Uncle Vanya

I disagree with previous comments. This a perfect production of UNCLE VANYA, one of the world's great dramas. We should be thankful that the stage production was recorded so that all of us can continue to enjoy and be moved by these brilliant performances. Michael Redgrave and Joan Plowright are particularly moving, but Olivier as Astrov and the lovely Rosemary Harris and the legendary Fay Compton are also memorable. Yes, it is not presented in an artificially cinematic style. With this play and this production that doesn't matter. In fact, the nature of the play demands that the camera focus on the faces and body language of the actors. It's their emotions, their reactions to each other that matter. With the camera so close to them, we can see them lying to each other and to themselves. Heartbreaking, brilliant, and unforgettable. A masterful rendition of a masterpiece.

Chekhov's fascination with the inability to act makes him a spiritual ancestor of Samuel Beckett. I find the acting very satisfying, and what an all-star cast! Michael Redgrave is greatly moving in the title role, caught in the trap of upper-class ennui. And the women, particularly Rosemary Harris as Yelena are marvelous, each stuck in inescapable comfort. The modest scenery increases the oppressive claustrophobia of the atmosphere.

One definitely should see this production and immediately follow with Vanya on 42nd St.

A commercial DVD of this excellent production is available from a Canadian company called Learmedia.

Olivier's production of Chekhov's masterpiece is rightly famous. In addition to following Constance Garnet's beautiful translation of the play faithfully and staging the play carefully (albeit in a traditional fashion), Olivier, who plays Astrov (the Doctor, who, as in all Chekhov's plays, represents the playwright himself) assembled a stellar cast of actors: Joan Plowright is a perfect Sonia and Rosemary Harris a subtle Yelena. The older characters are filled out by some giants of the 20th century English stage, including Max Adrian, Lewis Casson, and Casson's wife, the magnificent Dame Sybil Thorndike as the Nurse. Topping the list, of course, is a fine performance by Michael Redgrave in the title role. Olivier and his actors are able to evoke the classic Chekhovian mood from the opening and carry it through smoothly and warmly until the end. The result gives the viewer a gentle and bittersweet view into "country life" (see Chekhov's subtitle) and how people waste the gift of life with petty complaints rather than taking charge of it. This production is a perfect introduction to Chekhov and should be seen by all who love theatre.

Contrary to DRN5's critique of the 1963 filmed stage production of Uncle Vanya this production is so masterfully close to Chekov's intent, with Olivier and Redgrave at their all time best. No American copies exist. But there is a video version available in the UK.

This film is a record of probably the most famous English-language Chekhov production. Of course it's not the same as actually being in the theatre with Olivier and Redgrave, but it's still terrific.

Another reviewer commented negatively about the difference between stage and film acting, but in fact this "Vanya" offers one of Olivier's best *film* performances -- it's subtle and biting, cold-hearted and sweet-natured, incredibly complex and great. And Redgrave isn't far behind him.

10 out of 10