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IMDbPro

L'attaque dura sept jours

Original title: The Thin Red Line
  • 1964
  • 1h 39m
IMDb RATING
6.7/10
888
YOUR RATING
Keir Dullea in L'attaque dura sept jours (1964)
DramaWar

In Guadalcanal during World War II, a private and his sergeant clash during the heat of battle with the Japanese.In Guadalcanal during World War II, a private and his sergeant clash during the heat of battle with the Japanese.In Guadalcanal during World War II, a private and his sergeant clash during the heat of battle with the Japanese.

  • Director
    • Andrew Marton
  • Writers
    • James Jones
    • Bernard Gordon
  • Stars
    • Keir Dullea
    • Jack Warden
    • James Philbrook
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    888
    YOUR RATING
    • Director
      • Andrew Marton
    • Writers
      • James Jones
      • Bernard Gordon
    • Stars
      • Keir Dullea
      • Jack Warden
      • James Philbrook
    • 31User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos8

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    Top cast38

    Edit
    Keir Dullea
    Keir Dullea
    • Pvt. Doll
    Jack Warden
    Jack Warden
    • First Sgt. Welsh
    James Philbrook
    James Philbrook
    • Col. Tall
    Bob Kanter
    Bob Kanter
    • Fife
    • (as Robert Kanter)
    Ray Daley
    • Capt. Stone
    Merlyn Yordan
    • Judy
    Kieron Moore
    Kieron Moore
    • Lt. Band
    Jim Gillen
    • Capt. Gaff
    • (as James Gillen)
    Charles Stalnaker
    Steve Rowland
    Steve Rowland
    • Mazzi
    Gary Lasdun
    Eddy King
      Jeffrey O'Kelly
      Jack Gaskins
      Joe Collins
      Graham Sumner
      Thomas Freeman
      Stephen Young
      Stephen Young
      • Stack
      • (as Stephen Levy)
      • Director
        • Andrew Marton
      • Writers
        • James Jones
        • Bernard Gordon
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews31

      6.7888
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      Featured reviews

      6PKC

      A solid effort

      A solid effort hampered by the the filmmaking conventions of that time. Some of the acting is amateurish, and the dialogue stilted. But it does confront the serious moral issues of war, unlike most war movies of that era. The theme is essentially the same as the current version -- that is, how does man endure in war? It presents several models for survival. Many of the scenes are exactly the same as in the 1998 version, though it includes others that are not found in Malick. This attempt focuses more on the relationship between Welsh (Jack Warden) and Doll (Keir Dullea). The music is awful, like something out of a cheesy 50s horror flick. Also, it's amazing how much Guadalcanal resembles the high desert of Southern California. But this is well worth a rent if one has the proper expectations...
      rixrex

      Superior to the 1998 version in every way but one.

      Like some other commenters, I saw the 1998 version before seeing this version. I had expected a somewhat jingoistic war film, but was surprised that this turned out to be superior to the 1998 remake in every way but one. Of course the one aspect that was lesser was the depiction of graphic violence, and that was only due to the changing times and audience, and modern film effects that can show things more realistically in graphic fashion. However, I do not consider this a positive, but only stating that the technical ability to show graphic violence has improved. I would say that the story in this one is more engaging, more concise and without losing the effect of alienation that both try to convey, and in fact that effect is much more visible here in this depiction. I found the acting to be solid and less melodramatic than the 1998 version, and the soldiers actions all ring true to what would have been going on in WW II at Guadacanal, without hystrionics. It's quite interesting that this version, coming right before the Vietnam era would be cynical about war but also considerably mindful of the necessity of the particular war it depicts and of the need for the soldiers to do as they did. Whereas the post-Vietnam 1998 version is also cynical, yet much more so, showing the military as a bumbling bureaucracy of sorts and attempting to depict the battle as pointless, extending that depiction to the war in general, and it actually is an unstated allegory about Vietnam. I would say that the 1998 film boasts a production group fairly unaware of the overall reality of WW II, and still stuck in the miasma of Vietnam.
      chaz-18

      Lust to kill drives Marines in island combat.

      Grim psychological study of two Marines on Guadalcanal, each seemingly trying to top the other in body count of Japanese slain, not for God, country, or to win the war, but for the sheer joy of killing.

      Extremely realistic combat sequences coupled with Dullea's excellent portrayal of the on-the-edge-of-madness Pvt. Doll make this one of my favorite war films.
      7ma-cortes

      Intense and bloody fight for Guadalcanal but shot in Spanish outdoors

      First adaptation of the James Jones novel about the battle for Guadalcanal on the famous Pacific toll in which a typical crew of Marines fighting the ¨Yellow Menace¨ and it results to be one of the best American films about the Pacific conflict during WWII . Soldier Doll (Keir Dullea)separated from his recent spouse (Yordan) after only few days of marriage, spontaneously decides that he'll no longer obey the orders of his First Sergeant , following his own will instead . What follows are a series of bloody attacks, on the river , lake , mountains in which the rifle company fighting Japanese who hold killers gun-machines . As battle experience hardens soldiers and Colonel (James Philbrook) orders captain Stone (Daley) leading to the taking of the Elephant hill in the battle of Guadalcanal . Sgt. Welsh, (Jack Warden) Doll's superior immediate grows the mutual hatred but at the ending the two contenders change to affinity , and getting reciprocal respect .

      Based on James Jones 's first hand account of the notorious battle is well adapted to screen by Bernard Gordon . This dark story produced by prestigious Philip Yordan is immensely exciting , firmly characterized on its two main roles and in places very moving too . Visually stunning and focused on the battle of wits of a Private and a Sergeant and on men's determination to survive his tour of duty . The film brings home the true horror of battle and the meaninglessness of it all and effectively portrays the deshumanizing effects of war . The troublesome relationship between Keir Dullea and Jack Warden makes the biggest impression and delivers the interesting main plot . Combat images are naturally , well filmed and effective , getting spectacular scenes. Atmospheric cinematography in black and white by the Spanish Manuel Berenguer . The motion picture is professionally directed by Andrew Marton.

      Another tale based on the 1962 novel by James Jones was directed by Terence Malick with star-laden cast as Jim Cazievel as Private protagonist , Sean Penn as the Sergeant , and many others as George Clooney, Nick Nolte and Woody Harrelson . Furthermore , another important film about Guadalcanal battle turns out to be ¨Guadalcanal diary¨ by Lewis Seiler with Anthony Quinn, Preston Foster, Lloyd Nolan and Richard Conte .
      9clanciai

      Brutally realistic war study in its most penetrating virtuosity

      James Jones also wrote "From Here to Eternity", and this novel has been filmed several times, last time in 1998 in colour, but the two versions compliment each other. This one is more stringent and poignant in its psychology and characterizations. Jack Warden and Keir Dullea clash from the beginning, they are both close to the thin red line separating sanity from madness, and they appear as rather half mad both of them, although Keir Dullea seems more liable, as he loses control a number of times. Jack Warden's madness is of a different kind, as he rather drives others mad than goes mad himself, and he is the better soldier of the two.

      It's about the critical battler of Guadalcanal, when more men were lost than even the Americans and theír ruthless colonel could afford. Although you don't see much of the Japs, the Americans didn't either, as the Japs were experts on ambushes and targeting Americans unawares, they appear as fearsome soldiers indeed. Many Americans have also testified, that Japanese soldiers were the bravest soldiers of all.

      It's a brutal and realistic war account from its worst sides, and if you can stand any amount of war atrocities, this is a film for you. If you can't, you had better stick to something nicer with dames. There are only two dames in this film, one in a short flashback, and the other one isn't even a dame, and her appearance is even shorter.

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      Storyline

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      Did you know

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      • Trivia
        The film's title comes from James Jones's novel and, in turn, from an old saying. In the movie, Captain Stone, played by Ray Daley, says, "I remember an old Midwest saying, 'There's only a thin red line between the sane and the mad.' "

        The original 'Thin Red Line' refers to the routing of a Russian cavalry charge by the Sutherland Highlanders 93rd (Highland) Regiment during the Battle of Balaklava on 25 October 1854, during the Crimean War.
      • Goofs
        For some reason the Japanese soldiers are at times are armed with German Schmeisser SMG's.
      • Connections
        Featured in The 80th Annual Academy Awards (2008)

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      FAQ15

      • How long is The Thin Red Line?Powered by Alexa

      Details

      Edit
      • Release date
        • January 27, 1965 (France)
      • Country of origin
        • United States
      • Languages
        • English
        • Japanese
      • Also known as
        • The Thin Red Line
      • Filming locations
        • Madrid, Spain
      • Production companies
        • A.C.E. Films
        • Security Pictures
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        1 hour 39 minutes
      • Color
        • Black and White
      • Aspect ratio
        • 2.35 : 1

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