a little charm to the film.