After he undergoes a throat operation, Slip and the gang discover that Sach now possesses a beautiful singing voice and try to figure out how to make money off of it.After he undergoes a throat operation, Slip and the gang discover that Sach now possesses a beautiful singing voice and try to figure out how to make money off of it.After he undergoes a throat operation, Slip and the gang discover that Sach now possesses a beautiful singing voice and try to figure out how to make money off of it.
William 'Billy' Benedict
- Whitey
- (as William Benedict)
Sailor Vincent
- Teddy Davis
- (as William Vincent)
Gertrude Astor
- Nightclub Patron
- (uncredited)
Paul Bradley
- Nightclub Patron
- (uncredited)
Steve Carruthers
- Nightclub Patron
- (uncredited)
Jack Chefe
- Henry - Headwaiter
- (uncredited)
Tom Coleman
- Bartender
- (uncredited)
Featured review
Blues Busters (1950)
** (out of 4)
Sach (Huntz Hall) goes into the hospital to have his tonsils removed and when he comes out he has an amazing, crooning singing voice. Slip (Leo Gorcey) decides to make money off of him so they turn Louie's shop into a nightclub but this causes trouble with the club owner across the street. Number twenty in the series is one of the lesser entries as it starts off pretty well but the one-joke nature gets tiresome rather quick and in the end I had a hard time making it through the rather short 67-minute running time. The early jokes in the hospital were pretty funny as were the scenes where Hall discovers his talent but after this it's one boring joke after another. As I go through this series I'm starting to re-think my opinion on director Beaudine who previously had been a favorite of mine. When you see the style of his films and compare them to other director's in the series you really start to see a product that is rather rushed and one that really doesn't look like a "B" picture. There were several sequences that just seemed like they were under performed and that a little better editing and perhaps a different take would have made the scene better. For the most part we get a one-joke film as Sach becomes a hot property and you've got two sides fighting over him. The one thing I didn't understand is that, in the end, Louie is broke yet they had a pack house for three shows a night so why he was broke at the end is beyond me but then again, perhaps I'm just putting too much thought into it. I think Hall is in pretty good form as he is obviously having a good time singing even though he's dubbed. His "acting" of a crooner was pretty good and his facial gestures at least gave us a few nice laughs. Gorcey, both father and son, are also in good form but Gabriel Dell is pretty must wasted in his part. I wasn't too impressed with any of the supporting players as they all struck me as being underwritten and none of the performers brought anything to the role. The real stand out here is John Lorenz who dubs Hall and I must admit that I really enjoyed the songs and his voice. However, this is a comedy and I just didn't laugh enough to make the film work.
** (out of 4)
Sach (Huntz Hall) goes into the hospital to have his tonsils removed and when he comes out he has an amazing, crooning singing voice. Slip (Leo Gorcey) decides to make money off of him so they turn Louie's shop into a nightclub but this causes trouble with the club owner across the street. Number twenty in the series is one of the lesser entries as it starts off pretty well but the one-joke nature gets tiresome rather quick and in the end I had a hard time making it through the rather short 67-minute running time. The early jokes in the hospital were pretty funny as were the scenes where Hall discovers his talent but after this it's one boring joke after another. As I go through this series I'm starting to re-think my opinion on director Beaudine who previously had been a favorite of mine. When you see the style of his films and compare them to other director's in the series you really start to see a product that is rather rushed and one that really doesn't look like a "B" picture. There were several sequences that just seemed like they were under performed and that a little better editing and perhaps a different take would have made the scene better. For the most part we get a one-joke film as Sach becomes a hot property and you've got two sides fighting over him. The one thing I didn't understand is that, in the end, Louie is broke yet they had a pack house for three shows a night so why he was broke at the end is beyond me but then again, perhaps I'm just putting too much thought into it. I think Hall is in pretty good form as he is obviously having a good time singing even though he's dubbed. His "acting" of a crooner was pretty good and his facial gestures at least gave us a few nice laughs. Gorcey, both father and son, are also in good form but Gabriel Dell is pretty must wasted in his part. I wasn't too impressed with any of the supporting players as they all struck me as being underwritten and none of the performers brought anything to the role. The real stand out here is John Lorenz who dubs Hall and I must admit that I really enjoyed the songs and his voice. However, this is a comedy and I just didn't laugh enough to make the film work.
- Michael_Elliott
- Aug 16, 2010
- Permalink
Storyline
Did you know
- TriviaThe song "Let's Have a Heart to Heart Talk" - apparently sung by Huntz Hall - was actually dubbed by John Laurenz (1909 - 1958).
- GoofsAs with many movies made before the late 1950s, this one features a vacuum tube driven radio that comes to life immediately when it is turned on. In reality, vacuum tube devices took several seconds to warm up before any audio could be heard.
- Quotes
Slip Mahoney: [after Sach loses his voice] Dis is the woist thing that's happened since television!
- ConnectionsFollowed by Bowery Battalion (1951)
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Bowery Thrush
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 7 minutes
- Color
- Aspect ratio
- 1.37 : 1
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