Amour frénétique

"Loving You", the King's second movie, succeeds by using his own raw personality and talent and a version of his real-life rise to fame as a backdrop; the songs, too, are far better than many of the musical films he would churn out in the 1960s. Elvis himself makes use of his young rebel status as Deke Rivers, a driver who joins a country music outfit and causes havoc with his wild rock 'n roll style. His own band appear (Scotty Moore, DJ Fontana, Bill Black) and there is even a glimpse of Elvis' mum Gladys in one of the audiences.

In the cast alongside Elvis are Lizabeth Scott as the predatory Glenda, Wendell Corey as her on-off boyfriend and bandleader Tex, and pretty Doleres Hart as the love interest for Deke. The film also benefits from carefully planned Technicolor and some imaginative costumes for Presley to kick start his movie image. Enjoyable and very watchable, and somewhat ahead of its time.

Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.

'Loving You' however is one of his best films, regardless of its corny scripting, paper-thin (at times) story and cop-out ending. It also boasts one of Elvis' better acting performances, it is one of his most natural-looking ones where he is not as stiff as he could be and like in his film debut 'Love Me Tender' there is a charm, easy-going charisma and genuine emotional honesty. He also has one of his best supporting casts, with the likes of Lizabeth Scott, Wendell Corey, James Gleason and Delores Hart.

As to be expected, the music is great, especially the title song, "Teddy Bear" (a highlight scene), "Lonesome Cowboy" and "Got a Lot o' Livin' to Do". Elvis sings sublimely with his usual distinctive timbre and the way he sings and performs in 'Loving You' is quintessential prime Elvis Presley.

Throughout there is a lot of charm, and as an re-enactment of Elvis' rise to stardom the film boasts some genuinely moving and sincere moments. The direction is solid.

Production values are top-class too, 'Loving You' was the first of Elvis' films to be shot in colour and it looks fabulous.

In conclusion, one of Elvis' best films, not perfect but not one to be scorned at. 8/10 Bethany Cox

Elvis Presley's second feature capitalized on the King's meteoric rise to superstardom by autobiographically depicting his real-life experiences with some embellishment. Loving You, therefore, provides fans with a sort of auxiliary examination of a working class kid's practically supernatural odyssey from gas station to recording studio -- shedding light on a few of the darker aspects of being famous (such as rabid fans that rob E of his privacy and, even more telling, the tenuous relationship with a manipulative manager who guides his career with iron will). Loving You boasts beautiful color photography, excellent costuming, and a few of the King's outstanding performances -- particularly "(Let Me Be Your) Teddy Bear."

Elvis(now with dyed jet black hair) in his second feature is wonderful and this film is very much a testament to his early acting ability and the raucous sound that was Rock 'n' Roll.

Whether it was the title ballad or 'Got A Lot O' Livin' To Do' or 'Party' or 'Teddy Bear'-they were all golden hits in their own right. It's fantastic to see Elvis perform these numbers in this film, and one might say heartbreaking to watch as we witness that innocence of youth that was at the start of a roller-coaster ride of centuries worth of adulation and respect(at last).

Unlike, his previous debut film, 'Love Me Tender', the 'Loving You' story isn't too demanding as we are treated to a semi-autobiography about a working class boy who hits the big time with those good looks, golden voice and shaky leg. The young Elvis handles the dramatic scenes very well as he did in 'Love Me Tender', he's no James Dean but the makings are there. Wendell Corey is great as the band leader and future Nun, Dolores Hart plays it nice in her film debut.

Another aspect of this movie falls into place in the form of Lizabeth Scott's character who wheels and deals the fate of the travelling show band and gives us an insight into the canny manipulation of publicity that is forever part of an unpredictable business. Did she take lessons from Tom Parker for this one?

This is truly a great Rock 'n' Roll movie that was beautifully filmed and well-directed, and for any fan of that era has got to be amongst their favourites. On the other hand, if you're not a fan of Elvis or that kind of music, just sit back and enjoy the ride because it's such a feel-good kind of thing, especially watching 'The King' portray a young man very similar in character to himself and goes by the name of an equally distinguished name-Deke Rivers.

I like this semi autobiographic movie. Not only is the plot strong, but once again Elvis has a strong supporting cast. I particularly liked the character the Delores Hart played. I especially thought that the controversy surrounding Elvis Presley's character mirrored the early part of his career. I give this movie 4 stars