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Gianni Garko, Carla Marlier, Liana Orfei, Steve Reeves, and Giorgio Venturini in Conquérants héroïques (1962)

Review by steven-222

Conquérants héroïques

8/10

The Legend of Aeneas Continues

It's easy to forget, when watching the worst or campiest entries in the sword & sandal genre, that the Italians also produced serious historical epics in the 1960s. Here, Steve Reeves reprises his role as Aeneas, whom he previously played in the superb THE Trojan HORSE (LA GUERRA DI TROIA).

Having survived the destruction of his city, the Trojan noble and a band of survivors have made their way to Italy, where they hope to create a new life for themselves. But the region is already populated by various tribes, ruled by warlords, and Aeneas's longing for peace cannot be accomplished without recourse to battle and bloodshed.

The screenwriters take their inspiration from Virgil's epic poem The Aeneid. The scale of the sets and the rustic costumes evoke a convincing atmosphere of Bronze Age Italy. (Small details like the king's peculiar-looking crown are based on authentic artifacts). The curious customs of the natives have the ring of historical truth; the bird-shooting contest on horseback is a brilliant bit of cinema.

A part of Steve Reeves' notable legacy as a performer was his portrayal of three of the great hero figures of the ancient Greek and Roman world: Hercules (in two films), Romulus (in DUEL OF THE TITANS/ROMOLO E REMO), and Aeneas (in two films). Of the three, his Aeneas is the most complex, admirable, and ultimately heroic.
  • steven-222
  • Feb 11, 2006

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