Billy le menteur

Your trapped inside a home with aging parents (and a grandparent), in a town you'd really rather not frequent, working at the undertaker, you're the epitome of faker, although you have a little world where you're content. Now you've got yourself into a spot of bother, an engagement ring to two is what you've proffered, plus a stash of calendars, because of your malingerers, and the petty cash is short inside its coffers.

Never a dull moment in the life of Billy, as he perpetually puts himself into situations and scenarios that are all his own doing, with wonderful performances all round that still have an impact to this day.

Most novels may not necessary translate well to the stage, let alone to the Big screen. 'Billy Liar' has achieved all that. I have just recently discovered this 'hidden' gem from among the throngs of DVD shelves. The reason I 'picked it up' was due largely to the director's name, John Schlesinger. Having seen his catapult to American fame 'Midnight Cowboy', I reckon why not check out his earlier British work. Boy was I astonished!

First of all, the script. The adapted screenplay by the original writers Keith Waterhouse and Willis Hall is wickedly witty and performative for theatre dramatics, yet it crosses perfectly to the realms of cinema. The cut-aways to the lavishly staged dream sequences are so effective, so in contrast to the stark realism that we get from most of the on-location filming (from the DVD bonus features, the two writers actually take you on a present day 'tour' of a couple of the 'real'locations, juxtaposed with snippets of the film sequences at exactly the same spots).

Also commendable is the black and white cinematography by veteran Bristish lensman Denys Coop. Done in Cinemascope, the depth of Hinchcliffe Avenue can only be fully realised in the widescreen format, so avoid the re-formatted tv release at all costs!

And I must say the most amazing thing about the film is still the performance. Schlesinger rarely fails to bring out the best from his actors, and this seminal work is no exception. All the supporting cast, from 'Mr Shadrack ', Billy's family and girlfriends played very well to be the 'plastic reality' that's driving Billy insane. Hence, he seeks solance,affirmation and escape in his fantasies and lies, but ultimately we know which track he ends back on.

Tom Courtenay is simply 'Billy Liar'. Somehow, he bears an uncanny resemblance to Ewen Macgregor, or perhaps that's just me. It was mentioned that Albert Finney and Tom Courtenay, who have both played the title character on stage, were considered for the the film role at the same time. I can't help but only wonder how it would've turned out if Finney got the part instead...

Last but not least, who can resist Julie Christie, aka Liz. She is Billy's object of desire cum temptation cum salvation, very much in contrast to Billy's inhabited world... simply beautiful. The intro sequence of Liz as she walks along the streets of Bradford is another highlight of the film, undescribable with words. You gotta see it for ya self~

What else can I say about 'Billy Liar'. I guess everyone was once a 'Billy Liar', or still has a Billy Liar in him or herself. Well, at least I can say it for me self. Perhaps on a finer day, I WILL CATCH thee TRAIN to 'London'.......

I give it 9/10 :-)

Effective slice of life comedy/drama tells the story of scared, optimistic Billy (Tom Courtenay) who lives in a fantasy world where he's always a hero. Funny and charming, the film also packs a slight emotional punch that is somewhat similar to The Last Picture Show. Based on a stage play, the story of Billy Liar has since been revamped as a musical yet it's this 1963 version that works best.

Tom Courtenay and Julie Christie (Liz) leapfrogged to stardom with their performances but every actor is beautifully cast: Mona Washbourne, Wilfred Pickles, and Ethel Griffies are the character types who give Billy's family heartbreaking nuances while Helen Fraser and Gwendolyn Watts bring a refreshingly sympathetic humanity to his polar opposite fiancees.

Liz's entrance, Billy's fantasies, a dance hall sequence, a quiet hospital exchange between Billy and his mother, and the final choice are classic scenes that have been constructed with genius by John Schlesinger (Darling, Midnight Cowboy, Sunday Bloody Sunday). The Criterion Collection's DVD treatment of Billy Liar is a standout and shouldn't be missed. It's a great film.

Having seen Albert Finney on stage I didn't feel that Tom Courtney was as strong in the lead role for the film but in many ways this suits the part. No point in making the daydreaming loser too strong in personality, although the anomaly here is that he seems to have no difficulty attracting the ladies even if he is a bit soppy. Never as funny as the book, Schlesinger opens up the film and those facial gestures from the stage and subtle asides in the book are lost. As a movie capturing the times that were very much about to change it is brilliant. I loved the opening credits with the rows of semi-detached houses (because we are talking poor middle class here, not working class) and the shots of slum clearance. The tone is apt too and very theme, so central here, of 'going down to London' so much of the time just a few years before those swing sixties would burst everything apart. One last point, should anyone be wary of bothering with a British 'kitchen sink' drama, there is an early and completely incandescent performance from Julie Christie. She glows on screen and is particularly noticeable with the surrounding drabness and the usual stereotypical British girls on show. A sensational performance that set Christie up fora very decent career and parts in some very influential and important films, not least her next with the same director - Darling.

I saw 'Billy Liar' on stage in London, with Albert Finney, no less, in the role of Billy Fisher. As good as Finney was (check out Frear's 'Gumshoe' for starters), in the role, Tom Courtney, is better. Finney was too laconic. He had the wrong

'build'. Courtney, however, IS Billy Fisher. I can't quite put it into words, but that dour face of his, the pursed lips, and his loopy smile... who else but Tom

Courtney in the role. The plot is simplicity itself. Billy lives in a world of his own making. He's not connected with everyday events - he's a Yorkshire version of Walter Mitty - and who doesn't daydream every now and then? Director, John

Schlesinger (who gave us Darling & Midnight Cowboy), adds some surreal

touches (one comes to mind: Billy's reaction to another of his father's lectures). Julie Christie plays Liz. She understands Billy - thing is, Billy doesn't quite understand her, or if he does, it frightens the pants off him. For all Billy's posturing, he's a home boy at heart. "Billy Liar" is one of the truly great British films of the sixties. It's not often it appears on late night T.V., or on cable. If it does, or you see it on video at your local video store, get it out. See it. then wind it back and see it again!!