Le fort de la dernière chance

Lt. Frank Hewitt absconds from the Union Army to warn fellow Texans that Indian attacks are inevitable due to a massacre at Sand Creek. What he finds is that all the men are away fighting in the Confederate Army so the homesteaders are mainly made up of women. Having to first earn their respect and trust, he convinces them to prepare for an Indian attack at a dilapidated mission station, teaching the majority of them to shoot and fend for themselves in hand to hand combat. Badly outnumbered when the day comes, it will take more than the hand of god to stop this from being another massacre to further darken the South.

What an absolute blast this picture is, for sure it's steeped in "B" movie tropes, but led by the amiable Audie Murphy as Hewitt, the picture is certainly most engaging and never lets the discerning viewer down. Perhaps struggling to shake off the need to be overtly serious, it is none the less dramatic at times and not without serious moments that put the ladies of the piece firmly in a good light. It's not a feminist picture of course because the characters still need their men to be with them, while Hewitt naturally creates a little pitter-patter amongst some of the women. What the picture chiefly portrays is that these gals can step up to the plate when required, and more crucially, the film doesn't rely on sentimentality to raise the story's worth.

Kathryn Grant (soon to me Mrs Bing Crosby), Hope Emerson, Jeanette Nolan, Peggy Maley and Patricia Tiernan are just some of the female cast that brighten up the play. From the intriguing training sequences as Hewitt gets tough with the gals, to the thrilling rush of the Indian attack on the mission, The Guns Of Fort Petticoat is a very enjoyable Western that most certainly doesn't waste the time of the viewer. 7/10

i have seen this film several times. also, i am looking forward to seeing it again on television this week.

my only regret is that when we visited Arlington cemetery in 1990 we did not visit Audie Murphy's grave.

An earlier reviewer writes that the title of this Audie Murphy oater suggests a comedy--"F Troop" meets "Petticoat Junction." He can be forgiven this wit since both of those sitcom inanities post-date this western by many years.

But in a way he was not far wrong. While not a comedy it has comedic elements, as all good action films should, and it's a merger of two stories that could be described as "The Alamo" meets "Westward the Women".

The latter is an (apparently) little known film by William Wellman made six years earlier. Robert Taylor has the Audie Murphy role as wagon-master Buck Wyatt leading a group of mail-order brides from Chicago to California. He's also a hard-nosed martinet whose crew deserts him when they can't obey his orders to stay away from the women, thus setting up a similar scenario. Although not the only male guiding the wagon train west (there are four), the setup is pretty much the same as "Fort Petticoat".

The common bond here is Hope Emerson ("Sergeant" Hannah Lacey), a true pro. She was also Patience Hawley in Wellman's film, playing the same character in both, and it's a good one. I believe MGM hoped to establish Emerson as another Marjorie Main but comparisons are invidious and Emerson, a wonderful actress (see "Caged"), inevitably came off second to Main. Sadly, she died a few years after this movie was made.

Many of the same elements populate both movies, particularly in how the man trains the women, who grow beyond his tutelage (and leadership) after overcoming difficult odds, but "Fort Petticoat" manages to come up with a few new turns of its own.

As for Audie, he does well--reprising Buck Wyatt in spirit but remaining true to his own personality. He plays as well off Emerson as Taylor did in "Westward" and both make this an entertaining movie.

This movie can be frequently found on Encore Westerns but if you can catch "Westward the Women" on TCM, I urge you to do so. It's a bit grittier but the two are a credit to each other thanks to Hope Emerson.

As every Audie Murphy buff knows, his best western was the near-classic No Name On the Bullet, with perhaps Destry a close second. But in the top three (setting the short but brilliant Red Badge of Courage and the autobiographical To Hell and Back, an A movie, aside), Guns of Fort Petticoat is at the top of the list, owing to splendid outdoor action sequences, a smart sense of humor that doesn't allow anyone to take this all too seriously, and . . . to put it bluntly . . . sex appeal. Also, a political consciousness, with Murphy a) going north, despite his being a southwesterner, to fight in the civil war because he's against slavery, and b) his attempt to try and stop the Sand Creek Massacre and save Native American lives. (One historical error: The massacre was not perpetrated by 'regular U.S. army,' as the film suggests, but by a self-styled civilian-soldier group called a 'militia outfit' though really noting more than racist vigilantes.) Knowing that an Indian war is impending, Murphy returns to the war torn southwest and, with men absent, trains women to fight and defend themselves. Something of a feminist western, way ahead of its time, but (thankfully) no polemics, only action, romance, and surprisingly effective comedy. Kathryn Grant makes an adorable female lead for Audie.

The Guns Of Fort Petticoat is a nice little western flick. Telling the story of Lt. Frank Hewitt, a man who deserts the Union when his colonel decides to attack friendly Indians returning to Sand Creek, resulting in the Sand Creek massacre, he has to prepare a townstead of women to defend themselves as Indians commit attacks in the state in retaliation to the massacre.

This is a neat movie. The idea of women defending their homestead is a bold move, but it works out. The story has everything to expect in a western: action, romance, suspense. If you never saw this, I recommend doing so.