Appointment with Venus

"Appointment with Venus" author Jerrard Tickell, who also wrote "Odette", wrote that the germ of the idea for his novel, and delightful movie, came ten years or more in the past when he had a conversation with a Colonel "Duke" Wright in the British War Office. In 1940, Wright was O.C. at Guernsey and, with the fall of France, had the dangerous task of evacuating the garrison from the Channel Islands. After a nightmare journey, the exhausted, unshaven but triumphant Wright reported to the War Office at three in the morning that not a man had been lost. The junior officer who greeted him remarked what a pity it was that the Colonel had failed to bring any pedigreed cows with him. And added, "I suppose you couldn't go back and collect some." Tickell wrote that Colonel Wright's reply was as pungent as it was unprintable.

This strange British Film-Makers production, has as its weird premise a story based almost unbelievably on fact. Writer Jerrard Tickell based his book on a story told to him by an officer involved in such an actual event. While the Island of this film is fictitious, it is thought the real events took place on the Isl of Sark (Channel Islands) during the German occupation of '40 - '45. Unfortunately for this film, the screen play by Nicholas Phipps (who also has a small acting part) tends to waver between comedy and propaganda. This is a pity, as there are many suspenseful moments throughout this terrific looking film. I suppose with a situation as crazy as this, it could be difficult to fully know just how to treat it, and do it full justice.

Both the Director: Ralph Thomas, (Conspiracy of Hearts '60 ~ Clouded Yellow '51 ~ Wild and the Willing '62) and his Director of Photography: Ernest Steward (The Assassin '52, aka: The Venetian Bird) were versatile artists indeed. Both were comfortable working with either solid drama or comedy. And while they are mostly remembered for their various British comedies, these men were certainly well capable of injecting a little more drama into this film, had it been a better script.

The cast is varied and interesting; the wonderful and very talented Glynis Johns gives a thoughtful performance, and with her big doe eyes and smooth husky voice, is fully believable as the Island girl being brought back to her homeland on a military mission. David Niven is warm (maybe a tad too warm) as the Major. Barry Jones is suitably serious as the Provost of the Isl. Kenneth More in a rare dramatic role (pity they didn't give him more) fully convinces as the pacifist artist who has turned his back on the war. It's his character that is let down badly by the screen treatment - maybe a slight spoiler here but vital info: In the film, More's character ends up joining the cause and flees to England, but in the book he remains to defend his Island colleagues from serious German retaliation --being a direct result of the part he played in the military operation-- If this film was made during the War years you would say it's home spun propaganda, but this is six years on, in 1951. What were they thinking...?

George Coulouris' German officer is treated rather humanely, given he disciplines his men for any mistreatment of the Island inhabitants. Some of the incidents portrayed too lightly, involve the 'cow' of the title, these tend to be given over to stretched situations. The end is simply tacked on as a British moral booster. Could have been very good, as is, it's good to look at, entertaining, and should please as a rainy day time passer that looks back at some resent history. The Masterpiece Collection DVD I looked at, is basic, but offers good quality image and sound for it's modest price.

This is a bit of a long shot seeing as the original review was posted back in 2002, but I am re-publishing the original book by Jerrard Tickell that this film is based on, and would love to know more about Colonel "Duke" Wright - as mentioned in Horn-5's original review here.

It would be fantastic to know where you found this information, and how I can find out more about the conversation the author had with the Colonel.

Horn-5 - if you're still out there, please feel free to contact me at info at manderleypress dot come if you can help! Thanks so much in advance.

The storyline involving one of the smaller the Channel Islands, whereby the British navy, with David Niven, as the army officer leading an operation to rescue a prize, pedigree cow (Venus) from a small island called Amorel, rather then let the Germans have the prize beast, seems to have great potential for humour and drama. However, sad to say, it doesn't really tick either box, suggesting that the director was caught in two minds. Bernard Lee as usual plays an army officer, but his role leaves him little to do. Glynis Johns is miscast as the local guide and Niven's romantic interest, since she shows no sparkle or energy but comes across as a mild mannered, one dimensional character, who speaks in the same 'butter wouldn't melt in my mouth' monotone voice throughout the film. Kenneth More, is also wasted, playing the island's pacifist artist, who wants nothing to do with the war, More never engages the audience's empathy, since he walks around most of the the time feeling hard done by and looking sorry for himself. Niven never breaks into a sweat, but plays the cheery, urbane, 'come on lads' type of military officer, who adopts a 'Boy Scout leader' approach to the bovine operation. Even the dramatic scenes between the plucky channel islanders and the German are underwhelming and unconvincing. The film meanders along and presents a happy outcome but essentially it misses the mark.

APPOINTMNET WITH VENUS is a light-hearted wartime comedy with an unusual premise: British officers going out of their way to rescue a cow from the Isle of Sark during the German occupation in WW2. Weirdly, this turns out to be a true story, and admittedly it is rather slight, almost a gimmick. What this film does benefit from are some assured performances from a typically like David Niven, alongside a wealth of character talent (Noel Purcell, et all) who bring the supporting roles to life. George Coulouris impresses as a kindly Nazi officer, and the whole thing has a light and breezy feel, even if it is a little forgettable.