Pollyanna
- 1960
- Tous publics
- 2h 14m
IMDb RATING
7.4/10
12K
YOUR RATING
A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.
- Nominated for 1 BAFTA Award
- 2 wins & 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Many different movies have been made out of Eleanor Porter's novel throughout the years. The story of the young Pollyanna, adopted by her strict aunt after the death of her parents, bringing back a long lost joy to an entire village is rather well known. Still, this Walt Disney version is both very charming and moving. It is probably thanks to David Swift excellent craftsmanship as a director, portraying some interesting characters while alternating with success funny or lighter moments with deeply moving ones. It may be thanks to a beautiful cast of experienced actors such as Jane Wyman (as the strict aunt), Karl Malden (as the flaming priest), Adolphe Menjou (as the recluse Mr Pendergast) or Agnes Moorehead (as the hypochondriac Mrs Snow). It could also be related to the beautifully optimistic message of joy and friendship. Yet, it is certainly due the exceptional on-screen presence of young British actress Hayley Mills. Her performance, only surpassed, in my opinion, by the one she delivers in The Parent Trap, earned her an Academy Award and allows her to deliver the spontaneity, curiosity and joy of living characteristic of Pollyanna. With such a package of qualities, this movie may do more than bring the best out of its character by bringing the best out of ourselves thanks to a little bit more than two hours of happiness.
Hayley Mills embodies Pollyanna as a lanky adolescent with pigtails and knock-knees who never delivers a saccharine line or maudlin moment. Naturally optimistic, she leads a variety of sour adults-- including a recluse (Adolphe Menjou), a minister (Karl Malden), and a spinster aunt (Jane Wyman)-- toward a better humor just by asking them questions, showing an interest in them.
It's simplistic, of course, and even ridiculous (the town seems to have more orphans than citizens). But that is where subtlety comes to the rescue, and craftsmanship. It's a well-made Disney feature, particularly in terms of art direction and costumes which were clearly designed with Technicolor in mind. The direction and photography are uninspired, but the screenplay has elements sophisticated enough for any critic. The early anecdote about crutches is clever foreshadowing, for instance, and the recluse collects lamp prisms that are colorful symbols of a cheerful outlook.
And Disney hires terrific actors. Malden plays his fire-and-brimstone minister to the hilt. Donald Crisp is a stoutly impassioned mayor. Wyman and Menjou deliver quietly supportive, reflective performances. In spite of a story in which the adults are barely believable caricatures, this film was so solidly constructed and underplayed that the children's-book aspect is overwhelmed by the genuinely delightful message, and a marvelously realistic performance by Hayley Mills.
It's simplistic, of course, and even ridiculous (the town seems to have more orphans than citizens). But that is where subtlety comes to the rescue, and craftsmanship. It's a well-made Disney feature, particularly in terms of art direction and costumes which were clearly designed with Technicolor in mind. The direction and photography are uninspired, but the screenplay has elements sophisticated enough for any critic. The early anecdote about crutches is clever foreshadowing, for instance, and the recluse collects lamp prisms that are colorful symbols of a cheerful outlook.
And Disney hires terrific actors. Malden plays his fire-and-brimstone minister to the hilt. Donald Crisp is a stoutly impassioned mayor. Wyman and Menjou deliver quietly supportive, reflective performances. In spite of a story in which the adults are barely believable caricatures, this film was so solidly constructed and underplayed that the children's-book aspect is overwhelmed by the genuinely delightful message, and a marvelously realistic performance by Hayley Mills.
A vast improvement on the cutesy, blatantly unrealistic and cliched story on which it is based, the Disney film Pollyanna is a truly enjoyable, BELIEVABLE film. It has a very charming, nostalgic feel to it. The period costumes and sets are very good, and the direction is good, too. The best thing about it, however, are the performances. The talented cast really makes you believe in them and forget they're all stereotypes. Jane Wyman is quite good as Aunt Polly, as are Agnes Moorehead, Adolphe Menjou, and espicially Karl Malden. And Hayley Mills more than holds her own, giving a very good, subtle, believable performance. This Pollyanna does not spend all her time chatting her mouth off and misinterpreting every cold act of her aunt's as an expression of love, which made her very annoying in the book, but rather, she really gets to know people and very subtly brings out the best in them. A truly good family film, much better than the book, and one really worth viewing.
10kimmie5
A period piece that boasts about "The Glad Game?" Ready to tune out? So was I, until I got what was happening. This movie is profound, not only in its execution of story, but in the relevant, lovely message it naturally brings, as opposed to the message it sells. I've viewed it 5 times and each time, I am newly informed as to how I can adjust my attitude for a better way of life. I come from a school of thought where sunny is ridiculed and message movies are tedious, so the lead is an obvious target of disdain. Stay with Pollyanna awhile and watch her reform all the bitter, crusty malcontents on the planet into fans with a straightforward logic and uncanny point of view. A true heroine.
This is an absolutely remarkable film.It is uplifting,life-affirming,and painfully truthful about human ways.Even though it is set in the early 1900's, its message is still very applicable in the modern world.I was blown away by the genuine power of Hayley Mill's performance.The supporting cast is also excellent,especially Karl Malden and Agnes Moorehead.If you want to see a nearly flawless and absolutely charming fim,than this is the one to see.Far and away Hayley's best performance.
Did you know
- TriviaAccording to writer and director David Swift, after looking at 362 girls for the part of Pollyanna, they still did not have anyone to play the part. One day, producer Walt Disney's wife Lilly went shopping with Disney studio head Bill Anderson's wife while they were in London, England, on business. The two ladies saw Hayley Mills in Les yeux du témoin (1959) and thought she was perfect for the role of Pollyanna. The two men didn't listen to them, but they were so persistent that the men finally agreed to watch the movie and immediately decided to cast Hayley.
- GoofsIn Mrs Snow's bedroom there is a serpentine-fronted chest of drawers prominently displayed in several scenes. One of the drawers in the chest has been slid into place upside-down (this is easily discernible due to the shape of the handles and the position of the key-hole).
- Quotes
Reverend Paul Ford: We looked for the good in them, and we found it, didn't we?
- ConnectionsEdited into Le monde merveilleux de Disney: Pollyanna: Part 1 (1963)
- SoundtracksAmerica the Beautiful
(uncredited)
Written by Katharine Lee Bates and Samuel A. Ward
Sung by Hayley Mills and the girl's choir
- How long is Pollyanna?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Alle lieben Pollyanna
- Filming locations
- Mableton Mansion - 1015 McDonald Avenue, Santa Rosa, California, USA(Aunt Polly's home)
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 14 minutes
- Aspect ratio
- 1.75 : 1
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