Du silence et des ombres...

To Kill a Mockingbird is the movie based on the Harper Lee novel of the same name about Scout, Jem and their father, Atticus Finch who is an attorney in a small southern town. It is both a coming of age story about the children as well as a hard-hitting drama, as Atticus defends a black man who is on trial for the rape of a white woman.

This review is not an easy one to write, despite the fact that I have seen this film at least 10 times. The reason it does not come easily is that this is one of the most personally important films I have ever seen and is in my personal `Top Five of All Time'. I'm certain there is nothing that can be said about the film that has not already been repeated a multitude of times, so I guess the best thing to do is explain why the film is so important to me.

I first saw this film several years ago and was so profoundly affected by it that I immediately watched it again. Of course, the defense of a man wrongly accused of a crime is a common story line, but To Kill a Mockingbird stands out as an exceptional example for several reasons. Among them, the date that the film was released: 1962, on the cusp of the civil rights movement in America, and the fact that it takes place in the south in the 1930's. It is also far from the first film to explore the experiences of children and their own personal growth, but To Kill a Mockingbird stands out because of its sheer honesty and natural performances by the child actors portraying these rich characters.

But most of all, this film is special because of Gregory Peck's portrayal of Atticus Finch, a true hero. At the risk of sounding histrionic, my heart aches when I watch him on screen because he is such an incredible man, and is so inherently good. No matter how many times I have seen this film, I smile when I see his interaction with his children, and I well with tears when I see his incredible strength of character. (No easy feat to break through the armor of this cynical film geek who, if given the chance would remake at least a few dozen films with tragic endings.) I was sitting in my car listening to National Public Radio recently the day Gregory Peck died, and I'm not ashamed to admit that I sat and cried hearing the retrospective they offered – mainly because the man who portrayed my own personal cinematic hero was gone, but also because Peck lived his life with the same conviction as his best known role; a fact that makes Atticus Finch all the more tangible. The American Film Institute recently named Atticus Finch the number one hero of all time, a choice I consider both brave and insightful in an age where our heroes generally either wield weapons or have super human physical strength. Atticus Finch fights evil as well, but with his strong moral fiber and his mind.

To Kill a Mockingbird is generally required reading during the course of one's education. If you have not read it, do so. If you have not seen the film, do so; and share it with others. It is an exceptional film that stands the test of time and will remain an important addition to film history for as long as the genre exists.

--Shelly

Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).

"To Kill a Mockingbird" rises to the top of the pile easily.

Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.

The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.

"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.

Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.

If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.

I'm surprised that there aren't more comments on Peck's amazing depiction of Atticus Finch, the father. In this era of absent fathers, preoccupied fathers, abusive fathers, immature fathers, etc, etc, Peck's Finch gives us all a soothing view of the best of fatherhood. Where else do we get to watch a man sit up with his ill child, stand firm in his convictions, show patience and gentleness with his children, demonstrate an appropriate level of humility, communicate righteous values to his children, and give his children a picture of integrity to emulate. Every time I view this film I wonder how Peck was able to pull this off. Every time I view this film, it gives me hope for the future of fatherhood.

It's a story that's riven with themes, of prejudice, hate, broken dreams, there's courage and caring, there's taunting and daring, growing up, finding out what life means. At its heart you'll find Atticus Finch, defends a man most town folk want to lynch, no evidence in play, to support what they say, but they're adamant and won't move an inch. Scout and Jem watch these awful events, through child's eyes losing their innocence, in a world that's gone mad, it makes you so sad, but there's hope that leaves some recompense. Plus there's Boo, who defies more perceptions, all shrouded in cloaked misconceptions, hidden from view, most people eschew, but a saviour, and a child's revelation.

As good as it gets.

This is why I watch movies. Every once in a while I stumble upon such a masterpiece which moves me to tears, because it reminds me that, all bad things aside, there is good in all of us - we just have to help each other search for it and bring it to light.

This is definitely one of the best films I've ever seen. Mary Badham is absolutely wonderful as 'Scout', and I think she deserves just as much credit as Gregory Peck for this picture.

The rest of the cast are great as well, and a special mention goes to Elmer Bernstein for his delicate and so appropriate score.

I love this movie and recommend it to anyone. 10/10