La vérité n'a pas de frontière

Directed by Alexander Ford `Ulica Granicza' (Border Street) is a recreation of the doomed Warsaw Ghetto uprising in which a small but heroic band of Jews, herded into a ghetto by German occupation forces, chose to resist the Nazis rather than to face deportation to Auschwitz or Treblinka.

`Ulica Granicza' was a prize winner at the 1948 Venice Film Festival.

The film presents the experience of the insanity of the late 1930's in Poland through the eyes of a child. It was produced in 1948, while the wounds were still fresh, and before much of the atrocities of which we are now aware became widely known.

As it is told through a child's eyes, it makes a good introduction to the Holocaust for sophisticated children. I say "sophisticated" because it is black and white, and it is foreign language with subtitles. It doesn't include any nightmare-inducing scenes that subsequent Holocaust films do, but does successfully present the bind which Eastern European families, both Jewish and Gentile, were gripped by, and the impact of fascism on this boy's life.

The Warsaw Ghetto Uprising scenes are especially inspiring - not a high-budget special effects sequence but you are really gripped by it.

I saw it when I was nine or ten and saw it again recently, and feel that it holds up very well.

Today is the day I finally got to see one of the best Polish post-war movies. I never saw this movie before although I was born in Poland where I watched most of the Polish-made war movies and listened to stories of my parents about their childhood during the war. Ulica Graniczna (The Border Street) is a visionary work. It is as true and real as it ever gets. It is a non-biased observation of the war-time Warsaw as seen through the eyes of children from families of Polish, German and Jewish heritage. The main theme spreads around a dozen of interlocking dramatic conflicts being resolved gradually with the coming of an imminent tragedy. No other movie that I know of shows a better portrayal of such a difficult and sometimes controversial subjects. There are also themes bordering on a historical documentary, romantic adventure, comedy, performing arts, spirituality, and even a touch of science fiction. The movie was made just two years after the Western World celebrated the end of war, but for many in Poland the war hasn't ended yet. The wounds were fresh, and the memories ever so painful, and the future still uncertain. Seems like there was no need for big production sets, just to pick up a camera and start rolling in the vicinity of the Border Street. Nevertheless, the camera's work is executed in a perfect unity with acting, narration, music and special effects. The languages get mixed up with no overdubbing, but it only makes the movie more realistic. I believe this movie was made by Aleksander Ford at the exact time and place in history where the director/producer was allowed to utilize all available resources to conceptualize his vision. No political or religious views affect the movie's intellectual content but both politics and religion are present in most of the scenes. The story is contained within just a few years and it depicts the lives of just a few ordinary people who found themselves in a very extraordinary circumstances. The people come from different cultural backgrounds but remain bound by the geographical location. They are mostly children but also adults and the family elders. They are all unexpectedly forced to make some very difficult choices. Many times their choice lies between the death of a senseless hero and the self-preservation of a smart survivor. The movie carries a hidden message worth digging out. It is the undercurrent of the story and it culminates in a very realistic-looking scenes (original footage?) from the 1943 uprising in the Warsaw Ghetto. The message comes out the strongest through the varied pictures of human suffering: physical and emotional. To me that message sounds like nothing pitiful, but it brings a reassurance of peace, truth, and coming justice (or so I felt while listening to the final words of Dziadek Liberman.) I think this masterpiece really deserves a full 10 points, at least from my viewpoint.