Pour que les autres vivent

As gripping and powerful as it is, ABANDON SHIP! is a survival story that's hard to view from the comfort of an armchair or theater seat. The viewer can identify so completely with the daunting task facing the ship's officer (TYRONE POWER) when making life and death decisions with regard to how many people can use the lifeboat when a sunken ship leaves them adrift at sea.

True, there are a few stereotypes among the raft's passengers, but the drama becomes real and forceful due to the strong performances from an excellent cast. MAI ZETTERLING is fine as a nurse with a romantic relationship to Executive Officer Power and STEPHEN BOYD and LLOYD NOLAN are fine as other ship officers caught up in unusual circumstances surrounding their survival at sea.

Not for the squeamish, it has echoes of Hitchcock's LIFEBOAT (but without the humor).

Tyrone Power was at a stage in his career when he wanted more serious roles rather than stay forever fixed in the minds of movie-goers as a swashbuckling star. Here he certainly had his chance to prove his acting skills and he does a splendid job in a grim role, one of his last parts before his premature death from a heart attack at age 45.

Once seen, never forgotten. Very few films have ever moved into Hitchcock's territory and beaten him, but Seven Waves Away / Abandon Ship is one: ultimately it's a much superior film to Hitchcock's similar Lifeboat. Seven Waves Away was made with impressive conviction and passion by writer-director Richard Sale, who was very active in the 1950s but didn't get another opportunity to direct a feature after this one, despite living 36 more years (what's up with that?). Working with production designer Wilfred Shingleton and art director Raymond Simm and filming almost entirely in a large tank (except perhaps for a few long shots), Sale created an unforgettably immediate atmosphere for a completely harrowing and uncompromising tale of survival at sea under the worst imaginable physical and ethical circumstances.

The cast performed admirably under very trying circumstances (imagine being wet all day, every day); in fact, the miseries of the filming process influenced the acting in a quasi-documentary manner that benefits the picture enormously. Even seen on television, Seven Waves Away is an intensely experiential movie; I can only imagine what it felt like on the large screen.

This was practically Tyrone Power's last hurrah; in his early forties when the movie was filmed, he died of a heart attack on a project shortly thereafter (as his actor-father Tyrone Power Sr. had before him). Power acts with tremendous force and tension as the "captain" here; the dramatic arc of the story is contained entirely within his decision-making process, and for a first-time viewer his key decision (which I will not reveal) will always register as startling because it runs so counter-intuitively to our received sense of ethics. But that is part of what gives Seven Waves Away its wallop.

This was my first viewing of the film and in my humble opinion Ty Power was terrific as a dramatic actor. It really opened my eyes to his capabilities. He had what it takes to project the reality across to us, the viewers. Although I wouldn't want to be in his situation, of deciding on the fate of survivors in a lifeboat, still I felt his decisions were the best that could be done in such an extreme and dire situation. I'm sure no one would want to be in his shoes at that time.

Each actor contributed in their minor roles, - nice to see Stephen Boyd in an earlier role - Lloyd Nolan seen rather briefly, and Mai Zetterling as the nurse who was supportive throughout.

Who can say what each and everyone would be willing to decide on if confronted with the inevitable decision of life and death, or basic survival as in this case. It's certainly something to think about in quiet moments.

I found this film riveting throughout as the dialogue progressed and decisions were made, rightly or wrongly, on people's lives.

It's a remarkably realistic revelation of human nature at its best and worse. A "must see" for those interested in drama, and particularly in Ty Power's development as a serious performer. Well recommended.

I liked this much in the way of Hitchcock's better known Lifeboat. Great character study of Tyrone Power in one of his last roles. Movie was shot in a large tank it seems as echos are heard. The only problem I have and I don't know if it's a goof or continuity problem is the fate of the first three characters and the dog on the floating wooden raft at the beginning of the movie. After Alec Holmes(Power)leaves them what happens to them? Otherwise a good flick. I like to point out that three Upstairs Downstairs alumni appear in this movie: Gordon Jackson, David Langton & Clive Morton. Power is great in a character twisting role as the first understanding acting captain and then as the more manaical Ahab like character who sacrifices peoples lives.

I haven't seen this film in many years, but I have never forgotten it. It proves you can make a harrowing high-seas adventure with life-and-death philosophical overtones on a tiny budget in a tiny set without going overboard (pun intended) like the bloated "Titanic." In some ways, I prefer this gritty, direct film more than Alfred Hitchcock's very similar "Lifeboat." This film has fewer glamorous eccentricities and gets down to the painful, shocking task of sacrificing lives. Tyrone Power might seem miscast as the captain, but this is not a glamor-boy role and as I recall he handles it quite well. If you're in the mood for hard-hitting, serious drama, this is the picture for you.