Guide

Undoubtedly, one of the finest examples of film-making.This film is an absolutely original, Indian story, and does not owe anything to the west.Every aspect of the film is top-notch. The songs(each one, a masterpiece) blend so beautifully with the sequences, that one is convinced that the film would be incomplete without the songs.Adapted from the novel written by RK Narayan, the film explores the adventures and misadventures of the happy-go-lucky tourist guide, Raju(played by Dev Anand).The film moves on to the next level with the beginning of a love affair between Raju and a danseuse named Rosy(Waheeda Rehman) who is already married, but is discontented because her archaeologist husband doesn't really give a damn about her.The husband (Kishore Sahu) is shown to be deeply engrossed in the caves of Udaipur(the city where Raju is famously called "Raju guide")However, there is hardly any intimate scene between Raju and Rosy (later christened Nalini, in the film) and their feelings for each other are depicted in a very subtle manner. The characterization is so good that we sympathize with Rosy, rather than condemning her for having an extra marital affair....What happens next and what awaits Raju and Rosy is what the film is all about. Definitely a must-see film and certainly 10 on 10

Based on R.K. Narayan's famous novel, The Guide, Vijay Anand's Guide is a doubtless classic of Hindi movies. In a way, the movie broke tradition by presenting a relationship between a simple man who works as a guide and an unhappily-married woman he assists. The film's most remarkable feat is the lack of over-perfection. The characters are devoid of any heroic qualities. They are, like everybody else, flawed and imperfect people who have their ups and downs, and not typical self-sacrificing figures. The first scene when Dev Anand's Raju is released from prison made me predict that in typical Hindi-film style, he was actually there for no reason and was probably accused for no fault of his own. After all we are so used to seeing movies in which the lead characters are imprisoned either because they sacrificed themselves for somebody else or because they were deceived. Here Raju really did commit a crime. It's interesting how the story moves through several ironic turns. In the first half we see that Waheeda Rehman's Rosie is emotionally dependant on Raju as in him she finds a friend and confidant, and he is the one who inspires her to fight for her dignity and is her only support system. Later in the film, the story turns over when, with the help of Raju, Rosie achieves fame as a dancer. She is stronger, and feels more confident. There we see that it is actually Raju who is dependant on her, both emotionally and financially. He loses himself to drinking and gambling and is an altogether different person. Well, so is she, and that's what gives us a fascinating look at the complexity of their relationship.

The second half is, by my estimation, much stronger than the first, but that's a good thing (the trouble is when it's the other way around). In many ways, the second half, namely the parts showing the conflict in Raju and Rosie's new life as a couple, is reminiscent of many classic Hollywood pictures involving relationships. The narrative structure is done well, never daring to torture the audience and instead making everything easy to follow despite many complex proceedings. Yes, there are moments which I felt were unnecessary and the film may be quite overlong, but otherwise it is well-edited although, of course, it is more a case of good storytelling, and due credit for the consistency goes to Vijay Anand for writing such a good script and directing it so well. The dialogue is for the most part excellent - it is rich and meaningful, and it's easy to see why many of the film's lines are famous to this today. They bring depth to the story and never sound cheesy or corny, just very appropriate and convincing. The film is also one of the most remarkable cinematographic achievements of the times, and the colour cinematography makes for an easy watch. The music, by S.D. Burman, is sublime, and rightfully each song is considered a classic. The songs are executed with impressive energy and colour, they never feel out of place, and are all situationally relevant as they enhance the meaning of the story. My favourite number is of course the highly popular "Aaj Phir Jeene Ki Tamanna Hai", just because I saw it as an uninhibited celebration of the human spirit, and it is just an exhilarating and joyful number.

Raju and Rosie have been known as iconic characters, and due credit for this must go to the actors, though they are well written. Dev Anand, as already mentioned, plays an imperfect man who is still rather classy as a character and it is a demanding part for any actor. This is the role of a lifetime for this popular actor, he sinks his teeth into it, and delivers. He is convincing even in the most crucial moments, where a lesser actor could have failed, and brings character to Raju. Waheeda Rehman shines as the conflicted Rosie, in a performance that, in spite of being so restrained, conveys so much of her inner pain and dissatisfaction from life. Her transformation is very convincing, as later in the film we see an altogether different woman, who is indifferent to her surroundings and to Raju as well. It never looks peculiar, where it could have because we saw a much more warm side of her character early in the movie. It goes without saying that her dance numbers are simply superb - they are some of the best portions of the film and they contribute significantly to the building of her character. Each one of them constitutes an expression of her state of mind, whether happy or tormented, and there is a certain fervour in her expressions and moves that explosively brings out her otherwise repressed energy and emotion. Anand and Rehman are supported by several actors who provide strong support even if not all of them are great actors. Kishore Sahu is good as Marco, Rosie's ignorant husband, although he has several weak moments. The glorious Leela Chitnis is wonderful as Raju's loving mother.

Guide is a great film, though I would never call it flawless. In all fairness I found myself disappointed a bit with the conclusion of the story although I did see the redemptive tone of the ending. It is of course handled very well, but the chapter where Raju is mistaken as a holy man just didn't work for me as much despite the spiritual side of it. I still appreciate Guide and believe that fans of Hindi movies, and even foreigners who have not seen Indian movies, will enjoy this movie. It is a fine dramatic musical, and all I think is left to say is well-done.

Sep : 16 2005 I might be too young to comment about this great movie. I am just 24 years old. But i think age is not a bar to appreciate this movie. I see this move at least twice or thrice a week. Based on R. K. Narayan's Novel, "Guide" is by far the best movie ever made. Hats off to Narayan , Vijay Anand and Dev Anand. Not to forget S.D Burman Da 's music. This is a thought provoking movie. It, has the power to arouse the sub-conscious ethical senses. All the new directors have to learn a lot from this movie. Movie making is not just copying Hollywood. You can proudly say that Guide is a Hindi movie.... made in India. The concept of guide was far ahead to the contemporary movie making. It was made not only for that generation but for generations yet to come, just with enough impact to change lives..

In India, this movie is considered a textbook for directing films. I would say it's a textbook for acting, editing, song-writing, and music direction. If Vijay Anand's direction made this movie a classic, S.D. Burman's music made it unforgettable.

Of course, before the movie came R.K. Narayan's story of Raju, the guide; a story that lent its honesty to the film: The protagonist is not infallible, he is human. He doesn't get everything right. He is not loved by everybody. He cheats, albeit in love, and pays the price. He attempts to cheat again when he tries to run away from the village where he is being considered a saint and is being expected to fast for rain. That's when he realizes he has run enough attains peace.

Without going any more into some of the more abstract reasons this is my all-time favorite film, I'll point out some of the more obvious. Only the genius of S.D. Burman could create "Din Dhal Jaaye", "Tere Mere Sapne", and "Piya Tose Naina Laage Re" - all for the same film! It is rumored that R.D. Burman ghost-composed some of the songs (especially "Aaj Phir Jeene Ki") as his father had taken ill at some critical point in the film. Regardless of which Burman did it, I am thankful for what he did.

Dev Anand and Waheeda Rehman are two of my most favorite actors. With this movie, Dev Anand silenced his critics. His acting, especially in the last part of the movie, is heart-wrenching.

I disappointed to know that S.D. Burman did not win the Filmfare award for Guide. Not that awards matter - Pink Floyd never won a Grammy (well if you don't count the one they got for "Cluster One", which was just and instrumental).

The book was penned by an ace novelist by the name of R.K.Narayan, who wrote the story surrounding a small village in North India. The director was Vijay Anand younger brother of Dev Anand, who reluctantly accepted the task and changed the location to Udaipur, also called the Pink City, for its ornate pink palaces and now a tourist mecca. The partnership was called Navketan International. Navketan International even handled the advertising for this movie, which was pioneering and unique even for the '60s. The actor playing "Raju" was none other than,Devdutt Pishorimal Anand, Aka Dev Anand, Evergreen Anand, Dev Saab, an English major who trekked his way to Bombay (now Mumbai) the "Hollywood" of India now inaptly titled "Bollywood". Dev Anand was accepted by the Indian moviegoers instantly since he had chiseled features (mixture of Gregory Peck & Rock Hudson!)wore hats at a rakish angle,walked sort of sideways! and spoke Hindi with a clipped and poetic accent. Being handsome compared to some actors who were cherubic! didn't do any harm either. Dev Anand, who started his career in 1946, went on to act in over 100 movies in a span of fifty years, now an octogenarian, writer, producer,director of movies OF which, less said is better!

But If there was one movie that was reflective of the confluent talent that was prevalent in Indian cinema of the '60s and '70s, it had to be "Guide". Dev Anand is not an actor in the sense of acting talent like Raj Kapoor or Rajendra Kumar(Sangam) but he got away because of his good looks. Where as Waheeda Rahman, was the Liz Taylor for looks and Merryl Streep for acting in Indian cinema. The part of "Rosie" was sculpted for her. She was a noted classical dancer. She too was reluctant in accepting the part that had, lot of insinuations and was considered a bad career move. Accepted she did and the rest is history, a cinematic masterpiece caught in Eastman color by cinematographer Jal Mistry. There is a scene, where, Raju (Dev Anand,) is drunk and sings his heart and soul to Rosie (Waheeda Rahman) who has emotions crushed between a pillow and she walks down the stairs and their hands meet between rails. This was the master director Vijay Anand at work using haunting melody of music that was the staple of great music directors like "Dada" Sachin Dev Burman, whose music will linger for ever. "Guide" is a movie you will treasure, to be taken out and watched once in a while, lest we forget the fact that there were gifted craftsmen who made great movies, when movie art was a passion practiced by chosen few. It was a Sacred Sanctum, albeit not Sacred Anymore!!