Le divan de l'infidélité

It's a case of money not buying happiness in the 1960s comic romp Wives and Lovers. Van Johnson and Janet Leigh are happily married and poor, until his latest novel becomes a hit and they move to a beautiful new home in the suburbs. Then it's cocktail parties and publicity and keeping up with the Joneses and drinking before noon and maladjusted children and unfaithful spouses. . .

While there is some post-Code naughtiness (like Shelley's comments of "musical beds" and "first wives' society"), the more memorable element is the realism of everyday family life. Their daughter makes regular remarks about her parents fighting all the time. She also has an eating problem and doesn't ever like her foods to touch the same plate. Neighbor Shelley feeds Janet martinis when she recognizes the slow decline into divorce. And Van criticizes Janet's outfit before a dinner party. She's wearing trousers, and he asks, "Is the bottom of your underwear supposed to show through?" pointing to her panty-lines. She changes into a spectacular floral halter dress, and while she waits for a compliment, he merely complains that they don't have enough vodka to satisfy their guests. And - in a terrible disaster, one of the party guests shows up wearing the same dress!

I liked seeing Van and Janet together as a married couple fifteen years after they were paired together in her debut movie, The Romance at Rosy Ridge. There were some laughs to be found, and some lessons, so unless you're totally against the cast, you'll probably enjoy it.

This is a typical story of suburban married life, the roses and thorns, the bliss and clashes.

As an aspiring writer, Bill Austin (Van Johnson) stays home to churn out some writings while his wife, Bertie (Janet Leigh) goes out to work. He isn't happy about it, wants change. However, soon Fortune smiles on him and good changes occur; then he's on his way up as a writer, but there's a price.

Problems begin when he spends too much time away from his wife and being assisted by his attractive literary agent, Lucinda (Martha Hyer). One thing leads to another while they work on scripts together. Bertie, left alone, also goes astray, all of this leading up to a divorce as the only solution.

It is middle-of-the-road entertainment about family feuds and makeups. If you are a fan of Van, Janet, or Martha, you'll enjoy this bright and witty film.

This one is a forgotten gem. I watched it again after some 35 years and it struck me that all the ingredients for a good film are on display. Firstly, a stellar cast that are all uniformly excellent. A directer who, tho predominately from a TV background, innately understands the material .. and lastly, a wonderfully taught script by Jay Presson Allen who would go on to pen such films as Hitchcock's "Marnie" and "The Prime of Miss Jean Brodie".

If you're a fan of the genre, in this case the early 60's 'sex comedy', you could do worse than to seek this out. It's a cut above the Doris Day/Rock Hudson films of the period.

I don't know who manages the back-catalogue for Paramount, but this could certainly do with a DVD release given the popularity of the afore-mentioned Day/Hudson films and the buying power of the baby boomers. Certainly, it has more 'bite' in the screenplay with some dialogue that obviously went under the censor's radar at the time.

A family fun classical movie for the whole family. I am that I have this movie to add to my own personal video library. It's a real winner! The cast is outstanding and fun to watch. Shows how families were during the 1950's

During Van Johnson's career, he played a lot of really nice guys. I have no idea what the real Johnson was like...but the image for years was of a nice, unassuming guy. However, in a major change of pace, in "Wives and Lovers" he plays a complete jerk...a guy more interested in his own success than his wife (Janet Leigh) or young daughter. I think the film is supposed to be a comedy...but I found Johnson's character so unlikable that it was hard to summon up a laugh.

When the story starts, Bill (Johnson) is a husband who stays home to earn money as a writer. His wife, Bertie (Leigh), works outside the home in order to let Bill follow this dream. As a result, they are rather poor...but happy.

One day, Bill's agent (Martha Hyer) arrives at their small apartment to make an announcement....she sold Bill's book. Not only that, she got a fortune for it...as well as the movie rights...and stage rights. Now, Bill is the toast of New York...and in the process he completely neglects his family. For him, it's all-important that he follow his dream and he makes various promises to his family to spend time with them...though over time you realize his promises mean nothing. What's next? See the film...but rest assured, after a while, Bertie tires of waiting at home for him to return.

In so many ways, this film is a product of the 1960s...with newer mores than you would expect in earlier Leigh and Johnson films. So, there's more innuendo as well as cursing. It also shows marital problems...which you didn't see very often in previous decades.

In many ways, the film reminds me of the recent film "Marriage Story". Neither are funny and it's sad (at least to me) seeing these people tearing each other apart. Not a fun movie to watch...but brave in its material.

By the way, if you prefer to remember Van Johnson positively, you might want to skip this one. He is such a jerk in the film.