The Late Edwina Black

Edwina Black has died and an autopsy shows she was poisoned with arsenic. Meanwhile, her widower and his secretary (played by the wonderful Geraldine Fitzgerald), who have been waiting for her to die, are preparing to go off to the Continent. While the police inspector (played slowly and perfectly by Roland Culver) investigates, they turn on each other in private. Who poisoned Edwina Black? Who is lying?

Maurice Elvey, one of the great forgotten talents of the British film industry, directs this as an Old Dark House mystery, where the spirit of the late Edwina Black is evinced by the low light levels and the occasional tinkling of a crystal chandelier. His use of camera movement is almost undetectable unless you look for it -- it serves merely to maintain composition. Elvey was among the most subtle of directors in the British industry -- he did what he did in support of the movie, lacked any of the immodesty that the auteur-loving writers of the CAHIERS DE CINEMA adored and made an excellent movie in the process. Take a look at this one and see.

Geraldine Fitzgerald gives another of her usual fine, understated performances as Elizabeth Grahame, a maid, who may or may not be a murderess. This is, however, a very unusual thriller which starts with the death of Edwina Black. Everyone is suitably shocked but when an autopsy is requested it proves that she was poisoned. It seems that Mrs. Black was a hard and bullying mistress and the villagers think life will be much easier at the house now she is dead. Mr. Black (David Farrar) and Elizabeth have fallen in love but there are some red herrings that pop up - a travel book to Italy that Elizabeth had ordered a month before Edwina's death is innocently explained. She is convinced a black cloud hangs over the house and as time goes on begins to be eaten up with suspicion and jealousy and is slowly consumed by Edwina's personality.

Jean Cadell is excellent as the aloof housekeeper. You never realise, until the end of the film, "who done it" - as everyone seems to be acting so innocent!! Geraldine Fitzgerald was quite a rebel - she was often suspended because of films she refused to do. She returned to England for a time in the late 40s. She starred as an alcoholic murderess in "So Evil, So Young" and "The Late Edwina Black" before she returned to the States.

This is a fine thriller well acted and directed.Jean Cadell does a fine job of scaring the life out of everyone.Veteran director Maurice Elvey does a fine job of sustaining suspense despite the fact that there are only three suspects.Roland Culver is the diligent detective who bit by bit manages to deduce what happened and whodunnit.The ending is a bit of a surprise.

The Late Edwina Black is directed by Maurice Elvey and adapted to screenplay by Charles Frank and David Evans from the play of the same name by William Dinner and William Morum. It stars David Farrar, Geraldine Fitzgerald, Roland Culver and Jean Cadell. Music is by Allan Gray and cinematography by Stephen Dade.

It's Victorian England and Edwina Black has just died. When a fatal dosage of arsenic is revealed to be the cause of death, suspicion falls on Edwina's husband Gregory (Farrar) and her house companion Elizabeth (Fitzgerald). More so when it becomes apparent that Gregory and Elizabeth are having a passionate love affair. Intrepid Inspector Martin (Culver) investigates as housekeeper Ellen (Cadell) looks on with interest from the shadows.

Under seen Brit period mystery resplendent with moody melodramatics and some spooky shenanigans. This is all about a mystery to be solved in a big Victorian house bathed in shadows and low lights. There is only three suspects, so for those paying attention from the off the mystery is a little weak, while there's some over acting indicative of the time.

However, Elvey and Dade prove very adept at creating a house of ominous atmosphere, where although the hinted at supernatural elements are not in the realm of horror, they work well in context of the back drop. Characterisations are nicely drawn, especially when the harmony of Gregory and Elizabeth's affair begins to crack.

It all builds to a quintessentially olde British finale, as the great Roland Culver gets to do his Hercule Poirot act, all neatly revealed over a cup of tea! Hooray! 7/10

This rather claustrophobic British mystery opens on the death of a chronically ill woman, Edwina Black during Victorian/Edwardian times. She is a wealthy woman, and leaves behind a large estate. We quickly learn that Edwina's widower, Gregory, and Edwina's companion, Elizabeth (Geraldine Fitzgerald) are lovers and plan to sell the house and move to London as soon as possible, marry, and honeymoon in Venice. Both Gregory and Elizabeth have no money of their own. There is also a housekeeper/nurse who has been with Edwina for years who sees what Gregory and Elizabeth have been up to, and is suspicious of their involvement in Edwina's death. Soon her suspicions have her wagging her tongue to the village folks, and Scotland Yard is brought in to investigate Edwina's death. Post mortem shows she died of arsenic poisoning, not the heart attack originally thought to be the cause of death. And so the. Inspector (Roland Culver) begins digging, and Gregory and Elizabeth are stuck there in this dark house full of bad memories until the investigation is over.

This film is rather claustrophobic, with almost all of the action taking place in the large Black estate. You never actually SEE Edwina. The short time she was alive she was behind the door of her bedroom. So all we know about her we get from listening to the three people who lived with her. From the beginning Elizabeth has felt Edwina is haunting the house, looking for a way to get back at them. And on top of it all, now both Gregory and Elizabeth are wondering if the other actually did poison Edwina, and would they be next if the actual murderer wanted to hang the killing on them.

Roland Culver is very good as the inspector. Where do all of these British films come up with such thorough cops with nerves of steel and great observation powers? For once, this is a film that works for Geraldine Fitzgerald. I never felt that Warner Brothers quite knew what to do with her. I'd recommend it.