Deux nigauds contre l'homme invisible
- 1951
- Tous publics
- 1h 22m
Two bumbling private eyes help a man, wrongly accused of murder who has become invisible, to clear his name.Two bumbling private eyes help a man, wrongly accused of murder who has become invisible, to clear his name.Two bumbling private eyes help a man, wrongly accused of murder who has become invisible, to clear his name.
- Awards
- 1 nomination total
- Rocky Hanlon
- (as John Day)
- Professor Dugan
- (uncredited)
- Officer
- (uncredited)
- Sneaky
- (uncredited)
- Bald Man
- (uncredited)
- Fight Spectator
- (uncredited)
- Trainer
- (uncredited)
- Ring Announcer
- (uncredited)
- Man at Bar
- (uncredited)
Featured reviews
Here we are again, drawn into yet another Abbott and Costello movie. This time, the special effects out due the original Invisible man, and the humor from Abbott and Costello is at its best. This is one of the better films by them, most of the others are slow and somewhat boring. Here, its exciting and funny at the same time.
This is when Abbott and Costello are actually enjoyable to watch. Sure they overuse a lot of the same jokes, but at least there's some new ones too. I've never been a big admirer of Abbott and Costello, however there are a couple of their films that I really do love. I especially like their short skits, because they usually tend to be funnier. Here are some of my other favorites: Who's on First? Abbott and Costello Meet Frankenstein -Micah Knapp
The comic potential here is greater than in other A&C monster entries ( Meet Frankenstein; Meet the Mummy; etc.) because the menace here has the power of invisibility. That means the menace can challenge the boys in public without the public knowing it. On the other hand, the other monsters can't mix in public without being seen which narrows the comic potential to haunted houses or other non-public spaces.
For example, take the punching bag scene. It looks like Lou (Costello) has lightning speed rocking the bag when in reality it's the invisible boxer Tommy (Franz) who's doing it. There're a number of set-ups like this where the public is astonished by Lou's apparent powers, while actor Costello milks the comic potential.
That's not to say the other monster entries are not funny to varying degrees. But the monsters are restricted in these movies to scaring everyone in over-the-top fashion, whereas being invisible greatly expands the possibilities, such as the nightclub scene with the poor flummoxed waiter (Syd Saylor) who can't figure out who's doing what.
Anyway, the movie's consistently amusing and inventive. However, I wish we saw more of that great flashy blonde Adele Jergens (Marsden) and that great phony gangster Sheldon Leonard (Morgan). Seeing them together here resembles a match made in some cheap nightclub heaven. All in all, this is one of my A&C favorites among their many comedies.
These movies sometimes seem like they were just excuses for everyone to goof off. If so, then they did well. This one was also helped by the fact that it didn't have any songs, which sometimes weakened A & C's movies. Really funny.
I guess that I'll have to see this again, now that I know that Fred Mertz appeared in it.
The pair play bumbling detectives who attempt to prove an innocent man (Arthur Franz) has been framed for murder. The special effects are particularly good and were done by the same man, John Fulton, who did the original camera effects for 'The Invisible Man'. A highlight of the film has Costello in the fighting ring being helped by his invisible client.
Nice work by Arthur Franz as the man who takes the serum, Nancy Guild as the feminine interest, Adele Jergens and Sheldon Leonard. Fans of A&C will rank this one among their best.
Did you know
- TriviaThe last names of Bud Abbott and Lou Costello's characters, Bud Alexander and Lou Francis, are actually their real middle names.
- GoofsThe boxer, Tommy Nelson, is invisible and in order to stay this way he must not wear ANY clothes. This would include shoes. And yet when he walks across the mat in the boxing gym his footprints are very apparent, but as if he he wearing shoes and not bare feet.
- Quotes
Bud Alexander: [a motorcycle cop comes up on the car Tommy's driving] I hope he has his license.
Lou Francis: I hope he's in the car!
Officer: [at the back window] Pull over to the side!
Lou Francis: [points to the front seat] Tell him, he's driving!
Officer: [moves up, looks at the empty driver seat] I said pull over to the...
[stops in a daze, cut to him on the psychiatrist couch looking at the doctor's watch]
Dr. James C. Turner, Police Psychiatrist: Now tell us again what you saw.
Officer: I told you three times already.
Det. Roberts: Well tell it to him again.
Officer: I saw a car with nobody driving somebody.
- Alternate versionsThere is an Italian edition of this film inside DVD "IL CERVELLO DI FRANKENSTEIN", distributed by DNA Srl (2 Films on a single DVD). The film has been re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in 100 Years of Horror: Phantoms (1996)
Details
- Release date
- Country of origin
- Language
- Also known as
- Abbott y Costello salvan al hombre invisible
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $627,000 (estimated)
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1