Guide

GUIDE (1965) is an unsung classic of Hindi cinema, starring major Bollywood star Dev Anand. It's a beautifully-produced modern love story and focuses on what happens when a tourist guide takes up with an ex-dancer who has been abandoned by her archaeologist husband and then guides her career as she becomes a musical star. It has much in common with classic Hollywood romantic musicals in the way it seamlessly incorporates songs and musical numbers into the action and charts the success of its female star. It adds to this rags-to-riches show biz story some characteristic Indian twists which give it greater scope and deeper meaning.

Based on a novel by R.K. Narayan, GUIDE stars Anand as Raju, a glib, well-liked freelance tour guide who takes visitors, Indian and foreign, to historic sites around Delhi and tells them stories--some true, some embellished--about these magnificent places. When Raju takes Rosy (Waheeda Rehman), the ex-dancer, under his wing it causes a rift between him and his mother, friends and co-workers, so he leaves with Rosy and helps her to embark on a career as a singing and dancing performer.

However, as Rosy achieves stardom, Raju falls into bad habits, palling around with the money men, drinking and gambling heavily. Eventually, he is arrested for forging a check and is sent to jail. When he gets out he starts life anew and wanders alone far and wide before winding up in a remote desert village where, thanks to the endless stream of pearls of wisdom he dispenses, he is taken as a holy man. In the midst of a terrible drought, he is compelled to embark on a fast so as not to disappoint the villagers who believe his fast will bring rain. All the while, Rosy and his mother are searching for him.

The story is not told in quite this order. We first see Raju as he is getting out of jail and we first see Rosy as she begins her search for him. The story then unfolds in flashbacks from both his and Rosy's perspectives. If there is any flaw in the narrative structure, it is that the exploits of Raju in his reign as holy man, or "swami," are given short shrift while the love story tends to bog down during the lovers' disillusion and drift apart. We needed to see more of Raju's life in the remote village. Given that the film is only 170 minutes (rather short for a Bollywood film), another half-hour of storytelling would not have hurt.

Still, it is an accomplished work, boasting all the class, elegance and artistry of a classic Hollywood or European drama and few of the notable excesses of Bollywood films. It maintains a discreet cinematic distance that keeps the emotions in check while adding richer layers. There are songs and dances, but not too many, and they are all beautifully shot and staged, particularly the lavish, lengthy sequence showing Rosy's rise to stardom as a stage performer. The two leads, Dev Anand and Waheeda Rehman, are both genuine movie stars in the classic sense and carry the film as well as any of their counterparts in other cinemas. Rehman, for one, has a presence which clearly recalls such Italian actresses as Sophia Loren and Gina Lollobrigida. For those who are new to Bollywood, this film is a useful way to explore the roots of the Bollywood musicals that are finally attracting serious attention among film fans in the U.S.

Based on R.K. Narayan's famous novel, The Guide, Vijay Anand's Guide is a doubtless classic of Hindi movies. In a way, the movie broke tradition by presenting a relationship between a simple man who works as a guide and an unhappily-married woman he assists. The film's most remarkable feat is the lack of over-perfection. The characters are devoid of any heroic qualities. They are, like everybody else, flawed and imperfect people who have their ups and downs, and not typical self-sacrificing figures. The first scene when Dev Anand's Raju is released from prison made me predict that in typical Hindi-film style, he was actually there for no reason and was probably accused for no fault of his own. After all we are so used to seeing movies in which the lead characters are imprisoned either because they sacrificed themselves for somebody else or because they were deceived. Here Raju really did commit a crime. It's interesting how the story moves through several ironic turns. In the first half we see that Waheeda Rehman's Rosie is emotionally dependant on Raju as in him she finds a friend and confidant, and he is the one who inspires her to fight for her dignity and is her only support system. Later in the film, the story turns over when, with the help of Raju, Rosie achieves fame as a dancer. She is stronger, and feels more confident. There we see that it is actually Raju who is dependant on her, both emotionally and financially. He loses himself to drinking and gambling and is an altogether different person. Well, so is she, and that's what gives us a fascinating look at the complexity of their relationship.

The second half is, by my estimation, much stronger than the first, but that's a good thing (the trouble is when it's the other way around). In many ways, the second half, namely the parts showing the conflict in Raju and Rosie's new life as a couple, is reminiscent of many classic Hollywood pictures involving relationships. The narrative structure is done well, never daring to torture the audience and instead making everything easy to follow despite many complex proceedings. Yes, there are moments which I felt were unnecessary and the film may be quite overlong, but otherwise it is well-edited although, of course, it is more a case of good storytelling, and due credit for the consistency goes to Vijay Anand for writing such a good script and directing it so well. The dialogue is for the most part excellent - it is rich and meaningful, and it's easy to see why many of the film's lines are famous to this today. They bring depth to the story and never sound cheesy or corny, just very appropriate and convincing. The film is also one of the most remarkable cinematographic achievements of the times, and the colour cinematography makes for an easy watch. The music, by S.D. Burman, is sublime, and rightfully each song is considered a classic. The songs are executed with impressive energy and colour, they never feel out of place, and are all situationally relevant as they enhance the meaning of the story. My favourite number is of course the highly popular "Aaj Phir Jeene Ki Tamanna Hai", just because I saw it as an uninhibited celebration of the human spirit, and it is just an exhilarating and joyful number.

Raju and Rosie have been known as iconic characters, and due credit for this must go to the actors, though they are well written. Dev Anand, as already mentioned, plays an imperfect man who is still rather classy as a character and it is a demanding part for any actor. This is the role of a lifetime for this popular actor, he sinks his teeth into it, and delivers. He is convincing even in the most crucial moments, where a lesser actor could have failed, and brings character to Raju. Waheeda Rehman shines as the conflicted Rosie, in a performance that, in spite of being so restrained, conveys so much of her inner pain and dissatisfaction from life. Her transformation is very convincing, as later in the film we see an altogether different woman, who is indifferent to her surroundings and to Raju as well. It never looks peculiar, where it could have because we saw a much more warm side of her character early in the movie. It goes without saying that her dance numbers are simply superb - they are some of the best portions of the film and they contribute significantly to the building of her character. Each one of them constitutes an expression of her state of mind, whether happy or tormented, and there is a certain fervour in her expressions and moves that explosively brings out her otherwise repressed energy and emotion. Anand and Rehman are supported by several actors who provide strong support even if not all of them are great actors. Kishore Sahu is good as Marco, Rosie's ignorant husband, although he has several weak moments. The glorious Leela Chitnis is wonderful as Raju's loving mother.

Guide is a great film, though I would never call it flawless. In all fairness I found myself disappointed a bit with the conclusion of the story although I did see the redemptive tone of the ending. It is of course handled very well, but the chapter where Raju is mistaken as a holy man just didn't work for me as much despite the spiritual side of it. I still appreciate Guide and believe that fans of Hindi movies, and even foreigners who have not seen Indian movies, will enjoy this movie. It is a fine dramatic musical, and all I think is left to say is well-done.

Sep : 16 2005 I might be too young to comment about this great movie. I am just 24 years old. But i think age is not a bar to appreciate this movie. I see this move at least twice or thrice a week. Based on R. K. Narayan's Novel, "Guide" is by far the best movie ever made. Hats off to Narayan , Vijay Anand and Dev Anand. Not to forget S.D Burman Da 's music. This is a thought provoking movie. It, has the power to arouse the sub-conscious ethical senses. All the new directors have to learn a lot from this movie. Movie making is not just copying Hollywood. You can proudly say that Guide is a Hindi movie.... made in India. The concept of guide was far ahead to the contemporary movie making. It was made not only for that generation but for generations yet to come, just with enough impact to change lives..

When I travelled from India to US this was the only Hindi movie DVD that I carried with me. To me this is a "complete movie", as a movie should be. It entertains me by taking me through a wide gamut of emotions, it stimulates me spiritually and philosophically (indian faith, western existentialism are all there) and it is technically brilliant.

Each scene seems to be individually composed and you can see the effort that director vijay anand and his crew put in. Raju speaks to us in one of the scenes "there is not much difference between me and you". And as he speaks this you see the statue of Krishna in the background and Raju's index finger stretched as if holding a sudarshan chakra. Brilliant!!! Subtle things like these that you have to watch out for. The name "Guide" itself conveys a different meaning at different times in the movie; a railway guide, a personal guide and then a spiritual guide.

It is very sad that a brilliant director like Vijay Anand could never come out of the shadows of Navketan and despite giving us some of the most important and influential movies of our times was ignored. People in west respect their classics and make an effort that Billy Wilder, Hitchcock, Orson Welles, Chaplin etc. are not forgotten. New directors openly admit how much they have been influenced by these people. But in India, what is not on MTV is not worth remembering. In another 10 years no one will remember Vijay Anand.

Undoubtedly, one of the finest examples of film-making.This film is an absolutely original, Indian story, and does not owe anything to the west.Every aspect of the film is top-notch. The songs(each one, a masterpiece) blend so beautifully with the sequences, that one is convinced that the film would be incomplete without the songs.Adapted from the novel written by RK Narayan, the film explores the adventures and misadventures of the happy-go-lucky tourist guide, Raju(played by Dev Anand).The film moves on to the next level with the beginning of a love affair between Raju and a danseuse named Rosy(Waheeda Rehman) who is already married, but is discontented because her archaeologist husband doesn't really give a damn about her.The husband (Kishore Sahu) is shown to be deeply engrossed in the caves of Udaipur(the city where Raju is famously called "Raju guide")However, there is hardly any intimate scene between Raju and Rosy (later christened Nalini, in the film) and their feelings for each other are depicted in a very subtle manner. The characterization is so good that we sympathize with Rosy, rather than condemning her for having an extra marital affair....What happens next and what awaits Raju and Rosy is what the film is all about. Definitely a must-see film and certainly 10 on 10