Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father... Read allAgnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.Agnes, a lonely teenage girl, and her father befriend an escaped convict, named Joseph, who arrives at their farm in Brittany, France. When Joseph develops an attraction to Agnes, her father threatens to break up the union.
- Wedding guest
- (uncredited)
- The mechanic in Karen's room
- (uncredited)
- Barman on the boat
- (uncredited)
- Wedding guest
- (uncredited)
- Café's owner
- (uncredited)
- Wedding guest
- (uncredited)
- Wedding guest
- (uncredited)
- Wedding guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlthough made by a British director with a largely British crew and supporting cast, this film was not released in Britain for over two years after it was made and was shown as the lower half of a double-bill with "A Guide For The Married Man".
- Quotes
Frederick Larbaud: Why are you lying on the ground?
Agnes Larbaud: I'm being a scarecrow.
Frederick Larbaud: You will make yourself filthy.
Agnes Larbaud: But they eat all the seeds. It would keep them from the vegetables.
Frederick Larbaud: What would?
Agnes Larbaud: The scarecrow.
Frederick Larbaud: I don't know what you're talking about.
Agnes Larbaud: I'm going to make a scarecrow.
Frederick Larbaud: With what?
Agnes Larbaud: Your black suit. Your old one. The one in the attic.
Frederick Larbaud: I don't want you to touch that suit.
Agnes Larbaud: But why?
Frederick Larbaud: You know why.
Agnes Larbaud: Please, I want it! I want it! Why can't I have the suit? It's no good to you. Please let me have it. Why can't I have it? I'll take it. If you won't give it to me, I'll take it. Do you hear me? I must have it!
Frederick Larbaud: Stop it! Stop it! Or I'll have you put away. Do you understand?
- ConnectionsReferenced in Patricia Gozzi: Sundays and Cybèle Interview (2014)
- SoundtracksRapture Main Title
Written and Performed by Georges Delerue Et Son Orchestre
The characters of Agnes and her father have such a touching pathos as they blindly find their way to healing through horrible tragedy, mutual loss, and self-discovery, for which Stockwell serves as catalyst. There is such an delicate realism to Gozzi's performance as an emotionally troubled and deluded adolescent that makes the film actually seem far ahead of its time. Trust me--this kid could have been right at home next to Brando in "On the Waterfront" and never been upstaged by him for one second.
Most reviewers seem to believe that it's these three sensitive performances that carry the weight of the plot, but how they stumble into learning about themselves and each other is never contrived. There isn't a single scene, as there is in most Hollywood films, with an overwrought catharsis that changes their world overnight. Rather, these are three people trying to act as their hearts and consciences dictate, sometimes blundering selfishly, other times meeting one another tenderly halfway. A visually beautiful and realistically romantic film.
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Details
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 2.35 : 1