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John Payne and Karen Steele in En chute libre (1957)

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En chute libre

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Final film of Paul Kelly.
Although shot in academy 1.37:1 aspect ratio (for later television airing) the theatrical -- or *intended* (by the studio, producer, director and/or cinematographer) -- aspect ratio of this film is 1.85:1 widescreen. Most modern 16x9 (1.77:1) televisions have a "zoom to width" picture option, essentially allowing the viewer to see the film as the director and cinematographer originally planned. It is easy to spot films shot this way since all the titles and credits will still fit when properly cropped (they stay in the "middle" of the frame vertically), and there is an unusual amount of "headroom" above the actors in medium and close-up shots when viewed uncropped. Quite often "mistakes" -- like seeing equipment in the top or bottom of the uncropped frame -- would never have been seen by a theater audience.
During game of bingo, caller mentions the column of the number rather than the associated letter, as in 1 in the first column rather than B1.

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John Payne and Karen Steele in En chute libre (1957)
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By what name was En chute libre (1957) officially released in Canada in English?
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