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Green Day have announced an expansive box set to commemorate the 20th anniversary of American Idiot.

Available as an 8xLP or 4xCD package beginning October 25th, 2024, the American Idiot 20th Anniversary Deluxe Edition includes 15 unreleased demo recordings, a live performance of the band’s 2004 concert at Irving Plaza in New York City (including nine previously unreleased live recordings), and a variety of B-sides and bonus tracks. Both packages also contain two Blu-ray discs featuring a new 110-minute documentary, the film Heart Like A Hand Grenade, and various live performances.

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Specific to the vinyl set will be a 36-page book, a large Green Day flag, and Billie Joe Armstrong’s iconic American Idiot red tie. Additionally, each LP comes pressed on its own unique color vinyl.

Also available on October 25th will be a limited-edition color vinyl of American Idiot, plus an audiophile “One-Step” release of the album.

Superstore began as a workplace comedy but evolved into a love story between Amy and Jonah, with their relationship milestones celebrated. Fans of the show enjoyed watching Amy and Jonah navigate the challenges of their relationship, leading to a satisfying and rewarding ending. Despite some unrealistic aspects in later seasons, Superstore provided a realistic and relatable portrayal of life in the retail industry.

From the pilot episode of the series, Superstore was more than a workplace comedy with the first hints of Amy and Jonah's relationship timeline firmly established. Superstore followed a group of employees at a big box store during their day-to-day activities. The series found comedy in what could be a mundane job by highlighting the mistakes made by employees, the ridiculous decisions made by customers, and the chaos that could ensue due to a big sale among others. It's a favorite for anyone who has ever worked in the retail industry.

Hirokazu Kore-eda’s Monster scored 2.3 and Catherine Corsini’s Homecoming scored 2.

Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s Cannes 2023 competition jury grid.

Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 2.

This year, 12 critics are taking part in the jury grid to score all 21 titles competing for the festival’s Palme d’Or.

For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.

Monster received a mixture...

Hirokazu Kore-eda and Catherine Corsini titles earn middling scores from our critics.

Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s 2023 Cannes Competition jury grid.

Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 2.0, with one score still to report.

This year, critics from 11 outlets, alongside Screen’s critics, are taking part to score all 21 titles competing for the festival’s Palme d’Or.

For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.

Hirokazu Kore-eda’s Monster scored 2.3 and Catherine Corsini’s Homecoming scored 1.9.

Hirokazu Kore-eda’s Monster and Catherine Corsini’s Homecoming are the first titles to land on Screen’s Cannes 2023 competition jury grid.

Kore-eda’s seventh competition entry received an average of 2.3 while Corsini’s return to Cannes averaged at 1.9.

This year, 12 critics are taking part in the jury grid to score all 21 titles competing for the festival’s Palme d’Or.

For the first time this year, the jury grid will update live on screendaily.com, in addition to being printed in our Cannes daillies.

Monster received a mixture...