While Mammy Two-Shoes enjoys her evening with the Lucky Seven Saturday Night Bridge Club, Tom and his friends have a party in the house. Jerry, unable to sleep, emerges from his mouse hole t... Read allWhile Mammy Two-Shoes enjoys her evening with the Lucky Seven Saturday Night Bridge Club, Tom and his friends have a party in the house. Jerry, unable to sleep, emerges from his mouse hole to stop it.While Mammy Two-Shoes enjoys her evening with the Lucky Seven Saturday Night Bridge Club, Tom and his friends have a party in the house. Jerry, unable to sleep, emerges from his mouse hole to stop it.
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- Writer
- Stars
- Vocal Effects
- (uncredited)
- Mammy Two-Shoes
- (voice)
- (uncredited)
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Featured reviews
The maid is stepping out for a hot night on the town. I least I got that impression with the colorful dress, garter belt and the rest. I laughed when she tested her necklace, the one with green and red jewels. She hit the green and the word "go" lit up, red for "stop!"
The moment she's out door, Tom rushes to the window, whistles to his buddies out near the garbage can and holds up a sign that reads, "O.K. For the Party." They yell "yippee" and literally fly through the window. In no time, the place is jumping. The hot jazz music in here, by the way, is fantastic! These cats know how to party!
Unfortunately, the music is keeping the mouse awake and little Jerry turns out to be party pooper. The rest of the cartoon involves his attempts at silencing the music and the cats silencing him! There are excellent sight gags in this one....and some justice at the very end.
The cat vs mouse action in Saturday Evening Puss is fairly routine, but what makes this cartoon slightly more memorable is the sight of Tom and his pals partying like crazy, the hairy hepcats generating some seriously groovy jazz tunes (could their antics have been the inspiration for a similar scene in Disney's The Aristocats?).
An ironic ending sees Tom and his friends thrown out of the house by Mammy, much to Jerry's delight, only for the mouse to have his sleep disturbed when Mammy puts on a record at top volume
After attempts at silencing them fail, Jerry is tortured and tied up, but he still has enough in him to call Mammy-Two-Shoes (the number he dials is nothing but 1-1-1-1-1) and get Tom in trouble.
It's an average cartoon, which nothing to make it really stand out above the rest with the exception of two frames in which you actually get to see Mammy-Two-Shoes' face. Otherwise; bland.
Did you know
- TriviaYou can see Mammy Two-Shoes' face for two frames as she runs back to the house.
- GoofsWhen the piano-playing cat slides Jerry down the piano, he is sliding Jerry from the right of the keyboard to the left of the keyboard (high notes to low notes). However, the sound coming from the piano appears to be the opposite of what was showing (i.e. low notes to high notes).
- Quotes
[Jerry rings Mammy Two-Shoes while she is playing her bridge game]
Mammy Two-Shoes: [cheerily] Hello? Yes, this is the Lucky Seven Saturday Night Bridge Club. Who? This is her.
[short pause]
Mammy Two-Shoes: [alarmed] A party? At *my* house? Ex-*cuse* me!
[Mammy races home and crashes through the front entrance, taking the door with her. Tom opens the door]
Mammy Two-Shoes: [angrily pointing her finger] Thomas!
[Tom slams the door on Mammy, leaving her arm sticking through the door; Mammy promptly grabs Tom's tail and throws the cats out of the house]
Mammy Two-Shoes: Doggone cats, mess up my whole evening!
[Mammy sits down at the record player while Jerry prepares to sleep again]
Mammy Two-Shoes: Well, might as well relax and play myself a little soft... soothing... *hot music*!
[Jerry grumpily puts up with the record player again]
- Alternate versionsA version of this cartoon exists with Mammy Two-Shoes rotoscoped into a young white Irish woman that was done by the Sib Tower 12 Productions in the 1960s. Another version was made in the 1990s with the original footage, but with Mammy Two-Shoes' voice re-dubbed to sound less sterotypical and offensive. Not only that, there's a *third* version that exists which matches the 1960s rotoscoped version with the original Lilolian Randolph soundtrack (inexplicably matching the stereotypical Black voice to the image of the White lady).
- ConnectionsFeatured in Så er der tegnefilm: Episode #1.5 (1980)
Details
- Runtime7 minutes
- Sound mix
- Mono(Western Electric Sound System, original release)
- Aspect ratio
- 1.37 : 1