Le Vent de la plaine

The unforgiven is a nice movie, western. That is a good story which find in this movie a good adaptation for the cinema. This story is about a Indian woman who live since she was baby with a white farmer and cattle and horse breeder family. and naturally with the impulse and the coming of an old man who know the true, the Indian Kiowa want to rehabilitate the girl.

The story is the opposite (inverse), contrary of the searchers (1956) with John Wayne and Nathalie Wood.

In the unforgiven the girl make a different choice for the issue of the story. The story is good because the mystery and a little suspense appear, and it is on the top with the Indians.

One of assets in the unforgiven is the photography. We have beautiful pictures in this film.

And we find a great Audrey Hepburn, who give something magic and mysterious anytime she is on the screen.

A nice western to see.

jelios jelios@hotmail.fr

Which is a shame because after an admittedly slow laborious first third, the film kicks on from the moment the Kiowa Indian's turn up asking for the return of their kin. The film is gorgeous to look at (Franz Planer shooting out of Durango, Mexico) and benefits from some sterling performances from those involved. Big bad Burt Lancaster broods as the big brother, and it was wonderful to see Audrey Hepburn playing a down to earth character, no glam and glitter here; in fact it was kind of special watching her with rifle in hands firing away. The ending took me a little by surprise (but in a good way), and I was fully satisfied that I had just watched an involving and entertaining genre piece. If Huston did indeed consider this one of his worst films then I look forward to catching many more of his misfires. 7/10

I wasn't expecting to like The Unforgiven. Don't get me wrong I don't mind westerns and I am a fan of both Audrey Hepburn and John Huston. However, prior to seeing this film I heard a lot of negativity on it. After seeing it for myself, I think it is very underrated. It is flawed, but I do admire this film.

It does begin in a lethargic manner and I personally thought the final scene could have been better thought out. Also, despite my love for her, I was not entirely convinced by Audrey Hepburn. She is graceful, charming and elegant and I applaud her for taking on a completely different role to any other she's played, but she was never quite believable in her role, to me her accent sometimes came and went and she felt somewhat out of place.

However, it looks gorgeous with the cinematography beautiful and the scenery magnificent. The music is very rich and wonderful, the dialogue is thought-provoking and the pace in the middle I had no problem with. I was pleasantly surprised at how ambitious the story was, the subject of racism could have easily been dealt with in a heavy-handed way like in Crash, but it doesn't thanks to the construction of the story which is quite impressive and it also helps that the characters are surprisingly credible. John Huston's direction is also terrific, and the acting ensemble is very good generally. Burt Lancaster is a charismatic presence, while Audie Murphy is a sheer delight in this movie.

In conclusion, it is a good movie despite the miscast(I do say this with a heavy heart) and one or two scenes that could have been better judged. 7/10 Bethany Cox

When I first became aware of the cast list (Lancaster, Gish, Hepburn, Murphy, Bickman, Wiseman) & the director (the great John Huston) for this movie, I just knew it was going to be a great Western, but I was sadly disappointed. The acting is good, no doubt about it, & the direction is fair, but there are a few things that go too far astray here. I mean, really, could you fall in love with & want to marry a person who you thought was your sibling for the past 20+ years?! Another problem here is that Lancaster's character seems to be portrayed as the noble defender of his family & as such, the Indians are made out to be his enemy, so they would seem to be the "bad guys," when all they're trying to do is repatriate one of their own (initially in a very peaceful manner). If the white settlers were to do the same thing, they would be considered heroes for doing so, & they'd make a movie about it with John Wayne as the hero & call it "The Searchers!" Kidding aside, there is too much injustice here that is left unconsequated (such as the killing of dozens of Indians & the killing of an innocent man who was only attempting to speak the truth) for this to be a satisfactory film for me. Audrey Hepburn is miscast here. Also, the score by Tiomkin is OK, but did the music have to dominate in such a loud manner as to drown out all other aspects of the film, including some dialog? I rate this only a 5/10.

This splendid film is an accurate picture of post-Civil War Texas life , much as John Ford had earlier done with Alan LeMay's "The Searchers" . The neighbors of a frontier family named Zachary (Burt Lancaster , Audie Murphy , Doug McClure and their mother excellently played by Lillian Gish) turn on them when it is suspected that their adopted daughter was stolen from the local Kiawa tribe . Then , the battle between white men and Kiowas go on the warpath . Problems emerge when a secret about a mestizo results to be discovered . As a Kiowa tribe claims that the daughter (it was Audrey Hepburn's only Western) is one of their own , stolen in a raid and she will be excluded for both races .

Offbeat Western about racial intolerance focuses an enjoyable family and the dramatic deeds happen when a dark secret surfaces . It's an interesting western with exceptional interpretation from protagonist duo , Burt Lancaster and Audrey Hepburn . However , Audrey Hepburn was seriously injured when she was thrown by a horse between scenes spent six weeks in the hospital healing from a broken back, and when she returned to the set was able to complete her role wearing a back brace, John Huston blamed himself for the mishap and hated this movie, and Hepburn bore no ill will towards the director ; while Audrey was in hospital, Huston filmed scenes using a double . Furthermore , a likable Doug McClure as his kind brother , he is very fine as well as Audie Murphy as Cash, the hotheaded brother who reacts violently to learning his sister is a red skin Indian . Special mention to Lillian Gish as their affectionate mummy and Joseph Wiseman as the crazy Kelsey . The picture was well produced by Harold Hecht/James Hill/ Burt Lancaster ; they wanted to ensure its commerciality and change the film's direction , they wished to cast Kirk Douglas as Lancaster's brother, which would throw off the balance in the brothers' relationship. The first effort at a rewrite did not work and after fifty pages into the second rewrite, the original writer , J.P. Miller , quit the film and broke off his relationship with the producers and being hired Ben Maddow who wrote the script based on the novel written by Alan LeMay . Glittering and shimmer cinematography is perfectly reflected on spectacular outdoors and colorful interiors by cameraman Franz Planer , though Oswald Morris says in his memoirs he was offered this film. Emotive as well as thrilling musical score by the classic Dimitri Tiomkin .

The motion picture was compellingly directed by John Huston who saw the film as an opportunity to make a serious comment on race relations, but the company thought anything along those lines should take a back seat to making it a commercial success as action/adventure . The flick was made in a good time of the 50s and 60s when Huston resurged as a filmmaker of quality films and with the momentum in his favor, as John hung around in Hollywood this time to write and/or direct some of the finest American cinema made including The African Queen , The jungle of asphalt (1950), Red badge of courage (1951) ,Moulin Rouge (1952), Moby Dick (1956), The unforgiven (1960), Misfits (1961), Freud (1962), The night of the iguana (1964) , they were for the most part, well-regarded but certainly not close to the level of his earlier revered work . He also experimented behind-the-camera with colour effects and approached topics that most others would not even broach, including thought-provoking themes and psychoanalysis . He subsequently directed successes such as Fat City, (1972 ), The man who would be king (1975) and Wise blood (1979). He ended his career on a high note with Under volcano (1984), Honor of Prizzi (1985) and Dublineses (1987). Rating : 7'5 above average , worthwhile watching . This odd western , ¨The unforgiven¨ , is one of John Huston's main films , a model of his kind , definitely a must see if you are aficionado to Western film . Huston broke a new ground with this landmark movie , providing exciting scenes and unforgettable dialogs .