Sodome et Gomorrhe

With the filming of Sodom and Gomorrah, Stewart Granger began a phase of his career on the European continent. Not that Sodom and Gomorrah is any great film, but it was certainly better than some of those spaghetti westerns he did in the Sixties to pay for his hedonistic life style. Something like the one they allegedly lived down Sodom way.

Of course Sodom and Gomorrah doesn't stick to the biblical version of the tale, but then neither did those DeMille epics, Samson and Delilah and The Ten Commandments. Nor is homosexuality singled out as THE sin that got the Deity all upset that he wanted to destroy the place. Then again it isn't even in the Bible.

Lot as portrayed by Stewart Granger doesn't take just his family there, he leads a whole tribe of Hebrew people there after he parts from Uncle Abraham. Pretty soon he gets all tangled up in Sodomite politics and gets a bit entangled himself with Pier Angeli who is a slave girl to Queen Anouk Aimee.

Villain of the piece is Stanley Baker who always improves every film he was ever in. He's Anouk's brother and he's got the idea he ought to be running things. He's also got an eye for Lot's daughters.

There's a very nicely staged battle sequence with the Hebrews defending the land granted them by Anouk. But the script is definitely out of the Cecil B. DeMille school of arcane Victorian writing.

Still it's entertaining in many respects.

The performance of Amouk Aimee (Queen Bera) and Stanley Baker(Asthorath) is imposing and quite delightful. Evil but lovable at the same time.

Some people complain that it wasnt about naked lust , and explicit orgies were not shown at all. Really? It was filmed in 1961, a naked picture would have been a scandal!

Instead , the scenes are seductive, filled with tasteful naughtiness that leave everything to some subtle imagination. Mitsuko Takara's dance moves are right on target and she is as seductive as beautiful.

My favorite performances came from Queen Bera and Ildith (Pier Angeli). They steal the show with their stunning beauty and performances. Stewart Grange is a bit dissapointing as Lot. And yes, there are some cheesy moments in the film.

Finally, Miklos Rosza shows why he was the master of musical performances. The soundtrack is worth everything he promises.

The movie is worth every detail. However, it cant be watched with a modern perspective.

While there isn't much in this movie that is Biblically correct I still thought it was an enjoyable film all the same. Essentially, "Lot" (Stewart Granger) has decided to relocate his followers and herds to the lush plain of Jordan in which the cities of Sodom and Gomorrah are located. It is at this point where Hollywood takes over and everything is radically different from the Scriptures. Be that as it may, "Bera" (Anouk Aimee), the Queen of Sodom and Gomorrah, recognizes that the Elamites are a threat to her cities and is desperate to protect her position at all costs. So when the Hebrews (led by Lot) enter the plain of Jordan she hastily forms an alliance with them. Lot agrees due in large part to his naive assumption that he can eventually convince the people of Sodom and Gomorrah to abandon their wicked ways. What he doesn't consider is that the Hebrews are also capable of adopting the ways of Sodom and Gomorrah as well. At any rate, rather than spoil the movie for those who haven't seen it, I will just reiterate that what follows is not found in the Book of Genesis. But it is an exciting film with good acting by Stewart Granger, Pier Angeli (as Lot's wife "Ildith") and the aforementioned Anouk Aimee. It also has some nice scenery and some pretty good special effects for its time. However, it is rather long (154 minutes) and the manner in which the writers transform Lot into a combination of both Abraham and Moses is a bit far-fetched. But that's Hollywood I suppose. Slightly above average.

Mammoth, colorful and entertaining French-Italian Biblical spectacle chronicling the wars surrounding--and eventual demise of--the twin cities. Stewart Granger plays Hebrew leader Lot, caught in the middle as his people's village is burned to the ground, leaving just one place left to go: across the lake where the wicked and tempting reside. Battle sequences and an impressive flood are worthy of DeMille, though the melodramatics are just as heavy and silly, with the subtext of sexual evil tiptoed around. Good performances, excellent usage of Moroccan locales, and with an unflagging direction by Robert Aldrich (who reportedly fired his 2nd unit director, Sergio Leone, mid-production). **1/2 from ****

Robert Aldrich has directed an entertaining, though far from serious retelling, of the Old Testament saga. The story starts out sticking close to the original. Lot ( Stewart Granger) decides to split with his Uncle Abraham and take his group of Hebrews on a different route as they make their nomadic way across the desert. Of course they come upon the evil cities of Sodom and Gomorrah. The characters they meet there are bigger than life. The Queen of Sodom is wickedly played by the wonderful Anouk Aimee. She rules the twin cities of the Plain with her leering brother portrayed by Stanley Baker. They both have a ball chewing the scenery and seducing whomever strikes their fancy. The Queen has the eye for young female beauties. Her brother has an eye for both of Lot's daughters. These fun plot additions are distinct divergences from the Old Testament tale. Lot himself falls for the slave girl (Pier Angeli). Royal intrigues and political betrayals run rampant. There are also some good action sequences. One in particular has the Hebrews protecting the cities from invading intruders by destroying a dam they have built inundating their enemies as Moses would do centuries later. Of course, the spectacular finale is the destruction of the cities followed by the Pillar of Salt transformation of Lot's wife. The script writers have left out the tidbit about Lot's own daughters getting him drunk and taking him to bed because they think they are the last people on earth. I guess that was a bit too racy for the audiences in 1962. "Sodom & Gomorrah" came at the tail end of the cycle of biblical spectacles. It certainly wasn't the worst. Its entertainment value includes a superb score by Miklos Rozsa which raises all of the fighting and heavy breathing to a higher level than one would expect.