Constantin le grand

"Constantine and the Cross" is an historical film set in the fourth century of the Roman Empire, and the last days of its pagan and mythological cults. It covers the period when Constantine became emperor and ended the persecution of the young Christian faith. It gives a good rendition of Constantine's rise and the battles that led to his reunification of the empire.

The film is a British-Italian production, filmed in Italy. Cornel Wilde plays Constantine. Most of the rest of the cast are Europeans actors - Italians making up the bulk. The sets, costumes and battle scenes are well done. But the screenplay is very choppy, and the direction and editing seem slipshod. Wilde and others who play Roman soldiers are wooden much of the time. The rest of the cast give just so-so performances.

The movie lacks energy and seems to drag on in many places. Only those interested in history and the survival of early Christianity are likely to enjoy it.

A nice plus that boosts this film's rating is its scenes of the catacombs in Rome. Very few films have been made that show the catacombs. But they were a crucial aspect of the early Christian church and its survival and growth in Rome.

I toured two different catacombs in Rome in 1963. With so many sites and things to see in Rome, many tour groups skip the catacombs. I recommend a visit to at least one. Especially to those interested in history or the first four centuries of Christianity.

Cornel Wilde was one of many stars to go to Europe to escape U.S. taxes at the same time roles were drying up for him. Victor Mature was another, Alan Ladd made that dreadful Duel of the Champions. At least Mature and Wilde were suited for these kind of films even if the ones they made in Italy weren't exactly high up on their credit list.

Case in point is Constantine and the Cross. The Emperor Constantine by his conversion to Christianity, the faith of his mother Helena was what made Christianity the faith of Europe. More importantly than that, after the action of this film is over, Constantine convened the Council of Nicaea which essentially was the body that organized the Bible. It decided what stories went in, what accounts like that famous Gospel of Thomas did not make the cut. It's influenced us for good and for bad right down to today.

He's a most important and complex figure Constantine and deserves far better treatment in a filmed biography than what he gets here. Maybe a good television mini-series. This film is a fictionalized account of his succession as Emperor and his conversion to Christianity.

Legend has it that on the eve of battle he had a vision of a cross in the sky and the voice of the Deity telling him that by this sign he shall conquer. Whether he heard the voice or not is subject to speculation. There is no doubt he kicked some serious pagan butt the following day, which is shown here. Sadly the color is fading and the film could use a restoration. What can't be restored is the cliché driven script of this sand and sandal epic that Italy churned out by the dozens in the fifties and sixties, using all those sets built by MGM for Quo Vadis and Ben-Hur. In fact a lot of the plot here is lifted from Quo Vadis.

Besides Wilde, the only other names known to western audiences would be Christine Kauffman and Belinda Lee. Kauffman later became the second Mrs. Tony Curtis after they met on the set of her next film, Taras Bulba. She plays the innocent Christian girl Livia.

Sadly there were no more films for Belinda Lee, voluptuous British starlet who had abandoned the UK for films in Italy where her attributes could be more fully exploited. She was killed in Southern California in a car crash where she was vacationing right after completing Constantine and the Cross. No doubt she was also there looking to break into the American cinema as well. She plays Constantine's wife Fausta.

Again, past the action in this film the by now Empress Fausta was caught stepping out on Constantine. In that instance, Constantine went back to the old Roman way of dealing with an unfaithful spouse. That too would be part of a mini-series of his story.

If Belinda Lee had lived she might very well have gotten all the parts that Joan Collins later received. She's the best reason for checking out Constantine and the Cross.

This Italian sword and sandal film is about the life and Christian conversion of the Roman Emperor Constantine, which took place at the beginning of the 4th century AD. The film remains a bit too schematic and is therefore not as exciting as other examples of the genre.

What is interesting, however, is the casting of the title role with the Hungarian-born Hollywood star Cornel WILDE (ACADEMY AWARD nomination in 1946 for POLONAISE), who is best known as the Great Sebastian from THE GREATEST SHOW ON EARTH by Cecil B. DeMILLE. Christine KAUFMANN (GOLDEN GLOBE 1962 for TOWN WITHOUT PITY), who had already made a sword and sandal film with proto-Hercules Steve REEVES (GLI ULTIMI GIORNI DI POMPEI, 1959) two years earlier, can be seen as the young Christian Livia.

This Italian production stars an American born in Hungary (Wilde), a German, and a Brit in key roles. American Cornell Wilde plays Constantine. Livia, a pious Christian woman loved by Constantine's friend Hadrian is played by German prodigy Christine Kauffman (at the age of 18, she was already a veteran). And the tragic British glamor- girl Belinda Lee plays Constantine's devoted wife Fausta (Lee died in a car crash shortly after this film was completed). The rest of the cast rounds out nicely with Italian actors, many of whom are quite good.

The subject matter is, ultimately, the story of Christianity's (really Eastern Orthodoxy) rise from an obscure, persecuted cult to one of Europe's dominant religions through its adoption by one of the great Byzantine Roman conquerors - Emperor Constantine. Those who are not interested in this ideologically and historically important subject should probably avoid this film, because it does, at times, move pretty slowly.

The story is epic and heroic following Constantine, Fausta, Hadrian and Livia from their young adulthood through to Constntine's rise to power and eventual unification of the empire. Constantine is depicted as a brilliant warrior, leader and strategist (which he certainly was) with stability and peace at the heart of his motivations (which is arguable). Much is left out of the story and much is changed. There is no clear indication of Constantine's formidable intellect and education, nor the ambiguity of his motives and alliances. Much of the complex intrigues of Constantine's times is ignored or altered in order to keep the story moving. Even so, the story can be a little hard to follow if you are not already familiar with the history.

The production is generally very good. The acting is fine, though Wilde and Lee are both a little stiff at times, and don't seem to have developed the chemistry appropriate for their roles. Christine Kauffman (Livia), and Fausto Tozzi (Hadrian) are excellent in their important supporting roles. The sets are great, though the occasional and unnecessary bird's eye views of Rome (a miniature) are a bit silly. the costumes are impressively detailed, and the battles are well choreographed and filmed - though it is sometimes hard to figure out what is going on in the battle scenes.

Considering the grand scale of the film, Constantine and the Cross is quite good. I enjoy historical fiction - even when it is more fiction than history - so - had I gone with my own personal enjoyment of this film, I would have given it a 7. It is a good effort to portray an important and under-examined subject. Well worth seeing by those interested in the history of religion, Christians, and movie fans who enjoy epic historical fiction.

This is pretty much the cream of the crop of Italian Spaghetti Sword and Sandal Films, most of which were catastrophically bad. This one, however, has very good direction, and a few solid performances among the ensemble cast.

Cornel Wilde makes the film a cut above average with his substantial acting skills. Other notable roles are Fausto Tozzi as Hadrian, Christine Kaufman as Livia, the love of Hadrian, and Massimo Serato as the contentious Maxentius. It is very important to see this film in its remastered form, as the original Embassy Studio versions are vastly inferior in quality.

The story of the rise of Constantine is historically interesting, and relatively accurate, as opposed to several other Hollywood treatments of historical figures (like Genghis Khan for example).