A Weekend with Lulu

1961
Approved
1h 29m

IMDb RATING

YOUR RATING

Fred, Tim and Deirdre plan a fun weekend break on the coast. What they didn't make allowances for was the company of Deirdre's mother who insists on coming along as her daughter's chaperone.Fred, Tim and Deirdre plan a fun weekend break on the coast. What they didn't make allowances for was the company of Deirdre's mother who insists on coming along as her daughter's chaperone.Fred, Tim and Deirdre plan a fun weekend break on the coast. What they didn't make allowances for was the company of Deirdre's mother who insists on coming along as her daughter's chaperone.

See production info at IMDbPro

IMDb RATING

5.9/10

301

YOUR RATING

See production info at IMDbPro

Photos7

‘Snow White’ Stars Test Their Wits

Rachel Zegler, Gal Gadot, and director Marc Webb take our Ultimate Disney Quiz.

Watch now

9:57

Storyline

Edit

Did you know

Edit

Trivia
Russ Conway receives 'and introducing' credit.

Quotes
Florence Bell: Look, none of your filthy French tricks.
[the dog yaps]
Florence Bell: Be quiet, Gaylord! You just take us back to Folkestone
Railway Worker: [speaking French] Comment?
Florence Bell: It's you that's common! You take us back to Folkestone else I'll write to British Railways. It's coming to something... first they take you to where you don't want to go, then they keep putting the fares up!
Railway Worker: You've got to come with me, Madame.
Florence Bell: I will not come with you. You'll have to learn control, you French. You won't catch me putting my nose outside this caravan today
Railway Worker: It is forbidden to travel on the freight car. Where are your tickets?
Florence Bell: Tickets? I'll give you tickets. I'll set Gaylord on you!

Soundtracks
A Weekend with Lulu
(end theme)
Written by Russ Conway (as Trevor H. Stanford)
Played by Russ Conway

User reviews13

Featured review

2/10

Carry On Caravaning

It really is hard to imagine the mindset of audiences back in 1961 if this is the sort of sexist pap that was being dished up in the name of humour.

I was squirming at the utter sexploitation of Shirley Eaton and the double entendre were more singular than plural.

Some of the dodgy pronunciation was geared at an adult audience. It may not have been profanity in name but it was there by insinuation.

It was also at least 30 minutes too long to sustain the farce.

The only saving grace was Irene Handle.

Cameos from Kenneth Connor and Syd James couldn't save it.