IMDb RATING
6.4/10
500
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Attorney Marsha Meredith is nominated for a federal judgeship but her confirmation is opposed by a puritanical 'Good-Government' group who think her divorce makes her unfit for the job.Attorney Marsha Meredith is nominated for a federal judgeship but her confirmation is opposed by a puritanical 'Good-Government' group who think her divorce makes her unfit for the job.Attorney Marsha Meredith is nominated for a federal judgeship but her confirmation is opposed by a puritanical 'Good-Government' group who think her divorce makes her unfit for the job.
Katherine Warren
- Kitty Lawton
- (as Katharine Warren)
John Alban
- Senate Committee Observer
- (uncredited)
Jessie Arnold
- Spinster
- (uncredited)
Polly Bailey
- Dumpy Woman
- (uncredited)
John P. Barrett
- Croupier
- (uncredited)
Louise Beavers
- Cleo, Marsha's Maid
- (uncredited)
Anne Beck
- Party Guest
- (uncredited)
Brooks Benedict
- Minor Role
- (uncredited)
Billy Bevan
- Winston - Kitty's Butler
- (uncredited)
Featured reviews
It is not too difficult to see why Robert Cummings is often cast in light comedic fare such as this. His facial expressions alone are worth the price of admission in Tell It to the Judge. And there's something hysterical about seeing him dressed as a train attendant, though it would also have been fun to see Cary Grant in that get-up.
The only part that drags is the sequence at the lighthouse, which has the film's most unfunny business: something about chopping off the head of a fish. But the film quickly redeems itself, and it reaches its peak with a delightful ski sequence later on. Overall, a fun film with some inspired comic bits by Cummings and costar Rosalind Russell.
The only part that drags is the sequence at the lighthouse, which has the film's most unfunny business: something about chopping off the head of a fish. But the film quickly redeems itself, and it reaches its peak with a delightful ski sequence later on. Overall, a fun film with some inspired comic bits by Cummings and costar Rosalind Russell.
Thin comedy rests solely on the appeal of the stars, and Rosalind Russell and Robert Cummings are a very companionable screen-team. She's a smart, sharp, yet somewhat clumsy lady lawyer--being nominated for judgeship--whose career may be hindered by her association with Cummings, the no-goodnik ex-husband still in love with her. Some funny set-pieces (such as Roz's bit involving a lipstick mistake) and a predictably sunny, smooth supporting performance by Gig Young as a dashing Romeo make it tolerable, but the script and characters are really second hand. There's a curious, but ridiculous skiing sequence that serves no purpose (except to make Cummings look foolish) and Norman Foster's direction is balky. ** from ****
This is a fantastic comedy, fast, dynamic, clever and played extremely well by Rosalid Russell and Robert Cummings. Their chemistry is what makes comedies like this work so well, not a moment of boredom, pure laughter!! It's a real pity this is not available on DVD in Europe, I would buy it straight away!! Well...I would buy any movie with Rosalind Russell, especially her comedies. Such actresses are rare to find, she was absolutely great, one of the best and is a real pity that she is so forgotten today. Her timing and skills were absolutely unique, not many actresses are able to carry a comedy like she used to! Also Robert Cummings was very effective, don't know this actor much but I think I will try to find out more about him now!
Rosalind Russell is the Judge in "Tell it to the Judge," a 1949 film also starring Bob Cummings, Marie McDonald and Gig Young. Russell plays Marsha Meredith, a recently divorced woman up for a judgeship, encouraged in her career by her judge grandfather (Harry Davenport). The ex-husband, however, Pete Webb (Cummings) wants her back. The two are still in love. The divorce was basically a misunderstanding - Webb was working with a beautiful blond witness (McDonald) and Marsha mistook it for something else. Even though it puts her career in jeopardy, Marsha remarries Pete. On their wedding night, her grandfather kidnaps Pete so that Marsha thinks he's up to his old tricks. She then takes off and announces to the press that she's married to someone else, and makes up a name. When Alexander (Gig Young), a man she met previously appears, she has him play the part of her husband.
This is a typical screwball comedy centering around the struggle that the independent woman has between being a career person and a wife - and apparently back then, it was one or the other. I thought Russell was fine as Marsha, unlike another reviewer - I've seen her miscast, and I didn't think she was this time - but I agree with another remark the poster made, that Bob Cummings steals the movie. Cummings is thought of as a bland film actor, and perhaps he was. What made him a tremendous television star was his sense of comedy, which he didn't get to use much in films but which was his strength. Here he gets to show it off, and a few years later, he made his mark in television.
A fun movie, not earth-shattering, as films were going through a difficult transition. So apparently were women, and in the '40s, they lost the career battle, only to pick it up again a couple of decades later.
This is a typical screwball comedy centering around the struggle that the independent woman has between being a career person and a wife - and apparently back then, it was one or the other. I thought Russell was fine as Marsha, unlike another reviewer - I've seen her miscast, and I didn't think she was this time - but I agree with another remark the poster made, that Bob Cummings steals the movie. Cummings is thought of as a bland film actor, and perhaps he was. What made him a tremendous television star was his sense of comedy, which he didn't get to use much in films but which was his strength. Here he gets to show it off, and a few years later, he made his mark in television.
A fun movie, not earth-shattering, as films were going through a difficult transition. So apparently were women, and in the '40s, they lost the career battle, only to pick it up again a couple of decades later.
This is absolutely my favorite film of Robert Cummings. He's hysterical and lovable in every scene he is in. Bob plays a lawyer who is newly divorced from Rosalind Russell, and is determined to win her back. She on the other hand is determined to become a federal judge and wants nothing to do with him. A typical setup for the divorce-remorse films that came along in the 40s.
Then there's Gig Young as the rival for Russell's affection, Clem Bevans as Mr. Roogle (it rhymes with bugle) and Marie McDonald adding a funny twist as the witness who keeps stalking Bob. For the most part, the cast is on top of their game and has some great moments. However, be forewarned, this is not Rosalind Russell's best work by a long shot. Despite the fact that she's given some wonderful performances (Auntie Mame, Trouble With Angels, etc) she's not very strong here and this is one situation where I really think another actress should have been cast. (Too bad Carole Lombard was already gone - she would have been PERFECT.) Some time the twists go a bit too far and get rather tedious on repeat watchings, but this is the screwball genre - it's not supposed to be realistic. It's a fun movie that still makes me laugh no matter how many times I see it. What more can you ask for?
Then there's Gig Young as the rival for Russell's affection, Clem Bevans as Mr. Roogle (it rhymes with bugle) and Marie McDonald adding a funny twist as the witness who keeps stalking Bob. For the most part, the cast is on top of their game and has some great moments. However, be forewarned, this is not Rosalind Russell's best work by a long shot. Despite the fact that she's given some wonderful performances (Auntie Mame, Trouble With Angels, etc) she's not very strong here and this is one situation where I really think another actress should have been cast. (Too bad Carole Lombard was already gone - she would have been PERFECT.) Some time the twists go a bit too far and get rather tedious on repeat watchings, but this is the screwball genre - it's not supposed to be realistic. It's a fun movie that still makes me laugh no matter how many times I see it. What more can you ask for?
Did you know
- Trivia"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on November 2, 1950 with Rosalind Russell and Robert Cummings reprising their film roles.
- Quotes
Peter B. 'Pete' Webb: [Pete and Marsha are climbing the spiral staircase in the lighthouse] Watch your heel, honey.
Marsha Meredith: You watch out for yourself.
- ConnectionsReferenced in Capitaine Furillo: Larry of Arabia (1986)
- How long is Tell It to the Judge?Powered by Alexa
Details
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was Pas de pitié pour les maris (1949) officially released in India in English?
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