Tambours Africains

With enough location footage shot from King Solomon's Mines to give Drums Of Africa a smidgen of authenticity MGM saved a lot of bucks not sending Frankie Avalon and the rest of the cast to East Africa for some real location shooting. No way was MGM going to spend a lot on what is clearly a B picture film.

Although Frankie Avalon is top billed he's in support of Lloyd Bochner, Mariette Hartley, and Torin Thatcher. Bochner plays an engineer commissioned to find a better route, part of that Cape to Cairo scheme the British had in those days. Avalon is the nephew of the owner and his American speech is explained as Frankie being Canadian. As is missionary Mariette Hartley. Torin Thatcher is the best known white hunter/guide in Africa spelled C-o-u-r-t-m-a-y-n lest we have to pay the estate of H. Rider Haggard.

Thatcher hates the railroad it will spoil his Africa. Hartley likes the idea of having her medical supplies delivered to her door without a big safari to get it and bring it back. She also likes Bochner.

Lloyd Bochner played mostly heels in his career and he's one here. But he's also called on to be a hero and someone like Tyrone Power made that a specialty, but it doesn't wear well on Lloyd Bochner.

Everybody however hates the slave traders and when they capture Hartley and some of her charges we go into action.

All that's left is a Frankie Avalon song, one of his most forgettable. This film is like eating leftovers.

What an amalgam of scenes from King Solomon's Mine, a North American Forest Fire , and terrible African Plain studio sets. The plot is all over the place, acting is weak, throw in Frankie Avalon who is supposed to be living in the later 1800's yet sings and speaks right out of the 1960's and you must ask yourself why did they make this to begin with. Rather than trying to take Avalon out of the beach movie boredon onto mainstream cinema they turned the man into a forever teen. His small body size and his dialogue scream boy.

Lloyd Bochner and Frankie Avalon are comical as the "bwanas" in this low-budget Hatari rip-off. Poor Mariette Hartley had this as her second movie. She has compared following the brilliant Ride The High Country with Drums of Africa to going from President to janitor in 2 days. This is overrating this incredible abomination. Poor Hari Rhodes looks ashamed to be seen by the camera in this mess.

Mariette Hartley deserved better than to be cast in this mistake of a movie which supposedly takes place in 1883. Frankie Avalon is groomed like a 1960s guy, talks like a 1960s guy ("Terrific!") and likewise deserved better. Torin Thatcher does a nice performance however, he was quite the trouper, and is very believable. Lloyd Bochner is right about where he belonged in this type of movie, but the entire leading and supporting cast members all seem to be embarrassed by what they know will be a terrible movie. The cuts to wildlife action are really poor, totally unrealistic and embarrassingly obviously faked. At the end of the opening credits, where the date of production appears in Roman numerals, they even got that wrong MCMXLIII which means 1943 it should have been MCMLXIII for 1963. I half-expected Frankie to all of a sudden appear driving a 1962 Thunderbird through the bush.

Although "Drums of Africa" was bankrolled by a major Hollywood studio (Metro Goldwyn Mayer), it seems that the studio executives decided for this particular production to cut costs where possible. This can be seen with the "outdoor" scenes obviously filmed on indoor stages, outdoor locations that look suspiciously like southern California, but most of all with the use of stock footage - a TON of stock footage. In fact, I suspect that the screenwriter was shown this stock footage before starting on his typewriter and was told, "Write a story that uses all of this stock footage." It would explain why there is barely a plot on display. Most of the movie consists of the characters wandering around the jungle and African plains with little to nothing of consequence happening. In the end, this is far from Frankie's finest hour... that is, if he ever had a fine hour.