Police find that everyone had a motive for the murder of a wealthy woman.Police find that everyone had a motive for the murder of a wealthy woman.Police find that everyone had a motive for the murder of a wealthy woman.
- Director
- Writers
- Stars
Mary Jones
- Nella Langford
- (as Mary Tenes)
Philip Johns
- Detective Sergeant
- (uncredited)
Joe Wadham
- Police Driver
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film was shot around Hampstead Heath.There is a glimpse of Hampstead police station.The film works as a whodunit because nearly everyone seems to have a motive to kill the victim.Though it has to be said that Griffith Jones is quids in.Losing a hated wife and gaining the delectable Honor Blackman who would go on to far better films than this.
Imagine you have gone to the pictures in the fifties, possibly with mum and dad. You start by seeing this little jewel of a film, then the forthcoming attractions, Pearl and Dean adverts and then Pathé News!!! Before the main feature, sit back and enjoy a choc-ice. The main film could have been....... (use your imagination). Brings it all back, doesn't it?
If only all 1 hour TV police stories made today were as well written as well acted and as well directed.
If only all 1 hour TV police stories made today were as well written as well acted and as well directed.
This strangely short murder-mystery is a good reminder of why the English film industry was so strong during this period.
The cast of relative unknowns (with the exception of a young Honor Blackman) deliver a tight story in a precise way. The sub texts of the story are not laboured, creating an involving story.
It's worth the time.
The cast of relative unknowns (with the exception of a young Honor Blackman) deliver a tight story in a precise way. The sub texts of the story are not laboured, creating an involving story.
It's worth the time.
This is a brilliant thriller on a small scale, the restricted format of less than 80 minutes comprising a considerable mess of intrigues, as this wife already from the beginning shamelessly confesses to her infidelity, while her husband receives an alarming note which we are never initiated in, there is a reckless artist involved also who gets mixed up in some fights, and there is extortion and embezzlement, all in a wonderful complex of a mystery where everyone could be guilty wile they all are proved innocent by alibis. Honor Blackman is the leading actress here, not far from a Lizabeth Scott character, while the fast action makes it difficult for all the men involved to catch on, but it all makes sense in the end with great satisfaction to the audience after a Hitchcockian train finale.
A cheating wife gets killed on the moors, and police find that everyone had a motive for the murder. It's a dark little mystery with well-etched characters and plenty of twist and turns to keep you guessing who the murderer is. The set up, the motives of each suspect is well-drawn, guaranteeing suspense. It's a tad melodramatic, but well-made, well-acted and absorbing.
Did you know
- TriviaThis was first released to theaters in England as a second feature. Four years later it was screened on American television as the third episode of Kraft Mystery Theater (1961).
- Quotes
Clive Franklyn: I'm glad she's dead. I feel free for the first time since I've known her. She obsessed me, she... I couldn't live with her, couldn't live without her. She had everything and nothing. She looked passionate; she was sexless. She had the face of truth; she didn't know the meaning of the word. She was an illusion... nothing.
- ConnectionsEdited into Kraft Mystery Theater: Account Rendered (1961)
Details
- Runtime59 minutes
- Color
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