A long-married couple are at war with each other and with their teenage son and daughter. The presence of a handsome young tutor complicates and sensitizes the savage domestic tensions which... Read allA long-married couple are at war with each other and with their teenage son and daughter. The presence of a handsome young tutor complicates and sensitizes the savage domestic tensions which arise as the secret emotions of members of the family are shockingly revealed.A long-married couple are at war with each other and with their teenage son and daughter. The presence of a handsome young tutor complicates and sensitizes the savage domestic tensions which arise as the secret emotions of members of the family are shockingly revealed.
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- Tony Blake
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- Woman
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- Woman
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- Mark
- (uncredited)
- Girl
- (uncredited)
- Golfer
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- Girl
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The plot concerns the presence of a German tutor (Schell) for the daughter (Lana Wood) in the family, and ensuing domestic problems that come to a boil.
Russell plays Louise Harington, an unhappily married social climber who has nothing in common with her hard-working, down to earth husband Stanley (Hawkins). The son Philip (Beymer) joins them for the summer at their ostentatious vacation home, and the tension is immediate.
Stanley wants Philip to join him in business, but Philip isn't sure what he wants to do. Then a tutor, Walter, is brought in to teach French to the daughter, and tensions really boil over. For Louise, he represents culture and romance, for Stanley, he's a pretentious annoyance, and for Philip, he represents a threat.
Shaffer is a masterful playwright, and perhaps if his play had been correctly adapted to film, this would have been a magnificent drama. As it is, it's an interesting family drama.
First off, the family is supposed to be British and in Britain, and the presence of the tutor brings up a lot of feelings about the war and the Nazis. Secondly, there is an underpinning of incestuous feelings between mother and son so that the presence of Walter makes Philip jealous.
Both these elements are missing in the film. What remains is Louise's dashed romantic hopes and facing her harsh reality, which releases a firestorm.
This isn't a bad drama by any means, it's just not the unusual film that it could have been. The acting is good if a bit overdrawn - that is partially because it is derived from a strong play. And the resolution is satisfying.
Disappointing. One last thing - this was produced by Russell's husband, Frederick Brisson. At one point, Richard Beymer was fooling around on the set and Russell said something to him, asking him to stop. He replied that whatever he was doing was no big deal.
She responded, "Well just remember this - I'M sleeping with the producer." I think he probably stopped misbehaving at that point.
Of course having a British story with one of the leads American you had to make even more adjustments than normally to transfer a one set play to the screen. Instead of a nice English country estate the setting is the Pacific coast. Hawkins is an orphan immigrant who from the United Kingdom and became a millionaire. Part of the problem though is that he's not only British but a total Philistine who sneers at all the culture is wife tries to provide son Richard Beymer and daughter Annette Gorman. A Harvard education for Beymer and a tutor for Gorman so she can go to a nice finishing school. They've taken on a tutor in Maximilian Schell.
Russell came from a family where the father was a learned professor who was also a compulsive gambler and the family was on the edge of poverty.
Essentially Russell and Hawkins come from two different places with entirely different sets of values. There is an permanent conflict in their relationship and Schell boarding with the family with his issues about having an unreconstructed Nazi for a father and a totally submissive mother just brings everything to a boil.
I think the work should have been either all British or all American. The worst scene in the film was Hawkins listening to an American baseball game between Cincinnati and San Francisco. I listened and heard no familiar names in the commentary of the game. You'd think the authors would have used real Reds and Giants player names of the time. Hawkins looked like he didn't know what was happening. He probably would have been right at home listening to an English cricket or soccer match.
Imagine if Jessica Tandy had done the film. That would have had her co-starring with her former husband. Well it worked for Robert Taylor and Barbara Stanwyck in Night Walker.
This study of a dysfunctional family and its dysfunctional tutor would have worked better in its original British setting.
Why do I sat it's painful? Well, seeing a film where a couple hates each other and you see and hear such venom isn't exactly a fun picture to watch! I also dislike similar stories such as "Who's Afraid of Virginia Woolf" or the TV show "Mama's Family"... as it's painful to see people being so ugly towards each other. I just would rather watch something that isn't so ugly and depressing.
The Harrington family is very well off. After all, they spend their summers in a cottage in Carmel*...a very upscale town. But despite money, the family is in crisis. Mr. And Mrs. Harrington (Jack Hawkins and Rosalind Russell) are a very mismatched couple. He likes sports and being a guy...with few pretenses. She likes being pretentious and putting on airs and smothering their son. Naturally, this is not a good fit and there is tension in the house. But they also have grown or mostly grown kids and they, too, become part of this toxic environment. To make things more complicated, a handsome young tutor (Maximillian Schell) is living with them...and he seems to be pulled into the middle of this mess.
Although I disliked the story, it was mostly well made. I thought the Oedipal tension was very interesting with the son. But I also thought that Russell's character was a bit too much and making her awfulness more subtle would have helped the story. As is, she's a caricature. It also seems to make you feel sorry for the husband, though he is a part of the problem as well. Toning down her character would have helped the husband to be more noticably dysfunctional. Overall, a reasonably well made but unpleasant film.
*To give you an idea about the money needed to live there, today a round of golf in Pebble Beach including all fees is about $1000 per person! And, Mr. Harrington loves to play golf!
Did you know
- TriviaThe original Broadway production of "Five Finger Exercise" by Peter Shaffer opened at the Music Box Theater in New York on Dec. 2, 1959, and ran for 337 performances.
- GoofsThe hair and clothes of both Walter and Mary are only partially wet when they get back to the house even though they have both been completely immersed in the sea for an extended period.
- Quotes
Louise Harington: I won't have you talking to him in that way. I won't have it.
Stanley Harrington: Why not?
Louise Harington: He's a brilliant boy. You talk about your money. Your money had nothing to do with getting him into Harvard.
Stanley Harrington: It didn't hurt.
Louise Harington: It was his brains, his brilliance!
Stanley Harrington: [scornfully] His brilliance!
Louise Harington: You haven't the least idea how to deal with a sensitive person. I understand him. I appreciate him.
Louise Harington: You know what you're doing to him, don't you? You're turning him into a mama's boy. A molly-coddled...
Louise Harington: That's not true!
Stanley Harrington: Any time I wanted to get him into the fresh air, teach him anything like golf, swimming, having fun like an ordinary boy, it was always "oh, no, Phillip's too delicate, Phillip can't waste his time on silly games".
Louise Harington: Oh, so it was wrong of me to encourage his reading?
Stanley Harrington: He was my son as much as yours.
Louise Harington: [shocked] Was? Was your son?
Stanley Harrington: He's not any longer. You've seen to that.
- ConnectionsVersion of BBC Play of the Month: Five Finger Exercise (1970)
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Details
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- Also known as
- Quinteto de amor
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- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 1.85 : 1