Le Maniaque à la mitraillette

My favorite scene is where the old man tells Coll (Chandler) to go threaten somebody else because the old man doesn't even look at "girls in summer dresses" any longer. Good line-- so, take that, tough guy! Too bad the rest of the movie looks like it was filmed in somebody's garage. It's a "Thalia" production and not surprisingly plays like a quickie meant to cash in on TV's top-rated Untouchables. This was the early 1960's, and the public was fascinated with 20's style careening cars and Tommy gun splatters. So why not a "Mad Dog" Coll, to go along with Capone, Nitti, and the rest of the gangland icons. Thalia may have been a cheap outfit, but they knew where the bucks were.

Chandler sure tries—he's seen all the old Warner Bros. classics. Then too, with his over- sized teeth and heavy-lidded eyes, no one would confuse him with Cary Grant. More importantly, he hits all the right poses and sprays the chopper with appropriate bloodlust delight. The trouble is he's also got zero charisma. So, unlike a Cagney or Bogart, his Mad Dog comes across as little more than a dislikable tough guy that nobody cries for in the end. No wonder Chandler's future lay in character acting. But what's up with Broadway actor Jerry Orbach (Joe) who performs like he wandered onto the wrong set. He looks confused throughout. Maybe he's waiting for clues from director Balaban. If so, he never gets them, resulting in several near-painful scenes. Anyway, the movie amounts to a C-grade version of the gangland craze, but with one key distinction. It may be the only film on record where just about all the supporting cast is now better known than the lead.

If you took a blender and added a little bit Steve Buscemi, Arnold Stang and Nicolas Cage from "Vampire's Kiss," you'd get the whiny, bug-eyed bad acting from John Chandler in his first and only lead role.

Everyone else in the cast, including Savalas and Orbach were fine, but Chandler's performance was absurd, comical, and sort've fun to watch in a guilty pleasured way.

Not a bad Ed Wood/Corman-like film to watch and make fun of, so a few stars for the laughs.

Those years of the late 50s and early 60s there was a spate of films inspired by the legends of gangsterism. Vincent 'mad dog' Coll was every bit as ruthless and psychotic as shown here. But the facts are not true, they rarely were in these films.

John Davis Chandler made his debut here and played various punks and psychos his whole career. Chandler plays Coll probably as psychotic as he really was. His indiscriminate killing of citizens made both gangsters and cops want to see him put out of business.

Nice to see Telly Savalas, Jerry Orbach, and Vincent Gardenia in this independent New York based film. All of those worthy folks in their salad days.

Mad Dog Coll the movie, no better or worse than some of the others of this type.

John Chandler would have made a great Joker with his toothy, sneering smile, sniveling voice and angular facial features. I don't know how Cesar Romero was cast for the Batman show on ABC or if they had other actors also on their list. While Cesar was jovial and circus clowny, Chandler would have been creepier, horrifying and too reptilian for the little TV viewers. His Mad Dog is depicted as a woman abuser and rapist. What I liked about this film was the gritty, grimey, sleazy depiction of gangsters as psychopaths and the gold digging women who orbit around them. While Martin Scorsese has built a film career idolizing and romantizing Mafia scum in glossy films, this film zeros in on their repulsive inhumanity.

The opening scene before the credits run, and the outrageous title song, set the tone for this over-the-top movie. In this movie, the Prohibition-Era Gangster is transformed into a 1950's juvenile delinquent punk. Imagine "The Roaring 20s" by way of "Rebel Without A Cause". It's great to see Vincent Gardenia, Telly Savalas and Jerry Orbach early in their careers. Nevertheless it's John Davis Chandler's over-the-top performance, in his only starring role, that really dominates this movie.

Chandler is one of those character actors who's names you probably wouldn't recognize, but who's face you can never forget. He used to specialize in portraying nasty, sneering, sadistic little punks; a role which he gets to play to the hilt in this movie. Chandler's version of Coll is a paranoid-psychotic juvenile delinquent who never got over being abused by his bullying father. Armed with a machine gun and supported by only a couple of henchmen, he attempts to move in on the powerful Dutch Shultz Mob in 1920s New York. Shultz is portrayed as a vicious mobster, but also a successful organized crime boss. Coll, on the other hand, is portrayed as a vicious loose-cannon who likes hurting people because he was bullied as a kid, and he thinks that hurting others is the only way to be a man.

Those who enjoyed Al Pacino's performance in "Scarface" would love this film as an equally over-the-top crime drama. The principal difference is that the one is a big-budget film with "A-List" cast and production values, while the other is a low-budget sleeper that came and went under-the radar.