12 to the Moon
- 1960
- 1h 14m
IMDb RATING
3.4/10
1.5K
YOUR RATING
An international team embarks on an expedition to the moon in an uncommonly spacious rocketship. There they encounter a faceless alien intelligence who conclude that the human race is too im... Read allAn international team embarks on an expedition to the moon in an uncommonly spacious rocketship. There they encounter a faceless alien intelligence who conclude that the human race is too immature and dangerous and must be destroyed.An international team embarks on an expedition to the moon in an uncommonly spacious rocketship. There they encounter a faceless alien intelligence who conclude that the human race is too immature and dangerous and must be destroyed.
Anthony Dexter
- Dr. Luis Vargas
- (as Tony Dexter)
Robert Montgomery Jr.
- Roddy Murdock
- (as Bob Montgomery Jr.)
Muzaffer Tema
- Dr. Selim Hamid
- (as Tema Bey)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
12 to the Moon (1960) has ordinary special effects, acting and direction while a variety of plot devices at least keeps the action going.
The spaceship which lands on the moon is called the Lunar Eagle One. Nine years after this movie was released, the first human landing on the moon was accomplished in a lunar lander called the Eagle.
Coincidentally, the six NASA manned moon missions had a total of twelve astronauts who walked on the lunar surface.
For real-life lunar missions, it was originally conceived that a mission to the moon might involve the launching of a complete rocket, sending it to the moon, landing it on the surface and taking off again for return to earth. As we know, by the time of the Mercury, Gemini and Apollo missions that idea had been ditched in favour of using a multi-staged rocket and employing command and lunar modules to undertake the moon landing mission.
Instead of having a cast of thousands going on a mission to the moon along with the associated problems of weight to fuel ratios, as well as oxygen, food and water supplies, the Apollo missions had a crew of three with two to land on the lunar surface and one to remain in the orbiting command module.
In relation to the Secretary General of the ISO's speech at the start of the film, many people today might recall the global telecast of the first manned moon landing in 1969, along with the name of the lunar lander ("Eagle.") Despite it being a US mission, the landing was proclaimed as a "giant leap for all mankind."
This 1960 release was the first U. S. science fiction film to have a spaceship with a multi-racial crew, six months after the East German/Polish production of "The Silent Star"/"First Spaceship on Venus" (1960) with its multi-racial crew.
Considering the era in which the film was made, the composition of the crew should keep even wokey-dokey, PC & inclusive obsessed modern audiences reasonably happy. The international make-up of the crew was also quite an innovative idea for the time considering that such a notion hadn't really become a reality on such a scale until the development of the International Space Station program.
Putting racial and gender considerations aside, it appears that compatibility and emotional stability weren't factors in the selection process considering how some of the crew fly off at the handle over nationalistic and ideological differences.
What shows through is the speculative nature of our view of space and space flight at the time the film was made. Many still believed that there might be life, even intelligent life on Mars and Venus. Such films as 12 to the Moon ought to be viewed as both harmless entertaining film fun and as a snapshot of the values, attitudes, concerns and ideas of the time.
The spaceship which lands on the moon is called the Lunar Eagle One. Nine years after this movie was released, the first human landing on the moon was accomplished in a lunar lander called the Eagle.
Coincidentally, the six NASA manned moon missions had a total of twelve astronauts who walked on the lunar surface.
For real-life lunar missions, it was originally conceived that a mission to the moon might involve the launching of a complete rocket, sending it to the moon, landing it on the surface and taking off again for return to earth. As we know, by the time of the Mercury, Gemini and Apollo missions that idea had been ditched in favour of using a multi-staged rocket and employing command and lunar modules to undertake the moon landing mission.
Instead of having a cast of thousands going on a mission to the moon along with the associated problems of weight to fuel ratios, as well as oxygen, food and water supplies, the Apollo missions had a crew of three with two to land on the lunar surface and one to remain in the orbiting command module.
In relation to the Secretary General of the ISO's speech at the start of the film, many people today might recall the global telecast of the first manned moon landing in 1969, along with the name of the lunar lander ("Eagle.") Despite it being a US mission, the landing was proclaimed as a "giant leap for all mankind."
This 1960 release was the first U. S. science fiction film to have a spaceship with a multi-racial crew, six months after the East German/Polish production of "The Silent Star"/"First Spaceship on Venus" (1960) with its multi-racial crew.
Considering the era in which the film was made, the composition of the crew should keep even wokey-dokey, PC & inclusive obsessed modern audiences reasonably happy. The international make-up of the crew was also quite an innovative idea for the time considering that such a notion hadn't really become a reality on such a scale until the development of the International Space Station program.
Putting racial and gender considerations aside, it appears that compatibility and emotional stability weren't factors in the selection process considering how some of the crew fly off at the handle over nationalistic and ideological differences.
What shows through is the speculative nature of our view of space and space flight at the time the film was made. Many still believed that there might be life, even intelligent life on Mars and Venus. Such films as 12 to the Moon ought to be viewed as both harmless entertaining film fun and as a snapshot of the values, attitudes, concerns and ideas of the time.
I remember having seen "12 to the Moon" in theatrical release in the 1960's, the last hurrah of the matinees on Saturdays. While many of the "gen-X-ers" would not truly understand the times and feelings of the era, we "baby-boomers" were there, and shared in the fun and excitement of the times, and the thrill of going into a theater as a young person to see even a not-so-good sci-fi flick. "12 To The Moon" was, as I recall, another one of those "dislocated dramas". By that I mean--it took place on the Moon, but concentrated more on human elements than on actual science. It did not take itself seriously, and was un-ashamedly released strictly for entertainment value, as were 95% of the flicks of that era. The US had not yet conquered space, let alone the moon, in 1960. It was an era of expectation, anticipation, and discovery. The scene that still haunts me from the film is the ill-fated space voyager who dies in a form of "lunar-quicksand". The others are virtually helpless to assist their fellow traveler. There is a warmth and an empathy present in the sci-fi flicks of that era that is not present in to-day's "in your face" media and world. In those days, "attitude on a stick" was equated with a flawed, or even evil character, and required redemption on the part of the
"attitu-dee"..that is to say, the one who has the attitude. I don't remember a lot of the film, not having seen it since I was in third or fourth grade. But audiences then got a lot from a little, and what was unspoken or not shown spoke volumes over that which was more conspicuous.
"attitu-dee"..that is to say, the one who has the attitude. I don't remember a lot of the film, not having seen it since I was in third or fourth grade. But audiences then got a lot from a little, and what was unspoken or not shown spoke volumes over that which was more conspicuous.
Let me just say first, that it was a very noble idea for the moon to be explored as a global effort. They had representatives of many nations and even a black man and two women! (Actually pretty bold ideas at the time.) And even in the midst of the Red scare, they had a Russian, who, despite being a jerk, stops another European from sabotaging a mission to save the U.S. Yes, the movie seems to have been made with noble intentions towards world peace. That said, this is one big turkey. First, no one involved with the movie had any idea about what the moon and space were really like. (They have steam coming out of craters, and several clusters of meteors just between earth and the moon.) Second, the SFX are pitiful. (The ship at times has visible strings, and at one point a stick. The moon also appears to have Stage lights at one point.) These ingredients makes it a fairly awful movie. My recommendation? Watch the MST3K version and applaud the good intent but laugh at how awful everything else is.
This movie has been misunderstood and slammed by some of the reviewers. At the time of the production in 1959, we still didn't even know exactly what the Earth looked like from space! All we had were a pitiful few almost useless "trophy" satellites careening around the Earth... Martians and intelligent life on Venus were still open topics for scientific discussion! It was a great time for speculation and open-minded thought. And on the other hand, the Cold War era movies always had to have a political morality issue thrown in... they actually still tried to put values into their work. Todays audiences should be proud to stand on the shoulders of the people who built the world they have the luxury of spitting on. It's actually pretty cool to watch the maker's conception of future space exploration. It's a shame we are too prejudiced to share their dream for an hour or so. The rocket may resemble a butane lighter and the meteors may not be real, but hey... it's an old movie!!! Get a grip on yourself and a bowl of popcorn and enjoy this piece of pre-spaceflight speculation for what it is.
"12 to the Moon" is certainly not a very good sci-fi film, though with so many terrible sci-fi films made during this same era, at least it cannot be counted among them. Heck, at times the film almost is good...almost.
The film is about an international space flight to the moon with 12 astronauts from 9 different nations. Despite this, all of them sound pretty much like Americans...except for some of the astronauts from enemy nations--they are a bit like cartoon characters. It's especially annoying when the Russian astronaut argues with the three Americans and talks about the joys of communism. It's all a lot of Cold War hooey. Fortunately, this crappy dialog ends when they land on the moon. Unfortunately, the moon is inhabited by super- intelligent creatures that communicate to the crew telepathically and they warn them to get lost...which they promptly do. However, these nasty moon folk aren't very nice and do all sorts of nasty things to prevent them from getting back and telling the rest of the human race about them. Ultimately, a really stupid plan is executed and the day is saved...or is it?
The biggest problem with the movie aren't the silly sets but the dumb dialog...and the film too often sounds as if the film were rushed to completion. According to IMDb, that's exactly what happened and the film was made in a paltry 8 days! Occasionally interesting...but not very.
The film is about an international space flight to the moon with 12 astronauts from 9 different nations. Despite this, all of them sound pretty much like Americans...except for some of the astronauts from enemy nations--they are a bit like cartoon characters. It's especially annoying when the Russian astronaut argues with the three Americans and talks about the joys of communism. It's all a lot of Cold War hooey. Fortunately, this crappy dialog ends when they land on the moon. Unfortunately, the moon is inhabited by super- intelligent creatures that communicate to the crew telepathically and they warn them to get lost...which they promptly do. However, these nasty moon folk aren't very nice and do all sorts of nasty things to prevent them from getting back and telling the rest of the human race about them. Ultimately, a really stupid plan is executed and the day is saved...or is it?
The biggest problem with the movie aren't the silly sets but the dumb dialog...and the film too often sounds as if the film were rushed to completion. According to IMDb, that's exactly what happened and the film was made in a paltry 8 days! Occasionally interesting...but not very.
Did you know
- TriviaThe spaceship's communication device is a modified film editing machine (Movieola).
- GoofsDuring the meteor shower, a crewman calls out coordinates ".7 and 5/10ths", which is mathematical nonsense.
- Quotes
Dr. Selim Hamid: Praise Allah.
Dr. Feodor Orloff: Praise this ship, not Allah.
- Crazy creditsThe "starring" cast credits are shown against a background of stars. Each name seems to zoom outward from the center of the screen, like meteors in a shower; but as each one appears it stops and remains onscreen until all 12 names are visible simultaneously. Ken Clark's name is the first shown, followed in order by Michi Kobi, Tom Conway, Tony Dexter, John Wengraf, Bob Montgomery Jr., Phillip Baird, Richard Weber, Tema Bey, Roger Til, Cory Devlin, and "and Anna-Lisa"; but when they have all settled in their places, the first row of names has Clark, Baird, Dexter, Til, Conway; the second row has Devlin, Bey, Montgomery, Wengraf; and the third row has Kobi, Anna-Lisa, Weber. Francis X. Bushman's name appears on a second screen as a "guest star".
- ConnectionsFeatured in The Saturday Afternoon Movie: 12 to the Moon (1966)
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- Twelve to the Moon
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- Budget
- $150,000 (estimated)
- Runtime1 hour 14 minutes
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