Anna
- 1951
- Tous publics
- 1h 47m
IMDb RATING
6.6/10
478
YOUR RATING
Anna is a nurse and a nun, whose history catches up on her.Anna is a nurse and a nun, whose history catches up on her.Anna is a nurse and a nun, whose history catches up on her.
Vittorio Gassman
- Vittorio
- (as Vittorio Gassmann)
Lyla Rocco
- Un'infermiera
- (as Lilla Rocco)
Featured reviews
Anna (Silvana Mangano) is a nun who works at a hospital taking care of patients, but the arrival of Andrea (Raf Vallone) will bring forward memories from her past.
This is the movie where the song "El negro zumbon" comes from. A song performed by Flo Sandon that became a hit single and was also featured in "Caro diario" from 1993, where we can see Nanni Moretti dancing in front of a TV in a shop.
Director Alberto Lattuada introduces us to Anna in her present situation as a nun working among doctors, but the coming of a new patient takes us to the past where we can see its protagonist's life before she became a nun.
Anna was a nightclub singer who captivated many clients every night performing songs. It is here Vittorio (Vittorio Gassman) was part of her life as the bartender in said club.
Thematically, the film explores how past and present collide, creating dilemmas with love at its core. Anna, as a sister working in the hospital, is something very much appreciated, but will this be enough to silence the voices now awakened that beckon her to follow her heart?
This is the movie where the song "El negro zumbon" comes from. A song performed by Flo Sandon that became a hit single and was also featured in "Caro diario" from 1993, where we can see Nanni Moretti dancing in front of a TV in a shop.
Director Alberto Lattuada introduces us to Anna in her present situation as a nun working among doctors, but the coming of a new patient takes us to the past where we can see its protagonist's life before she became a nun.
Anna was a nightclub singer who captivated many clients every night performing songs. It is here Vittorio (Vittorio Gassman) was part of her life as the bartender in said club.
Thematically, the film explores how past and present collide, creating dilemmas with love at its core. Anna, as a sister working in the hospital, is something very much appreciated, but will this be enough to silence the voices now awakened that beckon her to follow her heart?
Long before Sophia, Gina or Monica there was Silvana, both beautiful! and could act as well. As a child my ItalianAmerican parents took me to see her films that made it across the Atlantic, namely the classic Bitter Rice, and Anna ... Both were great films, but Anna was unforgettable, the mood the score and the performances were just great. I realize it must be 50 yrs. since Ive seen this film/ maybe once on TV! Never appears in revival houses... It should be seen.. It is not on USA tape,(Bitter Rice is sometimes shown on Bravo), Im going to contact TCM and Bravo to please revive this movie. It had 2 hit songs "Anna" # 1 hit, sung by Mangano herself, and "Non Dimenticar" done by everyone including Nat King Cole, Jerry Vale and others. If someone is aware of a video release please let me know... long live Anna and its sultry sexy star, who people are forgetting, Silvana Mangano!
I couldn't believe that some of these film's reviews are as new as 2010!! I saw this movie as a child (so long ago!) and never forgot it.
"La Mangano" (The stress goes on the first A: Mángano), at that time made a big hit here in Argentina, as did some other Italian beauties, like Silvana Pampanini and Gina Lollobrigida.
They were living LEGENDS.
"Bitter Rice" ("Riso amaro") shows Silvana Mangano as an incredibly sexy woman (same in this film, "Anna") and the baion she dances in one scene made history.
The love scenes between her and Vittorio Gasman are breathtaking, because both actors where terribly sexy.
At that time these movies were VERY osé, almost pornographic (they are so mild by comparison with what we see today...).
It's true what another reviewer says: "Only Rita Hayworth made such an impression when doing "Amado mio" and "Put the Blame on Mame" in "Gilda".
Nobody could get that feeling on film nowadays. As Gloria Swanson character puts it in "Sunset Boulevard": "We had faces then" (She meant in the silent era), but these Italian stars had faces AND BODIES to match!!
About Silvana Mangano, it's incredible the way this actress refined her looks after a while. Seeing her in "Morte a Venezia" ("Death in Venice"), by Visconti --1971--, where she plays Tadzio's mother, an extremely refined polish countess, it's almost impossible to associate her with the voluptuos woman in "Anna" and "Bitter Rice".
Her polished looks are even more glorious than when she was a sex bomb.
Same thing in "Gruppo di famiglia in un interno" --1974-- again by Visconti, with Burt Lancaster.
A true star that unfortunately had such a sad ending, but then, as Dorothy Parker put it when defending before Louis B. Mayer her bitter ending scripts: "Mr. Mayer, in real life there are no happy endings".
Silvana Mangano's was no exception.
"La Mangano" (The stress goes on the first A: Mángano), at that time made a big hit here in Argentina, as did some other Italian beauties, like Silvana Pampanini and Gina Lollobrigida.
They were living LEGENDS.
"Bitter Rice" ("Riso amaro") shows Silvana Mangano as an incredibly sexy woman (same in this film, "Anna") and the baion she dances in one scene made history.
The love scenes between her and Vittorio Gasman are breathtaking, because both actors where terribly sexy.
At that time these movies were VERY osé, almost pornographic (they are so mild by comparison with what we see today...).
It's true what another reviewer says: "Only Rita Hayworth made such an impression when doing "Amado mio" and "Put the Blame on Mame" in "Gilda".
Nobody could get that feeling on film nowadays. As Gloria Swanson character puts it in "Sunset Boulevard": "We had faces then" (She meant in the silent era), but these Italian stars had faces AND BODIES to match!!
About Silvana Mangano, it's incredible the way this actress refined her looks after a while. Seeing her in "Morte a Venezia" ("Death in Venice"), by Visconti --1971--, where she plays Tadzio's mother, an extremely refined polish countess, it's almost impossible to associate her with the voluptuos woman in "Anna" and "Bitter Rice".
Her polished looks are even more glorious than when she was a sex bomb.
Same thing in "Gruppo di famiglia in un interno" --1974-- again by Visconti, with Burt Lancaster.
A true star that unfortunately had such a sad ending, but then, as Dorothy Parker put it when defending before Louis B. Mayer her bitter ending scripts: "Mr. Mayer, in real life there are no happy endings".
Silvana Mangano's was no exception.
I saw the movie 'Bitter Rice" and 'Anna' as a young woman, and they and the star, Sylvana Mangano had a galvanizing affect on me. I went to Catholic convent school as a youngster but was enrolled in public schools in the fourth grade so I identified with convent life.
I have never forgotten the songs she sang nor her leading man, Vittorio Guzeman. Only tonight (March 30, I thought to enter her name on a music site and was amazed when the two songs appeared! I down-loaded them (Non Dimenticar) and (Anna)! I think the movies above mentioned are the greatest movies of all time. Haven't been able to see either of them since I was that young girl...
I have never forgotten the songs she sang nor her leading man, Vittorio Guzeman. Only tonight (March 30, I thought to enter her name on a music site and was amazed when the two songs appeared! I down-loaded them (Non Dimenticar) and (Anna)! I think the movies above mentioned are the greatest movies of all time. Haven't been able to see either of them since I was that young girl...
What a movie , this is the best Italian movie from he early 50s Silvana Mangano at the top of her game very beautiful , sensual and fantastic the musical number are great and the song El negro sumbon is extraordinary , La Mangano never was better here she is better than in Bitter Rice , Silvana Mangnao love to be a mother more than a movie star and for sometime she retired to have children with her husband producer Dino di Laurenti eventually Silvana comeback to the movie and she was as good as always she did few movies for Luchino Visconti and Pier Paolo Pasoline all of then were great, La Mangano die in 1989 of cancer she die in Madrid Spain her life at the end was sad her son die in a plane crash in 1981 she never recovery from his death
Did you know
- TriviaAlmost all of the actors were dubbed, including the stars Silvana Mangano (by Lydia Simoneschi) and Vittorio Gassman (by Gualtiero De Angelis). A curiosity: Character actress Tina Lattanzi lent her voice to French actress Gaby Morlay but as she appears in the film herself, she was in turn dubbed by Giovanna Scotto.
- GoofsWhen Anna is performing "El negro zumbon", she is initially shown dancing in a medium distance shot and her arms are fully outstretched. As she begins to sing there is a cut to a closeup and her right hand is now directly in front of her face.
- ConnectionsFeatured in Démons dans le jardin (1982)
- SoundtracksEl negro zumbón
(Baião de Anna)
Music by Armando Trovajoli (as Roman Vatro)
Lyrics by Francesco Giordano
Sung by Flo Sandon's (Mammola Sandon)
Details
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 1.37 : 1
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