La vengeance d'Hercule

"Goliath and the Dragon" was one of two peplum films featuring Hercules (the other being "The Loves of Hercules') released in 1960, following the success of "Hercules" and its sequel both starring Steve Reeves. The original Italian title for this film is "La vendetta di Ercole" ("The Revenge of Hercules"), but U.S. distributor AIP changed the hero to Goliath for the American release, and added a stop-motion animation dragon not included in the Italian cut. Italian-American (Brooklyn-born) bodybuilder Lou Degni, billed as Mark Forest, takes over the role from Reeves. Forest starred in a dozen or so peplum films including "Maciste in the Valley of the Kings" released this same year and played Hercules again in 1964's "Hercules Against the Sons of the Sun." He is a more than passable stand-in for Reeves, impressively built if not quite as classically handsome or well-proportioned and able to pull off the macho arrogance of the character. The oddest thing about this film is the casting of American actor Broderick Crawford, with an enormous and distracting scar across his face, as Hercules's (or Goliath's ... whatever) nemesis. Crawford growls his way through the movie and generally seems like a grumpy old man. At least he gets to use his name, which neither the film nor the writers nor the lead actor nor the hero do -- co-writer Nicolo Ferrari is credited with the bizarre pseudonym Archibald Zounds Jr.! (Apologies to anyone actually named Archibald Zounds, Jr. or Sr.)

The story is particularly baroque, involving forbidden romance, double-crossing courtiers, an over-large cast of characters that becomes cumbersome to keep straight, and some vague plans to defeat Hercules and conquer Thebes, but the overall motif (in keeping with the Italian title) is revenge, with Hercules at one point destroying the statue of the God of Vengeance after it falls on him -- twice! The real attraction here, though, is not the complicated plot but the dizzying array of cheesy monsters Hercules gets to fight, beginning with a sequence in the "cave of horrors" where the big man defeats a three-headed beast that is probably supposed to be Cerebus, though not identified as such (another pseudonymous indignity) and a very strange man-sized bat-like creature that at first I thought was a unique take on the dragon, but as it turns out a more conventional (though, frankly, pretty hilarious) dragon turns up later. Along the way, Hercules also defeats a giant bear-like monster and spears a centaur, who is the most convincing and strangely affecting of all the creatures that populate the film. The bat-thing and the bear-thing are clearly stuntmen in silly costumes, but the dragon (aside from the brief stop-motion sequence) is a giant puppet that Forest does a great job trying to battle convincingly. Other peplum tropes include the obligatory dancing girls and Hercules practically tearing down a city with his bare hands. Though much cheaper looking and cheesier than the two Reeves films that preceded it, this is actually pretty fun and peppy peplum entry helmed by director Vittorio Cottafavi.

Broderick Crawford plays his role of a corrupt would-be emperor like he were still playing a 20th century gangster. Watch him bark orders to soldiers like he were plotting a gangland rubout. Meanwhile Mark Forest is the hero called "Emilius" who is nicknamed Goliath because he is so strong and (apparently) immortal. He also has a younger brother is is neither superstrong nor immortal and a mortal wife who is not bothered by the fact that she will eventually grow old and die but he won't. Go figure. Most of us watch these movies for the monsters and oft-times the cheesier the better. After a mechanical 3 headed fire breathing dog (ahem, that is NOT Cerberus!), a man in suit giant bat and a centaur (which had to have been the most uncomfortable costume in the bunch) seeing a dragon that is partially stop motion animated was a real treat. Oh yeah, in closeups it is a giant rubber prop but those few moments of animation make it worthwhile. There is enough plot here for 2 movies and it does not always make perfect sense but the action will keep your attention. Oh and look closely at that dragon. David Hewitt borrowed some of the stop-motion scenes for his no budget thriller THE MIGHTY GORGA.

In the 1960's as a child I and dozens of theater goers were watching this interesting Movie called " Goliath and the Dragon " when a small fire in the building sent everyone racing out in a panic. Although, I got the price of admission back, (15 cents) I never did get to finish the film. Due to the fact, I was very young, I was most impressed with the parts of the movie I did get to see. It is years later and I finally got to see the entire movie completely. I am surprised to sit through the entire film without yawning. The scenes which intrigued and captivated me as a child, were laughable as an adult. However, I am impressed with the story of how Goliath or Hercules was able to mesmerize young impressible audiences with such a small budget and hokey special effects. Still, as a grown-up I would quickly recommend this film to young members of the audience as they have not lost their imagination or have forgotten what it means to be inspired by flickering images. During the Sword and Sandal era, these movies are the very inspiration we received when it was needed most. How else could Gods, Goddesses, Monsters, Centars and heroic deeds have impressed us so much? Recommended! *****

I saw the Alpha Video DVD of GOLIATH AND THE DRAGON, which is from a well-preserved widescreen print, and it's dazzling to look at! To be sure, the color balance goes a bit wonky in a few outdoor scenes, but the aquamarine trees and purple skies almost seem intentional, given the strangeness of director Vittorio Cottafavi's vision. If all the old sword and sandal epics were in this good a shape, the genre would attract many more fans.

The movie itself is a delirious muscleman fantasy from start to finish. A bearded Mark Forest shows off the biggest pecs and widest lats of his generation, and melts everyone with his smile (except scar-faced Broderick Crawford as the cranky villain). The costumes are beautiful, the sets are extravagant, the exterior landscapes are a lush paradise, the monsters are huge puppets, and just when you think the story can't become more bizarre...it does! An absurdly majestic music score by Les Baxter strives to match the melodrama of a hero who dares to revolt against the gods themselves.

Cottafavi will try just about anything to dazzle and disorient the viewer. In one scene, as our hero approaches, looms above, and then passes over the camera, the point of view turns completely upside-down; the effect is so audacious I had to laugh out loud! This is fearless (and yes, perhaps sometimes mindless) film-making, and the result is truly dreamlike, if not downright mythic.

Broderick Crawford is a slimy politician in a toga and Mark Forest (bodybuilder Lou Degni) is muscleman Goliath in this kitsch epic from Italy, exploited to the max in the U.S. by American International pictures during the drive-in heydays of the late 50's and early 60's. This one's quite a potboiler, with a various assortment of cheesy monster creations (including some very brief stop-motion footage by Jim Danforth), the usual buxom babes with big Roman hairdos and, of course, the solid and stiff muscleman hero performing various feats of strength (like wrestling a bear suit and, rather impressively, genuinely warding off a real elephant!). It's all a lot of nostalgic fun and the new DVD release is a revelation in quality, bringing back the bright color and widescreen TotalScope ratio of the original theatrical presentation. The DVD is also packed with campy tributes to the whole muscleman, sword-and-sandal genre, including a gallery of trailers, shorts and even an entire second strongman feature, the truly ridiculous CONQUERER OF ATLANTIS! Get ready for a great late-night schlockfest with this package!