IMDb RATING
6.1/10
1.8K
YOUR RATING
A divorced couple's teen-age daughter stands trial for stabbing her mother's latest lover.A divorced couple's teen-age daughter stands trial for stabbing her mother's latest lover.A divorced couple's teen-age daughter stands trial for stabbing her mother's latest lover.
- Nominated for 1 Oscar
- 3 nominations total
Mike Connors
- Major Luke Miller
- (as Michael Connors)
James Bell
- Judge - Divorce Court
- (uncredited)
Nick Borgani
- Card Player
- (uncredited)
Walter Brooke
- Banker
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt the last minute, the producers wanted to add a scene where Bette Davis' character goes insane and commits suicide. Davis refused, saying it was out of character for the role.
- GoofsDuring lengthy flashback sequence taking place 20 years earlier, none of the three leading characters look any younger than they do in present-day story set in 1964 nor do their Edith Head designed clothes or hairstyles reflect styles of two decades in the past.
- Quotes
Valerie Hayden Miller: [receiving the advances of her drunken husband] You're not the first today, I'm just getting warmed up!
- ConnectionsEdited into The Green Fog (2017)
Featured review
And that's not ALL poor Joey Heatherton's lost, in this lurid melodrama adapted from the Harold Robbins novel. Produced by Schlockmeister Joseph E. Levine (''The Carpetbaggers'') ''Where Love Has Gone is a VERY thinly disguised dramatization of the Lana Turner/Cheryl Crane/Johnny Stompanato case in which he was supposedly stabbed to death by Lana's daughter Cheryl. Here, the central figure is a famous sculptress (Susan Hayward) who resents her domineering mother (Bette Davis) and spends most of her time in the sack with various low-life lovers. Heatherton is her neglected teenage daughter, whose estranged father (Michael Connors) flies to her defense when she is accused of the murder. This leads to a lengthy flashback which shows, in detail, the courtship, marriage and eventual divorce he and Hayward endure.And, back in the present (where no one involved looks a day older, let alone wiser) things get worse, as one sordid revelation after another leads all of this to it's laughably melodramatic conclusion. Davis, who reputedly didn't like the script (or Hayward either, for that matter)and sporting a white wig and very thick eye makeup,reads her lines like an elocution school teacher, while Hayward bellows hers so loudly that people who saw this in a theater could probably hear them in the bathroom.And it's Hayward we have to thank for this exercise in excess, because she insisted the script be filmed as written-refusing any changes. Heatherton, trying (and failing) to look 15 yeas old, does little more than pout her way through her part, while occasionally delivering some howlers: ''Oh, Daddy, what's wrong with me? I love all the wrong people-and I HATE all the right ones!''. Oh Yes, and blaming the loss of her virginity on ''Horseback Riding''?. Connors, a few years away from ''Mannix'' is just there. ''Star Trek's'' DeForest Kelly is around as a sleazy art critic, while Film Noir bad girl Jane Greer (making a comeback after a heart operation)is a reserved, but concerned probation officer.And it's Greer, along with Anne Seymour (''All The King's Men'')as a psychiatrist, who give the best performances.This was pretty Hot Stuff for 1964, though less so these days. Despite the box office success it had, it's largely forgotten now.A new DVD has just been released by Olive Films, And the plush Technicolor production is something to see-remastered for the first time in all it's Widescreen Glory. And in spite of (or ,maybe because of) it's Producer attempt to cash in on what was really a very seamy incident in Hollywood History, the film is very entertaining, and a time capsule from a bygone era.
- phillindholm
- Oct 25, 2010
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Details
- Runtime1 hour 54 minutes
- Aspect ratio
- 2.35 : 1
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