IMDb RATING
5.7/10
12K
YOUR RATING
A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.
Kenji Sahara
- Kazuo Fujita
- (as Keji Sahaka)
Featured reviews
Any insults and accusations hurled against this beloved movie will fall on deaf ears with me. Admittedly, I am somewhat biased in favor of this entertaining monster romp because it was a regular television staple all during my childhood while I was growing up. It's one of the most enjoyable giant monster movies Toho Studios ever made, and it's certainly one of the best Godzilla films of all. It can be silly, it can be jokey, and it's also a hell of a lot of fun.
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
Most of us saw the English language version of KING KONG VS. GODZILLA, which discarded alot of fun bits found only in the original Japanese language version of this near classic. In it's original Japanese, this is a fun movie about these rather boob-ish guys who work for a Tokyo advertising firm going to a desolate island. They encounter music loving natives who worship none other than King Kong. At the same time, Godzilla re-appears on the scene, threatening to destroy Tokyo. The film is made with wild energy, and goes with wild logic (how can you not love the scene where King Kong is knocked out with bongo music?!) Proof that director Inoshira Honda loved his audience and wanted to make them happy.
King Kong vs. Godzilla (1962) was the meeting of the silver screen monsters. Who would win the championship title of "KIng of the World"? Will Godzilla squash King Kong or will he job to the old master? Can King Kong win fair and square or will he throw in the towel? Godzilla is back from it's last film. The people of earth are shaking in fear because no matter what they do to it, the mean mutated radioactive breathing lizard keeps coming back for more (and flattening Tokyo). Some unlucky people have landed on Skull Island and have awoken the slumbering King Kong. King Kong was at peace with himself (and the painted up natives) until he felt the presence of Godzilla and wants to squash the lizard. A hopped up Godzilla awaits the challenge and the two titans duke it out, the world awaits word on who's will be the winner.
I totally marked out for the movie when I was a kid. I was disappointed when I saw King Kong, he looked so paper mache and nothing like the original. The fights the two had looked like a pro wrestling match. They even put in the posing, sneak attacks, cheating, use of foreign objects and what not. I wished they would release a digitally remastered version of this film in the original language. Now that would be cool!!
Highly recommended.
I totally marked out for the movie when I was a kid. I was disappointed when I saw King Kong, he looked so paper mache and nothing like the original. The fights the two had looked like a pro wrestling match. They even put in the posing, sneak attacks, cheating, use of foreign objects and what not. I wished they would release a digitally remastered version of this film in the original language. Now that would be cool!!
Highly recommended.
Godzilla escapes from an ice berg and King Kong is found on an island that has lots of kick ass berries on it which the natives grind into a juice for Kong to drink. After throwing boulders at a giant octopus and drinking the juice, Kong falls asleep and the local Japanese TV guys "ape nap" him and bring him back to Japan so their boss can exploit the big monkey for all he's worth. But en route, the Japanese government order the TV guys to send Kong back his home island because they've got enough problems with Godzilla as it is, they don't need a giant monkey on the rampage as well. Kong escapes and this leads to the inevitable clash of titans as Godzilla battles Kong for the right to demolish Tokyo.
The original Kong from the 1933 film was only 50 feet tall while Godzilla is 400 feet tall, so they had to make Kong a lot bigger for this film and in order to make the odds more even for him they endowed him with the ability to draw strength from lightning bolts. The King Kong suit is hopelessly phony to look at though.
The American version is a travesty that serves merely as filler until the big finale, with a reporter who really makes you long for Raymond Burr's reporter man Steve Martin. Whether or not the Japanese version ever becomes available in America remains to be seen, but hey, see whatever version you can get just to see Kong ram a ridiculously huge tree down Godzilla's throat!
The original Kong from the 1933 film was only 50 feet tall while Godzilla is 400 feet tall, so they had to make Kong a lot bigger for this film and in order to make the odds more even for him they endowed him with the ability to draw strength from lightning bolts. The King Kong suit is hopelessly phony to look at though.
The American version is a travesty that serves merely as filler until the big finale, with a reporter who really makes you long for Raymond Burr's reporter man Steve Martin. Whether or not the Japanese version ever becomes available in America remains to be seen, but hey, see whatever version you can get just to see Kong ram a ridiculously huge tree down Godzilla's throat!
king Kong verses Godzilla is a hilarious clash between two monster icons,the Japanese with their;Godzilla(aka;gojira)and for Americans; king Kong.even if its an actor in a monkey suit,originally i heard that in the Japanese version Godzilla wins the battle.not so after i've seen every Godzilla movie i notice the big g always returns. and he did in the next sequel;Godzilla verses the thing(mothra) since universal had released the American version,they used the music from their monster films,like the wolfman,the creature,etc;early on Kong battles a giant octopus(they filmed a real octopus and also used a rubber stand in )Godzilla of course after surviving being buried in ice cubes from the previous,Godzilla raids again(aka;gigantis, the fire monster)an entertaining monster movie from the sixties.a classic from the abundant toho studios and the home of classic monsters,universal.7 out of 10.
Did you know
- TriviaThe unedited original Japanese version of the film remains the highest attended Godzilla film in Japan. It is also one of the most attended films of all time at the Japanese box office as well as the most successful live-action science fantasy film with admission numbers surpassing Hollywood blockbusters such as Star Wars and Avatar. To this day it remains as the 13th most attended film of all time in Japan. The heavily re-edited US version that inserted new actors and deleted several scenes from the original was just as much of a success at the US box-office as well.
- GoofsWhen being hauled around by the balloons, Kong's right leg is twisted around painfully and sticks out of him at an odd angle. When it cuts to the suit with an actor inside it, the leg is back to its normal shape.
- Crazy creditsIn the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka."
- Alternate versionsThis USA version is re-edited from the Japanese original, King Kong contre Godzilla (1962), and is vastly different. New scenes featuring Eric Carter as a United Nations reporter were inserted for the USA version, replacing some footage from the Japanese release. Most of the comedy bits featuring Shôichi Hirose and Ichirô Arishima are deleted in favor of bland action, screeching to a halt U.N. news reports which are completely dissociated from the story. In the USA version, Harry Holcombe recites a ludicrous idea that Godzilla is a cross of a tyrannosaurus (while pointing to an allosaurus in a children's book) and a stegosaurus. Most of Ifukube's magisterial score is deleted and replaced with themes from the score of L'Étrange Créature du lac noir (1954).
- ConnectionsEdited from Prisonnières des Martiens (1957)
Details
- Release date
- Countries of origin
- Language
- Also known as
- King Kong vs. Godzilla
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000 (estimated)
- Runtime1 hour 37 minutes
- Aspect ratio
- 2.35 : 1
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