Dr. Crippen

DR. CRIPPEN is an effective retelling of a true crime story, bolstered by a typically excellent turn from Donald Pleasence in the titular role. Pleasence makes every facet of his flawed lead his own, and in the end you can truly believe that he is Crippen. He also helps to make Crippen a sympathetic character despite the turn of events that occurs.

The format of the film is kept simple and straightforward, with much of the story told in flashback and courtroom drama making up the rest. It feels a little bit staid and ordinary, but Nic Roeg's cinematography at least makes it look good and the cast is decent: Samantha Eggar convinces as the youthful mistress, while Coral Browne is so overbearing that you can't help but sympathise with poor Crippen. A typically fiery Donald Wolfit (BLOOD OF THE VAMPIRE) plays the prosecutor with his usual aplomb.

Historical accuracies aside, a first class cast and adequate directions provide an interesting diversion for the duration of this film.

The film, especially in B&W, has a claustrophobic feel of foreboding.

That being said, there are some inaccuracies, a major one being that Crippen and his wife were Americans, and there's zero trace of that in Coral Brown's accent not detectably in Pleasance's. Pleasance was absolutely a wonderful actor, but his ability to do an American accent was never good (see his Dr. Loomis in Halloween) and I'm wondering whether that had something to do with his not bothering trying.

As a piece of acting, certainly nothing bad and imminently watchable.

Despite the overwhelming evidence supporting the murder of Mrs. Crippen there has to be a question of intent. Whilst the film gives what seemingly is an accurate portrayal of the crime it seems to be biased towards the like of Filson Young who perceived Mrs Crippen as a wanton woman. The portrayal of the state of the house is accurate according to the reports in the papers though the over acting by the captain of the montrose and the failure of pleasance to grow a beard whilst evading the long arm of the law indicates poetic licence. Anyone who hasn't studied the background to the case will find it an OK watch but there are too many inaccuracies to the academics!

This wasn't anything like I was expecting. Truth be told, I was more than pleasantly surprised by this story of the notorious and nefarious wife killer. However, nefarious may not be the correct description as this story recounts.

There's not much I can tell you about the story without giving you any spoilers, which I am always loathed to do. I can say the story starts at Dr Crippen and Ethel Le Neve, Crippen's mistress. as they stand accused of his wife's murder. From this point, the story is told in flashback and by witness testimonies in the trial. This story paints a different picture of the events and situations leading up to Belle Elmore's death.

Writer, Leigh Vance, gives the audience an interesting and thought-provoking tale of a marriage on the rocks. This is a total contrast to the sensationalism which ran in the papers and which turned this man into a nightmare myth - nearly on par with Jack the Ripper, as Crippen mentions towards the end of the film. Though the direction isn't too elaborate, the director, Robert Lynn keeps the shots classy and the pace smooth, which adds power to this style of drama.

Along with the story, the actors are the other driving force keeping the viewers viewing. Donald Pleasance (who is one of my favourite actors of all-time) gives a sublime performance as the mousey Dr Crippen. Along with the shrew-like performance of Coral Browne as Belle Elmore, you can almost feel the palpable tension of their relationship. Then you have his mistress, Ethel Le Neve, who is played with a quiet calmness by Samantha Eggar.

This was a crime that caused a commotion and perturbation when it ran in the papers. Therefore, If true crime is your thing I would recommend you to give this story a try. If you're a fan of dramas then this could also be for you. I'd also encourage any film buff to watch this movie.

Poor "Dr. Crippen". As the character himself says, he's gone down in history as some kind of monster, not that far removed from Jack the Ripper. Robert Lynn's simple, sober film sets out to redress the balance. painting Crippen as more sinned against than sinner. Yes, he killed his wife and dismembered her corpse but did she drive him to it and was the killing itself an accident as he ultimately claims? There is no doubt as to which side Lynn's film is on.

It's an intelligent little picture if, in the end, not a particularly exciting one and it's very well played by Donald Pleasence, (Crippen), Samantha Eggar, (Ethel Le Neve, his uncomprehending mistress) and Coral Browne, (his shrew of a wife). The fine black and white cinematography is by Nicholas Roeg.