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Deux yeux, douze mains

Original title: Do Ankhen Barah Haath
  • 1957
  • 2h 23m
IMDb RATING
8.4/10
1.9K
YOUR RATING
Sandhya in Deux yeux, douze mains (1957)
ComedyCrimeDramaThriller

Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly gu... Read allProgressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.

  • Director
    • Shantaram Rajaram Vankudre
  • Writer
    • Gajanan Digambar Madgulkar
  • Stars
    • Shantaram Rajaram Vankudre
    • Sandhya
    • Ulhas
  • See production info at IMDbPro
  • IMDb RATING
    8.4/10
    1.9K
    YOUR RATING
    • Director
      • Shantaram Rajaram Vankudre
    • Writer
      • Gajanan Digambar Madgulkar
    • Stars
      • Shantaram Rajaram Vankudre
      • Sandhya
      • Ulhas
    • 18User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins & 2 nominations total

    Photos3

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    Top cast16

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    Shantaram Rajaram Vankudre
    Shantaram Rajaram Vankudre
    • Jailer Adinath
    • (as V. Shantaram)
    Sandhya
    Sandhya
    • Champa
    Ulhas
    • Shanker Passi
    • (as Ullhas)
    Brij Mohan Vyas
    Brij Mohan Vyas
    • Jalia Nai
    • (as B.M. Vyas)
    Paul Sharma
      S.K. Singh
      Gajendra
      G. Ingawale
      Chandarkar
        Tyagraj
        Asha Devi
        • Mother of Inmate
        Shankarrao Bhosle
          Samar
          Sunil
            Baburao Pendharkar
            Baburao Pendharkar
              Keshavrao Date
                • Director
                  • Shantaram Rajaram Vankudre
                • Writer
                  • Gajanan Digambar Madgulkar
                • All cast & crew
                • Production, box office & more at IMDbPro

                User reviews18

                8.41.9K
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                Featured reviews

                Pinkai

                A Good movie!

                During a phase of my life, I had a roommate who had used to sing "Ai malik tere bande hum" (O Lord, we're thy servants!) pretty often, and that was the only reason I watched this movie (the song was from this movie, he had told me!), when it was broadcast by Dordarshan, the National Television Channel of India, a few years later. And I must admit, it was a good movie. Sure, it had all those mandatory songs, but yet the songs didn't intrude into the movie, at least for an Indian such as I, used to heavy and endless dose of songs in movies.

                To me, the most impressive point of this movie was its simple yet nice story (apparently based on a real-life incident), which was devoid of many so-called masalas (spices!)in spite of the era in which it was made (Compare Do Bigha Zamin for cheap sentimentality, for example) and yet executed well.

                It's long-enduring impact can be seen from the spoof enacted by Annu Kapoor for a T.V. series (I don't remember its name, though) which used to be in Zee TV as recently as in 2003.
                9vishal_wall

                A timeless Classic

                A real classic. I watched it about 25 years back and watched again yesterday. I did the magic both times on me, as a child and as a middle aged man. A jailer fights the eternal battle of good against evil when he decides to make 'men' out of 6 hard-core criminals.

                Story doesn't meander. Plot is simple and filled with surprises and mythological grandiose. At times movie becomes sheer art and work of genius when V Shantaram through his spectacular framing and simple screenplay details talk about the psychology of a common man or uncommon man in dynamic society. Scenes like grandmother, Shankar walking out, first night sleep etc are just mind blowing. My favorite scene is when Jailer drags the barbed wire woods.

                Making of the film is extremely artistic. All the scenes are thoroughly conceived. You can make out each and every actor moves from spot to spot. Camera moves in spots. Every single frame is detailed to its last frame. Acting is extremely animated but works in favor in a film like this. Background music is extremely provocative as lots of drums are used. Very entertaining drama. 9/10.
                9samayravi-805-294323

                UphoLding the Indian prison norms..

                The master piece of all times .Nothing more to add
                vrsrini

                an Indian Viewpoint

                I was indeed lucky to have seen this movie on big screen,that too in Japan. Do Aankhen Barah Haath, should be viewed keeping in mind that the movie was made in 1957, when melodrama played a huge part in acting (as opposed to say, a "Dil Chahta Hai" made recently).

                The initial credits of DABH shows that the movie has been based on a real story..The movie, apart from being an extremely pleasant one (its optimistic tone and the chosen subject of reforming 6 hardened murderers into honest,non-violent farmers), shows a picture of the social milieu that covered India during the times the movie was made.

                Some particular scenes really touched me , most predominant of which was when one of the convicts' mother , a frail old lady brings her grandchildren to meet her son. It was one of the most natural,real and effusive show of affection shown on the big screen, that I had seen, and the scene immediately made me remember the people in my grandfather's village.

                V.Shantaram has used a simple screenplay without complex reactions to show the pathos and feelings experienced by the convicts. Still, certain scenes such as the one showing the Barber-convict requesting the Jailor to have a shave are very natural.

                To put it in a nutshell, Do Aankhen Barah Haath is an extremely optimistic movie that can endure beyond eras and times.
                9sauravjoshi85

                The milestone of Indian Cinema!!

                Do Ankhen Barah Haath is a drama movie directed by Late V. Shantaram and stars Late V. Shantaram, Sandhya, Late Baburao Pendharkar and late B.M. Vyas.

                This movie is one of the milestone of Hindi cinema and has attained a status of cult classic. With great direction, superb acting and beautiful music. The song 'ae malik tere bande hum' was super hit at the time of it's release and is still used as prayers in Indian schools in many parts of India.

                The plot of the movie is fresh and execution is superb, the best part of the movie is that the director hasn't wasted much time on character development introduction and kept his primary focus on the plot.

                Screenplay is good and will keep you engaged to the movie, acting is great and music is superb. The songs of the movie were chartbusters. Climax of the movie is emotional but has perfect ending.

                This is one of the greatest movies ever made and a must watch. An Indian classic.

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                Storyline

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                Did you know

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                • Trivia
                  "Ae Maalik Tere Bandhe Hum" sung by Lata Mangeshkar from this movie has been adopted as the anthem by a school in Pakistan.
                • Quotes

                  Champa: [sings] God, you are our creator / May our deeds be noble / May we walk the path of righteousness and refrain from evil / So that we may die fulfilled and smiling

                • Connections
                  Referenced in Jawan Muhabat (1971)
                • Soundtracks
                  Ho Umad Ghumad Kar Aayi Re Ghata
                  Lyrics by Bharat Vyas

                  Music by Vasant Desai

                  Sung by Lata Mangeshkar and Manna Dey

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                FAQ14

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                Details

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                • Release date
                  • 1957 (India)
                • Country of origin
                  • India
                • Languages
                  • Hindi
                  • English
                • Also known as
                  • Zwei Augen - Zwölf Hände
                • Production company
                  • Rajkamal Kala Mandir
                • See more company credits at IMDbPro

                Tech specs

                Edit
                • Runtime
                  2 hours 23 minutes
                • Color
                  • Black and White

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                Sandhya in Deux yeux, douze mains (1957)
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