La terreur des Kirghiz

¨Sword and Sandals¨ movie in which Ursus or Hercules lives in a far land that is being tormented by the bloody raids of a monstrous specie . As a monster marauds the country commanded by the stiff-upper-lipped Prince Regent called Zeretelli (Furio Meniconi) , who seized power several years ago through the assassination of the Great Khan . The villain regent fears that local hero Ursus (or Hércules) may wrest the throne from him . To solidify his power , he schemes to marry his cousin , Amiko (Mireille Granelli) , daughter of the Great Khan and to take firmly the throne , but Amiko loves the big he-man Hércules , the leader of the upright villagers . Then , the arrival of the shrewd Ido (Ettore Manni), the brother of Ursus , provokes a battle between the two communities . Ursus is trying to encounter and subdue the ominous monster , being badly injured . Zeretelli takes advantage of this situation through attacks , rampage , ravage and pillage , but Hercules is healed by his followers, recovers himself of the wounds ; he then defeats Zeretelli in combat who now reveals that Amiko is not the daughter of the Khan . The real daughter results to be Kato (María Teresa Orsini) , a young woman saved years ago and cared by Ursus and his townsfolk . The bouncing Ursus , helped by Ido , reunites an army of rebels to take on the enemy troops . But Ursus is captured , locked and a witch -who has enchanted various other men in the past- uses her extreme powers to turn him into a monster . As Ursus imprisoned , become a spelled monster and forced to carry out heinous activities as a terrifying being .

Italian production with dark scenarios , spectacular outdoors and functional production design , including a lot of caves , forests and grottos plenty of stalactite and stalagmite . This is a regular spaghetti , myth-opera with action , a love story , battles and lush landscapes . Breathtaking scenes when Ursus faces off a monster and overwhelming final battle with surprising and moving scenes , including a flood . Reg Park , in his fourth film , is passable as the mythical hero who encounters many dangerous situations while trying to save countrymen of numerous odds . Reg Park himself became something of a cult personality in the Italian epic genre . Reg was a personal fitness trainer in South Africa . His friend and protégé Arnold Schwarzenegger considered Park to be the best of the "peplum" heroes . Reg Park who played the mythic Maciste in a few movies was randomly assigned the identity of Hercules , Goliath , Ursus , Samson or Aron for U.S. viewing . Bouncing and strong Reg was the third American actor bodybuilder , after Steve Reeves and Gordon Scott , to be recruited by Italian producers to star in Peplum films . Reg Park played reserve team football for Leeds United before turning to body-building in 1946 . He finished Mr Universe runner-up to future film rival Steve Reeves in 1950 , then won the title outright in 1951, 1958 and 1965. After marrying South African-born Mareon Isaacs in Johannesburg in 1952, the Parks moved permanently to South Africa . Reg used the amount of money he made acting as hero and gladiator films in Italy to fitness . As the muscle-man Reg Park left allegedly the sword and sandals genre for the gymnasium in South Africa where Reg ran a chain of fitness studios . He was one along with Ed Fury , Dan Vadis , Brad Harris , Alan Steel , Rock Stevens , Gordon Scott whom to seek fortune acting absurdly as muscle mythological figures , but nobody topped Steve Reeves in popularity . Reg only starred 5 Peplum , such as : 1964 ¨Ursus , terror of the Kirguisos¨ , 1961 ¨Ercole Al Centro della terra¨ , 1961 ¨The conquest of the Atlántida¨ and ¨Maciste in King Solomon's Mines" which , handily for Park , was filmed on location in South Africa . Park's last film was ¨La Sfida Dei Giganti¨ until his death (2007) at age 79 .

¨Ursus, Il Terrore Dei Kirghisi¨ displays a colorful and glimmer cinematography by Gábor Pogány , filmed on location in El Lacio and other Roman exteriors . Pogany is a fine Italian cameraman including notorious titles as "The Last Judgment" , "The Magistrate" , "A Man Gets Killed" , Pink Floyd at Pompeii¨ , and ¨Pianos Mecanicos¨ . This oddball Peplum with brief touches of horror was regularly directed by Antonio Margheriti , and it has some flaws and gaps . Being helped as direction assistant by the famous Ruggero Dedodato , author of gore and cannibal films as ¨Body count¨ , ¨House of the edge of the park¨, ¨Jungle holocaust¨and ¨Cannibal holocaust¨ . Antonio M. Dawson was born in 1930 , Rome, and died in 2002 . He was a director and writer , and especially known for his works with miniatures , explosions and flood sequences . Antonio shoots with ordinary aplomb and being famous for Yor (1983), Virus (1980) and Horror castle (1963) . Italian writer-director of horror and exploitation films, a former university engineering student who began in films in 1956 . He was also an expert in special optical effects , FX , and model-making . Often used the pseudonym 'Anthony M. Dawson'. He directed all kind of genres such as Wartime : The last hunter , Tornado , Code Name : Wild Geese , Commando Leopard , Der Commander ; Sci-Fi : War of planets , Planet on the prowl , Criminali Della Galassia ; Action : Operazione Goldman , Indio , The Squeeze , Cyberflic ; Terror : The Virgin of Nuremberg , Virus or Cannibal Apocalypse , Alien from the Deep , Flesh for Frankestein and Spaghetti : Joko and Dynamite Joe .

Ancient peplum hero Ursus is now doing his thing in Eastern Europe where the Mongol conquerors are running things but with arrangements with the locals. Not anyone in the cast looks remotely Asian however, especially one who as it turns out is the lost princess daughter of the Great Khan who was murdered in a palace coup.

Anyway the usurper and his partner who is a sorceress have the common serfs under control, but for Ursus who leads one of the tribes. The sorceress gets the big guy under her control and turn him into some kind of ravenous beast.

Good thing the good guys have someone skilled in the black arts who brings Ursus around.

Just like Hulk Hogan going over to the dark side.

URSUS, THE TERROR OF THE KIRGHIZ (aka: HERCULES, PRISONER OF EVIL) stars Reg Park as Ursus / Hercules.

After a caravan is decimated by a werewolf (aka: a hairy man in a cape, shrieking like a hyena that's being electrocuted), Ursuscules jumps right in to help get to the bottom of things.

Meanwhile, the sinister Prince Zereteli uses the incident as an excuse to kill his enemies, and to get Hersuscules out of the way.

The werewolf continues its rampage, while Urcules goes shirtless, eventually getting his chance to toss the Prince's soldiers around like ping pong balls!

A later entry in the muscleman epic craze, the addition of the "monster" is novel, though not that effective. Still, Park does his best with the material...

Directed by Antonio Margheriti (Cannibal Apocalypse), with help from assistant director Ruggero Deodato (Cannibal Holocaust), this mid '60s horror/peplum gives very little indication of the future gory delights to come from either film-maker: Terror of the Kirghiz is strictly family friendly fodder, as brave warrior Ursus (muscleman Reg Park) protects his people from a marauding monster (a man in an unconvincing mask and hair glued to his torso), wicked tyrant Zereteli (Furio Meniconi), and a scheming witch, Amiko (Mireille Granelli).

Lots of dull dialogue and badly choreographed fight scenes make for a really boring viewing experience, with Park putting in a forgettable central performance as the bland hero: the bodybuilder might have the physique, but he sure lacks the charisma. Mind you, with such an uninspired script and flat direction from Margheriti, he never really stood a chance.

Some reviewers have been decidedly unkind to this minor sword-and-sandal effort but those willing to indulge the sloppy dubbing, chopping editing, and murky prints may find a certain likable quality here. Think of it as an amateurish but enthusiastic high school play, or a big mutt who climbs in your lap and licks your face. Most of the faults cited by other reviewers can't be denied but the main problem here is Hercules' curious absence from the plot (due to injuries) for a 25-minute stretch in the middle of the movie. That's a real momentum killer. Did Reg Park become ill or otherwise unavailable during the filming and thus they had to film around him? (One fight sequence uses an obvious stand-in for Park, lending some support for this theory.) Yes, the monster is more laughable than frightening with a squawk like Rodan's, and disappointingly little is made of Hercules' superhuman strength. (He isn't even bare-chested very often.) Also note the puzzling Oriental decor in some of the palace interiors. However, if you're kind, all of these things might be viewed as part of the fun.