Cinderella

I remember watching this as a little girl and loving it. I held a microphone up to the television to get the music and I would play it over and over again memorizing the lines and lyrics. When it came out on DVD last year I ordered it immediately. I waited until my family was out of the house and watched it over and over singing every word. It is just as I remembered. The sets are simple but that is part of its charm. The acting and singing are wonderful. Leslie Ann and Stuart make a perfect couple. The step sisters are hilarious at the ball. My favorite song is "10 minutes ago" Her gown is beautiful. If you remember seeing this as a child the DVD will not disappoint. Enjoy!

I grew up watching this 1966 version of the Broadway musical Cinderella, which was shown on an annual basis for several years after its initial premiere. This musical version of the classic fairy tale features some wonderful songs by Rodgers and Hammerstein and originally premiered on Broadway with Julie Andrews in the title role. Lesley Ann Warren plays the role here and 40 years later, no matter what else she does, Lesley Ann Warren will always, first and foremost, be Cinderella to me. She is utterly enchanting in the role and her rendition of "In My Own Little Corner" is charming. Celeste Holm made a delightful fairy godmother, Walter Piedgon and Ginger Rogers added a touch of class as the king and queen, and Stuart Damon made a handsome and elegant Prince Charming. Jo Van Fleet was a memorable evil stepmother and Pat Carroll and Barbara Ruick score as the stepsisters and they stop the show with "Stepsisters' Lament", one of musical comedy's funniest songs. Well mounted with lavish sets and breathtaking costumes, Cinderella, like THE WIZARD OF OZ, should continue to be shown on an annual basis in order to renew our faith in miracles, love, and fantasies coming true. If this show is not available on DVD, it should be. A winner for children of all ages.

Famed composers Richard Rodgers And Oscar Hammerstein wrote "Cinderella" as an original television musical (their only one) for young star-in-the-making Julie Andrews. Supported by a cast which included Edie Adams, Howard Lindsay, Dorothy Stickney, Ilka Chase, Kay Ballard, Alice Ghostley and Jon Cypher, it received a tremendous publicity campaign and aired on March 31 1957. At the time, it drew a record number of viewers, although only the East Coast saw the live color broadcast (the rest of the country saw a black-and-white kinescope.) And, due in part to the poor quality of the kinescope, it was not repeated again until 2004.

Meanwhile, in 1964, Rodgers decided to mount a new production himself (Hammerstein had since died) with a new cast and adaptation, replacing the farcial quality of the original with a more traditional version. The result was another ratings smash, and as intended, a television perennial which was repeated for years. This time, the title role was played by young Lesley Ann Warren, who was introduced in this production and began a career which is still going strong today. Stuart Damon (later to gain fame on "General Hospital") played the prince. The supporting cast had Academy Award-winners Celeste Holm, as the fairy godmother, Jo Van Fleet as the stepmother, and Ginger Rogers as the queen. The beloved Walter Pigeon was cast as the king. And, as the two stepsisters Prunella and Esmerelda, were Pat Carroll and Barbara Ruick. Although the story stuck to the familiar fairy tale this time, the original songs were , of course, retained.

What more can be said for this near-perfect treasure? Ms. Warren is simply glorious as Cinderella, her fresh beauty complimented by her sweet singing voice, and Damon is her ideal Prince (Christopher) Charming. Celeste Holm sparkles as the fairy godmother, and she and Warren share one of the best numbers "Impossible/It's Possible". Van Fleet is a beautifully caustic stepmother, and both Carroll and Ruick are outstanding as the step-sisters. Unfortunately, both Rogers and Pigeon have little to do as the king and queen, but they ARE regal in their roles.

There are a couple of drawbacks--although critics at the time praised the "lavish production"; in reality it is done in the manner of a stage show, with sparse (and very basic) settings, and typical television camera-work. But the biggest error was using videotape instead of film for this production. Because of it's limitations, videotape does no justice to a show like this, severely limiting the visual values needed to compliment the other elements. It may be fine for situation comedies, but it was totally wrong for a musical fantasy. It must be admitted, however, that after a few minutes, one gets used to it, but what a difference film would have made! Because this version is the traditional one, it is my favorite of the two, but both are so different in approach and treatment, that each can be enjoyed on their own terms.

Two cast members of the 1965 version were already professionally acquainted with "Cinderella". Walter Pigeon provided the uncredited narration for the 1955 MGM film adaptation "The Glass Slipper" and Barbara Ruick was the daughter of character actress Lurene Tuttle, who played "Cousin Loulou" in the same movie. Another winner, that version featured Leslie Caron as Cinderella.

I was nine years old in 1965, and I fell head-over-heels in love with Lesley Ann Warren when I saw this film. I haven't seen it since the late '60s or so, but I still remember the songs and the overall feel of this classic (from a nine-year-old's point of view, of course). That just goes to show what a powerful effect a film can have when everything is done just right. One of these days I'll find this and watch again. Until then, I still have my memories.

I saw Lesley Ann Warren today in All of It and was reminded again of her as Cinderella which I saw when it was first shown on TV when I was 6. I'm fascinated to see the comments from other viewers who also remember it so vividly and from a similar age.