Le peuple accuse O'Hara

***SPOILERS*** Courtroom drama in and out of the halls of justice with former high profile defense attorney James Curtayne, Spencer Tracy,handling a murder case for the first time in years. As Curtayne finds out that he just doesn't have it anymore in defending the accused. With his boss Bill Sheffield shot down in front of his building young Johnny O'Hara, James Arness,is picked up going to his parents apartment the next morning and arraigned for Sheffield's murder.

With his car identified at the murder scene and Johnny having no alibi to were he was at the time things don't look too good for the ex-con and WWII vet. Fingered by one of the notorious Korvac brothers Frankie (William Campball), who's fingerprints were found in the car, as the hit-man made Johnny's conviction for the murder of Sheiffeld a lead pipe cinch. Defense attorney Curtayne nonetheless took up the case for Johnny, pro Bono, because he knew him all his life and felt that he was innocent.

Having been away from dealing with criminal cases for years put a tremendous strain on the once brilliant defense attorney. Curtayne once successfully defended 18 murder cases in a row getting his clients off. Turning to the bottle and being drunk while handling Johnny's defense Curtayne lost his grip on the case and had assistant D.A Louis Barra ,John Hodiak, run circles around him in the courtroom and easily had Johnny convicted of murder.

Johnny himself didn't help his case at all by not revealing that he was with his girlfriend Catrina, Vetta Duguay, at the time of the Sheffield killing since she's married to big time mobster Sol "Knockles" Lanzetta,Eduardo Ciannelli. That revelation would mean curtains for both Johnn & Catrina of them if "Knockles" ever found out.

Curtayne desperately trying to get his client off the hook even went so far as to pay off a witness local stevedore Sven Norson, J.C Flippen, to change his testimony with a $500.00 personal check no less! This not only would get him disbarred but thrown behind bars. Convicted and waiting for a sentence that may well strap him into the electric chair Johnny still didn't want to bring out the fact that he was with Catrina when Sheffield was shot and killed; even when she came forward herself willing to be a witness for his defense.

It was later in the movie that Catrina unknowingly brought out the real reason for the Seffield murder and it was something that was right in front of both D.A Barra, in fact he was photographed with it. Curtayne all during the trial would not only identify the killer, or killers since by revealing it would bring them out in the open and put her life in danger.

A bit confusing at times "The People Against O'Hara" does hold together pretty well with James Curtayne risking his life in the end to save Johnny O'Hara from being executed by the state for a murder that he didn't commit. Attorney Curtayne having himself "wired" to get the goods on the real murderers had him make up for all the mistakes he made in the movie by putting his life on the line to do it.

After a successful career as a D. A, James P. Curtayne (Spencer Tracy) decides to forgo civil law and accept a homicide criminal case involving an old time family friend. Det. Vincent Ricks (Pat O'Brien) a police detective and friend advises him as does his daughter Virginia (Diana Lynn) not to do it as does his heart and former bout with alcoholism. Still Johnny O'Hara (James Arness) needs his established reputation to save him from prison. The story is fraught with dangers which involve the local mob as well as Curtayne's inability to deal with his return to drinking as the case tests his ethics. For Tracy this is a remarkable film as one sees the sober lawyer deal with an inability to deal with his weaknesses. This remarkable B/W film is designed to entertain and highlight Tracy's unique talent. A great movie and one easily recommended to Tracy fans. Although not credited, you can see a very young Charles Bronson making an appearance. ****

The People Against O'Hara is a slightly offbeat film to have come out in 1951. It's both a crime picture and a fairly realistic study of alcoholism. The photography is by noir tyro John Alton, and in many of its night-time and shadowy scenes the movie looks like a thriller, which it really isn't. Director John Sturges was an up and comer at the MGM of this time, and the film was one of the earlier shots at A level film-making. The cast,--Spencer Tracy, Diana Lynn, Pat O'Brien, John Hodiak--are all fine.

I can't say that the script is any great shakes, but it gets the job done. The story goes off in several directions, as it deals with everything from father-daughter love to gangsters. I like the film more than most people and think that had the script been tidied up it might have been a great movie. There are some splendid moments, and one in the courtroom in particular stands out, when a young thug delivers such a double-talking testimony that lawyer Tracy almost has a nervous breakdown while questioning him. The kid senses that Tracy is vulnerable and keeps on twisting his words deliberately, and Tracy goes for the bait. It's a tough scene to watch, alternately sad, realistic and infuriating.

Tracy plays his role as a recovering alcoholic with sincerity and a conspicuous absence of sentiment. This man is not a saint and never was. Even when clean and sober he's a far cry from perfect, and he always will be.

Spencer Tracy plays a seasoned attorney with his work cut out for him defending a young man in a murder trial. In some ways a routine courtroom drama, but it goes beyond that. Tracy is terrific, doing his usual crusty cynic bit but that's what we love him for. The role has some depth to it, as the character is a struggling alcoholic who makes a mistake in a moment of weakness. The rest of the cast doesn't match his performance, although John Hodiak is pretty good as the opposing counsel. The plot takes some interesting turns and goes into true noir territory in the third act. And cinematography by John Alton... need I say more? Those brilliant patches of light amidst deep, deep shadows look fantastic as always. I'll be honest, courtroom movies don't generally excite me, but this one is a cut above the usual fare.

It's a shame this movie never lives up to the dark promise of its opening images: Night in a run-down quarter of the city; an all-night coffee shop, like Edward Hopper's "Nighthawks"; an old Swedish salt stumbling around. In deep background, a door opens, flooding a stairway with light. Then, shots ring out. What it's all about is a young man framed for a murder, whose impoverished parents coax "retired" defense attorney Spencer Tracy to exonerate him; Tracy plays half Clarence Darrow and half gumshoe. Despite the obligatory falling-off-the-wagon scene (where he succumbs to ethical temptation) it's a solid job. The noir influence goes beyond the camerawork; the ending is darker than you might be led to expect.