Thésée et le Minotaure

The quick pitch: On her mother's deathbed, Princess Fedra learns she has a twin. Her reaction is to order her lost sister's death. Oh, and there's a minotaur living below the palace that requires virgin sacrifices.

For a movie called The Minotaur, the Wild Beast of Crete, I expected a bit more Minotaur action. The creature doesn't really make an appearance until the last 10 minutes, so he's hardly a factor. In the age of CGI we live in, the Minotaur may look silly and stiff, but I found the look pretty effective. Fortunately, with all the plotting and scheming of Princess Fedra, there's enough here to at least be somewhat entertaining. Rosanna Schiaffino does an acceptable job in the dual role of the evil Fedra and the kind-hearted Arianna. In addition, Alberto Lupo is convincing as Fedra's sinister sidekick. They really are an enjoyable pair. And, as I've already alluded to, much of the plot is entertaining - nothing groundbreaking, but I found myself drawn into the story. If it weren't for the clunky acting on the part of hero Bob Mathias and the even clunkier fight choreography, I could've seen myself rate this one much higher. Still, a 5/10 ain't all bad.

5/10

In ancient Crete, a monster called the Minotaur can only be satisfied by virgin sacrifices. The evil ruler of Crete is determined to keep the monster happy by sacrificing as many of the island's virgins as he can, but a pair of friends determine to kill the monster and stop the sacrifices.

Director Silvio Amadio is unfortunately not well known, perhaps best remembered for "Wolves of the Deep" (1959), and even that is rather obscure. Star Bob Mathias has a much more fascinating biography -- he was a two-time Olympic gold medalist, a Marine Corps officer, actor and Republican Congressman representing the state of California.

For movie buffs, the most recognizable might be Paul Mueller, who would go on to appear in a few 60s and 70s horror films by Jess Franco, including his version of "Count Dracula".

Anyway, that was all just to full space. You should watch this.

The legend of Theseus finding his way through the Cretan maze in order to battle the Minotaur and rescue Ariadne is one of the great tales in Greek mythology. Alas, this version takes the tale and dilutes it into the standard "sword and sandal" plot. You know how it goes. The coldly-beautiful but evil queen lusts after the handsome, muscular hero. He already has a girlfriend and is a foe of tyranny and so spurns the queen. She's outraged, has the girlfriend imprisoned, and subjects the hero to a torturous trial. He triumphs, frees the girlfriend, and overthrows the tyrant. Grateful citizens cheer the happy couple. The End.

Steve Reeves might have been able to lift this mixture to a higher level but in his place we have ex-Olympics champion, Bob Mathias. Mathias is an affable sort and he's given an opportunity to show off his athletic prowess by engaging in a display of javelin throwing, pole vaulting, and discus throwing. He also looks pretty good with his shirt off, though not quite as good as you'd hope and he seems a bit self-conscious about baring his chest. On a more troubling note, however, his personality is bland, his acting ability no more than passable, and he lacks the swaggering sexuality needed to give his character that necessary edge.

Rosanna Schiaffino gets to play the evil queen as well as her virtuous twin sister. She's good at being bad but bad at being good. As for the Minotaur, traditionally represented with the head of a bull, it's poorly depicted here as a stunt-man dressed in sort of a King Kong suit, and the climatic battle between Theseus and the Minotaur doesn't deliver the expected thrills. Also, little is made of the strand of yarn which leads Theseus out of the maze, and the Minoan culture is only vaguely hinted at in the sets and costumes.

And once again, the movie bungles the torture scene. Theseus winds up in the queen's torture chamber, chained to a wall, but he's modestly allowed to keep on the top of his tunic! So when the torturer approaches with the red-hot iron, he must reach out and make a discreet rip in the hero's shirt in order to expose a bit of bare flesh next to the hero's left nipple. Hey, this is a "sword and sandal" movie featuring a muscular actor as its star. Why not rip that shirt all the way off and put the hero's sweaty torso on proper display?

This is a pretty good peplum film, based on the Theseus legend. It leaves out the ball of yarn gimmick that I recall from Bullfinch, alas; that made it a better story for me, showing Ariadne not only looked good in a short chiton, but had some brains.

Still, that's not what people watch swords-and-sandals flick for. The costume design is handsome, and there's some very nice photography under the supervision of Aldo Giordani, particularly the sequence with Theseus' rescue from drowning and Susanne Loret as Amphytrion. Bob Mathias plays Theseus and there's a bit with him throwing the discus. His principal claim to fame was winning Decathlon Gold at two Olympics, and he played himself in a cheap Allied Artist biopic, but his acting career was uninspiring.

Well made, good looking " Sword And Sandal" fantasy with famed athlete Bob Mathias in his sole acting role and he gets to show off some of his athletic skills.Rosanna Schiaffino is lovely in both twin sister roles and for it's time and aimed as a family entertainment. it is at times quite violent.The actual monster itself, isn't seen fully until the film's last four minutes and although it does not have the Bull head as in the legend, it is a passable effect. Entertaining film.