Les nuits de Cabiria

This is one of the most perfect films ever committed to celluloid. It involved me more than at least 99% of other films I've seen, and the main character, Cabiria, is a character to cherish and love forever (of course, we who have seen La Strada are already partly familiar with the character). I've hardly ever cared more about a character, and even after only five minutes into the film, I wanted so desperately to protect her. Giulietta Masina is so masterful in her performance, and Federico Fellini, her husband, is as masterful in his direction. I did not believe that they could match their success with La Strada, but, in fact, they succeeded in surpassing it. Bravo. 10/10. One of the best films ever made, plain and simple.

Federico Fellini, the genius of the Italian cinema left his imprint in all the films he directed for all of us to enjoy forever. "Le Notti di Cabiria" stands as one of his best because of the character of that invincible woman at the center of the story: Cabiria! Having recently seen the excellent copy that was shown at NY's Film Forum, this is a film that like good wine gets better with age.

Fellini was the man whose idea was translated for the screen with his usual collaborators, Tulio Pinelli and Ennio Flaiano. Pier Paolo Passolini contributed to some of the dialog. Essentialy, this is a timeless tale of a woman that despite adversity, bad times, and all that is wrong around her, keeps her chin up and never begrudges a thing. In fact, Cabiria, despite of her profession, is a woman with a highly moral character.

The film takes us back to another, more innocent era. We are shown a prostitute with a heart of gold who is always cheated by most of the men who comes in contact with her. Cabiria is never resentful, or bitter at the hand life throws her way.

One of the best realized sequences of the film involves Cabiria being picked up by a handsome and popular actor, Alberto Lazzari. Alberto is about the only one in the movie that treats Cabiria with any semblance of warmth. Unfortunately, nothing happens between them because Alberto's lover, the gorgeous Jessy, arrives at Alberto's apartment to claim what's hers, leaving Cabiria shut up in a bathroom. If only her friends could see her then! Nobody would believe it!

There is not a moment out of place in the film. Of course, Fellini had the incomparable Giulietta Masina playing the leading role. Ms. Masina is just too wonderful for words. She makes us believe she is Cabiria, and that's that, which in itself it's something other actresses try harder, without the same results. Ms. Masina's face reveals all that is going on within Cabiria. Together with all her other creations in other Fellini's films, this is perhaps her own triumph as an actress.

Franca Marzi, who plays Cabiria's best friend, is also excellent. Amadeo Nazzari is perfect portraying the matinée idol, Alberto Lazzari. This was one of his best appearances in a distinguished career in the Italian cinema. The rest of the cast is wonderful.

Fellini's masterpiece is a film that satisfies any time one sees it thanks to his vision and the presence of Giulietta Masina.

...alongside La Dolce Vita, 8 1/2 and Amarcord. Fellini's films are not for everybody perhaps, but I admire them how well made made and directed they are, some of them like Amarcord and the peacock in the snow have breathtakingly beautiful images that stay long in the mind, for his choices in composers and actors, for his deliberately paced and sometimes ambitious stories(8 1/2 is especially true of this) and also that the characters are not always what they seem at first glance. Nights of Cabiria I have seen before criticised as grating, sentimental and self-indulgent(the latter being a criticism of Fellini's films in general and him also actually), and while I am understanding, I personally don't agree.

I find Nights of Cabiria to be one of his accessible films, and along with La Strada also his most moving. Again it is incredibly well made, with beautiful scenery and cinematography. The images are again very memorable, and done with much emotional resonance, the best of which being the ending which is both tragic and uplifting. Fellini's direction is superb, the personal nostalgia that is apparent in all his films is here and you do identify with the story and the titular character. The music has much beauty and nostalgic charm, while the story perfectly tells of the sheer happiness and then tearful sorrow of unfortunate Cabiria's life. Cabiria, the titular character, is one you can identify with immediately, feeling pity and also her conflicting emotions as she tries to remain positive even in the face of adversity. Giulietta Masina gives a bravura performance, her face and eyes are beautifully expressive and she is just heart-breaking. Francois Perier also shines as the stranger who makes the offer that is almost too good to be true.

Overall, a truly beautiful film and one of Fellini's best, certainly one of my favourites as well. 10/10 Bethany Cox

My friends went to see The Queen last night - I was too tired and decided to go back home. I put in the DVD and got into bed figuring I would watch an half hour or so and fall asleep. At the end of nearly 2 hours, I was sitting up straight, wide awake, awestruck at the genius in the direction and acting. This is cinema at its finest. I have seen La Strada before and I now rank Fellini's earlier work as among my all time favorites (along with Ozu.) Masina's tearful smile at the camera at the end is pure magic - so much dignity and hope captured in a single second. Her performance throughout the movie was a revelation - she got innocent hope and graceful charm to shine through her foul-mouthed vulgar acting character. I simultaneously cared and despaired for her - this movie pulled me in like no recent Hollywood movie has for a long long time.

It's hard to tell which Fellini's film leads the way; "8 1/2", "La Dolce vita", "La strada", "Amarcord" and so many more, you just can't choose.

But, when it comes to this beautiful picture, things become clearer. It's not just the amazing perfomance by Giullietta Masina, it's not just the wonderful, semi-crazy characters wondering around the screen and emphasizing Kabiria's sad and lonely world, it's -and that's the film's greatest quality- this sense of optimism that Fellini wants the viewer to take with him/her as he/she is leaving the theater. The master takes everything from his heroin but at the end he wants to convey one simple, eassy-to-grip but so essential message: "Please, don't give up". The power of the film's last ten minutes is unpreceded in the world of movies and, sad to say, never again have we seen such an amazing finale. This is a must-see film, and, most important of all, a film so generous to its viewers that one time is not enough. A total 9/10