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Le fleuve sauvage

Original title: Wild River
  • 1960
  • Tous publics
  • 1h 50m
IMDb RATING
7.5/10
6.5K
YOUR RATING
Le fleuve sauvage (1960)
A TVA bureaucrat comes to the river to do what none of his predecessors have been able to do - evict a stubborn octogenarian from her island before the rising waters engulf her.
Play trailer2:59
1 Video
23 Photos
DramaHistoryRomance

A TVA bureaucrat comes to the river to do what none of his predecessors have been able to do - evict a stubborn octogenarian from her island before the rising waters engulf her.A TVA bureaucrat comes to the river to do what none of his predecessors have been able to do - evict a stubborn octogenarian from her island before the rising waters engulf her.A TVA bureaucrat comes to the river to do what none of his predecessors have been able to do - evict a stubborn octogenarian from her island before the rising waters engulf her.

  • Director
    • Elia Kazan
  • Writers
    • Paul Osborn
    • William Bradford Huie
    • Borden Deal
  • Stars
    • Montgomery Clift
    • Lee Remick
    • Jo Van Fleet
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    6.5K
    YOUR RATING
    • Director
      • Elia Kazan
    • Writers
      • Paul Osborn
      • William Bradford Huie
      • Borden Deal
    • Stars
      • Montgomery Clift
      • Lee Remick
      • Jo Van Fleet
    • 63User reviews
    • 45Critic reviews
  • See production info at IMDbPro
    • Awards
      • 2 wins & 2 nominations total

    Videos1

    Trailer
    Trailer 2:59
    Trailer

    Photos23

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    + 19
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    Top cast32

    Edit
    Montgomery Clift
    Montgomery Clift
    • Chuck Glover
    Lee Remick
    Lee Remick
    • Carol Garth Baldwin
    Jo Van Fleet
    Jo Van Fleet
    • Ella Garth
    Albert Salmi
    Albert Salmi
    • Hank Bailey
    Jay C. Flippen
    Jay C. Flippen
    • Hamilton Garth
    • (as J.C. Flippen)
    James Westerfield
    James Westerfield
    • Cal Garth
    Barbara Loden
    Barbara Loden
    • Betty Jackson
    Frank Overton
    Frank Overton
    • Walter Clark
    Malcolm Atterbury
    Malcolm Atterbury
    • Sy Moore
    Mark Anthony
    • Night Clerk
    • (uncredited)
    Ross Apperson
    • Attorney Armstrong
    • (uncredited)
    Big Jeff Bess
    • Joe John Garth
    • (uncredited)
    James Campbell
    • Small Role
    • (uncredited)
    Donna Carnegie
    • Small Role
    • (uncredited)
    Bruce Dern
    Bruce Dern
    • Jack Roper
    • (uncredited)
    Mike Dodd
    • Sheriff Hogue
    • (uncredited)
    John Dudley
    • Todd
    • (uncredited)
    David Ferrell
    • Small Role
    • (uncredited)
    • Director
      • Elia Kazan
    • Writers
      • Paul Osborn
      • William Bradford Huie
      • Borden Deal
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews63

    7.56.4K
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    Featured reviews

    10gayeshortland

    my forty-year search rewarded

    There is little to add to the eloquent appreciations of Wild River by other users. Still, I want to pay my tribute. My father took me to see the film when I was a little girl and it made such an impression on me I have been searching for it for years. Odd, since I remembered nothing of the plot, retaining only fleeting images of autumn colours, Lee Remick's autumnal hair, the old ferry, an indelible impression of Montgomery Clift's face, the old woman surrounded by still 'figures in a landscape'. And the creation of a unique atmosphere so tangible, so lyrical, so elegiac it stayed with me for 40+ years. I've been wanting to know why it clung to me so. And wondering why it seemed to have disappeared without trace. This Christmas, in the fullness of time, my niece presented me with the DVD and I have at last seen it again. Why did it affect me so profoundly? That one's easy. Why had the film disappeared. That one's complex, as you know. What I hadn't expected was that stunning performance from the incomparable Jo Van Fleet. No Oscar? Were they mad? It is intensely interesting and sobering to reflect how politics can hold art hostage.
    8marcslope

    A flop, and I can't imagine why

    Lee Remick's own favorite among her movies, and fine late Elia Kazan, this historic romance of the TVA and progress vs. tradition is beautifully crafted, gorgeous to look at, exquisitely acted, and quite frightening in its depiction of potential mob violence. Cleverly adapted from two books by Paul Osborn, it takes its time spinning out a gripping tale of a government agent (a restrained Montgomery Clift, his private life a wreck, but none of it shows on screen) trying to evict a stubborn, proud old woman (Jo Van Fleet, magnificent; Shirley Jones won over this? Really?) from her island so it can be flooded and power brought to all those poor Tennesseeans. He enlists the aid of her widowed-mom granddaughter, Remick, and the relationship between her and Clift is wonderfully ambiguous and rich. It's intelligent, moving, and convincing, and nobody went to see it in 1960. Very worth seeking out.
    misterjones

    Obscure but memorable film from Elia Kazan.

    It's unfortunate that this wonderful film was ignored by the press and public when it was first released, and that this initial indifference has led to it's being so obscure today. As of yet, it is unavailable on DVD or VHS.

    One of Elia Kazan's first film assignments was a documentary about the Tennessee Valley Authority in the 1930's. Incorporating some of the footage from that film, he returned to the subject in 1960 with "Wild River", a film which explores the gray areas of life as richly as any I can think of.

    Following the catastrophic floods of 1932, the TVA is determined to build a dam to regulate the flow of the river. The dam can not be operated, however, until the 80 year old Ella Garth (Jo Van Fleet) can be persuaded to leave her home on Garth Island. The situation seems clear and simple to TVA representative Chuck Glover (Montgomery Clift), but it is not long before he must accept that what he sees as progress others see as the destruction of their natural way of life.

    The urban intellectual Glover is sensitive enough to be moved by Mrs. Garth's plight but practical enough not to back down, even as he begins an affair with her granddaughter (Lee Remick). This relationship eschews all cinematic cliches, with Remick clearly the aggressor as the two seem pulled together by forces beyond their control. Kazan has criticized Clift's performance, terming him "not masculine" enough (he was gay in real life), but his chemistry with Remick is quite palpable even if it is unorthodox. She is nothing less than luminous, and he responds with the finest and healthiest performance of his later years. Van Fleet is magnificent. Incredibly, she and Clift were the same age at the time of filming.

    Kazan's direction is masterful throughout, and he is abetted by his many collaborators. Ellsworth Fredericks's cinematography subtly suggests the inevitable changes of nature, and the mournful sound of Kenyon Hopkins's score on the soundtrack seems to echo the thoughts of the river itself. Paul Osborn's screenplay and the naturalistic work of the supporting cast (virtually a given with Kazan) sustain the documentary-like tone throughout the film, which seems to grow richer with subsequent viewings.

    Let's hope the film will become available on video soon, allowing us to take advantage of those subsequent viewings.
    mrbentley2

    Jo Van Fleet - Underrated Genius

    This is a most remarkable film, chronicling a piece of Americana and presenting a compelling image of the tragedy of progress. And it is Jo Van Fleet whose utterly convincing and captivating portrayal of an 80-year old hillbilly woman (she herself was 45 years old) makes WILD RIVER a masterpiece. To reiterate what others have stated, the fact that her performance was not even nominated for an Oscar is an outrage! I tend to disagree with other reviewers in regards to the subplot between Monty Clift and Lee Remick; I feel their scene slow things down and I find myself fast-forwarding past them to get to the match of will between Clift and Van Fleet. I do, however, understand the necessity of the Chuck/Carol love affair - here you have a stubborn old woman who simply refuses to leave her lifelong home and a sensuous young woman who simply begs to get out! And Monty Clift becomes nemesis and savior. But their scenes together are a total yawn when the good stuff involves the reason Clift is there to begin with - not just his cat-and-mouse with Van Fleet, but all the other obstacles he faces from the rest of the populace of the rural south in the 1930's.

    Still, an incredible film and worth viewing over and over again.
    10llmann-1

    The movie is great

    I had to say this movie was so stunning for me. The beginning black and white newsreel of a man who lost his three children in a flood is actually a real clip and it is my grandfather, so I was so amazed to see this. He passed away in 1972. My father lost his brothers and sisters in the flood which was in the 1930s Trumansburg, NY. I believe is was the flood of 1935. How amazing to see an actual news reel of my grandfather!!! I had a hard time finding the movie until I come across it on ebay. My father once had it, but he ended up losing it as the movie was not marked it was a blank VHS and it was unfortunately thrown away. I am holding onto the movie that I got until his birthday. It will make a unforgivable gift.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Lee Remick picked out two local Charleston kids to play her children. She chose the little girl because she looked like Lee at age 7. She chose the little boy because he loved hugging and kissing Lee.
    • Goofs
      When Chuck and Carol stop for gas, a torn movie poster is displayed prominently on the wall of the station. Although the title and the name of the players have been ripped off, it's quite obviously Demain viendra toujours (1946) with the images of its three stars, Claudette Colbert, George Brent, and Orson Welles, easily identifiable; this film was not actually produced until 12 years later, in 1945, and released in 1946.
    • Quotes

      Carol Garth Baldwin: [to Chuck] I'm leaving here, with you or without you, but I want you to know something... I'd be a good wife for you. A DAMN good wife. I'm smarter than you in some ways and I know what's good about you and I know what's bad and I'm not afraid to tell you... I have two children who love you. They love you and I love you... and you're not easy to love, but you do need someone... and I love you. I love you, I love you.

    • Connections
      Featured in Mirror for Our Dreams: The Director: A Matter of Viewpoint (1968)
    • Soundtracks
      In the Garden
      (uncredited)

      Written by Austin Miles

      Sung by Lee Remick

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    FAQ17

    • How long is Wild River?Powered by Alexa

    Details

    Edit
    • Release date
      • May 2, 1962 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Wild River
    • Filming locations
      • Hiawassee River, Tennessee, USA
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,595,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 50 minutes
    • Color
      • Color
    • Sound mix
      • 4-Track Stereo
    • Aspect ratio
      • 2.35 : 1

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