Two teens organize a jazz festival despite objections from the mayor.Two teens organize a jazz festival despite objections from the mayor.Two teens organize a jazz festival despite objections from the mayor.
Gary U.S. Bonds
- Self
- (as Gary [U.S.] Bonds)
The Paris Sisters
- Themselves
- (as Paris Sisters)
The Dukes of Dixieland
- Themselves
- (as Dukes Of Dixieland)
Acker Bilk
- Self
- (as Mr. Acker Bilk)
Acker Bilk and His Paramount Jazz Band
- Themselves
- (as Mr. Acker Bilk And His Paramount Jazz Band)
Kenny Ball and His Jazzmen
- Themselves
- (as Kenny Ball's Jazzmen)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I first saw this movie as "Ring-A-Ding Rhythm" in 1963 and have revisited it several times since. "It's Trad Dad" was Richard Lester's first film, and many of the humorous and surreal touches he later brought to the Beatles' "A Hard Day's Night" are clearly in evidence here. This British film essentially borrows the basic plot of all those terrible 1950s American rock 'n' roll movies: The mayor and town council try to banish the music that young people are listening to, so the kids try to get major disk jockeys and musical artists to come to town for a liberating concert. But Lester and writer Milton Subotsky (who wrote the earlier U.S. film "Rock, Rock, Rock") spoof the plot throughout and acknowledge that the main appeal of this type of film was that it presented musical performances by charting artists in the days before MTV. The only drawback is that when "It's Trad Dad" was shot in late 1961, trad jazz (known as Dixieland in the U.S.) was sweeping England, which means we're treated to a seemingly endless series of British retro-jazz cats like Acker Bilk and Chris Barber. Fortunately, a couple of Yank expatriates, Del Shannon and the great Gene Vincent, were having second careers in the U.K. at the time, so Lester worked them into the story. (Gene Vincent's performance of "Spaceship to Mars" itself recommends this movie.) Lester also had the presence of mind to fly to America to shoot several cutaways of U.S. artists like Chubby Checker (who was on the verge of storming the U.K. with the Twist), Gary "U.S." Bonds, the Paris Sisters (with soft-focus attention paid to enchanting lead singer Priscilla Paris) and Gene McDaniels, although their material is not up to par with their earlier hits. But the real star of the show is the sense of fun that Lester brings to the proceedings. The scenes literally crackle with wit and energy totally lacking in the earlier Alan Freed/Sam Katzman-style rock films. Topping it all off is the amateurish but utterly charming leading lady,15-year-old Helen Shapiro, whose foghorn singing voice and giant beehive hairdo easily steal the show. Though Shapiro was a big pop star in England at the time, she never clicked in America, which is too bad because she made some very effective records. (After starring in a second film, "Play It Cool," with Bobby Vee and Billy Fury, her singing career went into decline.) "It's Trad Dad" is ultimately an interesting museum piece that captures the British entertainment industry in its last innocence before the Beatles arrived. Not only would Richard Lester go on to direct their two films, but Helen Shapiro would headline their first big tour--during which Lennon and McCartney wrote "Misery" for her. "It's Trad Dad" is highly recommended despite all the Dixieland music.
Richard Lester was perfecting his craft as rock movie director guru here. He did a great job! I have a soft spot for Helen Shapiro; anyone who does will love this movie. I was surprised about the number of Dixieland jazz band groups who played in this flick. I didn't realize that it was so popular then in the UK (I was only ten when this movie was made)! It was good to see Mr. Acker Bilk and his band; he was an Atlantic recording artist in the 60's. When I'd buy an album by Cream or The Allman Bros. Band back then, the sleeve would inevitably feature albums by Acker Bilk. I knew he was a good clarinet player, but I'd never seen him "play" until I saw this movie. Of course, the plot was undeniably banal, but really, who cares? It's an historical document!
When this movie was released the Beatles had just cut their first single and the director would make his next one with them. Its like a British answer to Rock Rock Rock and quite amazing when you realise how many of these artists had or would have links to the Beatles. Craig Douglas for example could claim he'd once been backed by the Beatles while Helen Shapiro,Sounds Inc,Del Shannon and the Brook Brothers would be on Beatles packages. Its wrong to assume the American acts would be on the "unemployment line" as Bobby Vee and Del Shannon carried on with hits through the 60s-the latter cutting the first U S version of a Lennon/McCartney song. And Chubby Checker hit again in the 70s in the UK with the chart topping reissue of Lets twist again. The music which gave the movie its name-trad jazz-was a craze the same as skiffle and really a watered down version of the original New Orleans jazz but Barber,Bilk & Ball all had massive hit singles in the States. As for the story its like a lot of the original U S rock'n'roll opportunist films-absurd on purpose yet the objections about what was really being planned as an open air festival WAS something which occurred in the 60s-remember the Beatles on the Apple roof? This was a long way down from the situation nowadays when you have the Concert In The Park. Still why would anyone object to trad jazz-it was supposed to be the music of the older generation-even in the 60s jazz was the domain of scholars the same as Beatles music is nowadays. What goes around comes around
If anyone is curious to look at 1961/62 U.K. just before The Beatles would make their way to American shores, then this is an excellent look at that moment of the British musical landscape. More then anything this film is about Art Direction. This is the kind of film that would show off Lester's amazing visual sense & get him hired to direct one of the great musicals of the 60's, "A Hard Days Night". The other quality I love about this film is the strange mixture of Folk, Dixie Jazz, R&B & Rock & Roll. I love how just 2 years before the Rock & Roll revolution would take hold that there seems to be such a wild mix of styles all floating around & waiting to take shape. Please see this film simply to get a peek at Lester's wonderful sense of visual delights. It very much has the feel of a magazine article come to life. Bravo!
I did actually visit the cinema in my home town of Coventry and viewed. its trad dad as a new movie. i did enjoy it at the time and would really like to see it again . i hope my memories will not be dashed but if any person could supply me with a copy and cost ,i would appreciate it very much. if i do manage to have a current viewing i will then update my report. regards mick
Did you know
- TriviaRichard Lester's fee for this film was a thousand pounds. The film was made in three weeks and Lester has always said that the "script" was a treatment running to just a few pages to which he added as many improvised jokes as he could devise.
- GoofsWhen Acker Bilk's band is playing "In a Persian Market", the drummer twice hits the cymbals, yet we never hear it.
- Quotes
Alan Freeman: Hi there, ladies and gentlemen, and welcome once again to our weekly show. Something old, Something new. And first tonight, something new from Gene Vincent and "A Spaceship to Mars."
Gene Vincent: [singing] I want to get you on a spaceship to Mars, And hold you and I'll squeeze you as we fly through the stars, But when I think of those light years we can spend alone, zooming through the atmosphere from zone to zone, But I tell you honey, life can be sunny, cause you're mine, all mine...
- ConnectionsFeatured in Bandstand: Episode dated 17 November 1962 (1962)
Details
- Release date
- Country of origin
- Language
- Also known as
- Ring-A-Ding Rhythm!
- Filming locations
- Shepperton Studios, Shepperton, Surrey, England, UK(studio: made at Shepperton Studios, England)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 1.37 : 1
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