IMDb RATING
6.1/10
621
YOUR RATING
Pluto digs up Minnie's garden and destroys her house in order to catch a pesky gopher-in spite of Minnie's scoldings.Pluto digs up Minnie's garden and destroys her house in order to catch a pesky gopher-in spite of Minnie's scoldings.Pluto digs up Minnie's garden and destroys her house in order to catch a pesky gopher-in spite of Minnie's scoldings.
- Director
- Writers
- Stars
Ruth Clifford
- Minnie Mouse
- (uncredited)
James MacDonald
- Pluto
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
A Walt Disney PLUTO Cartoon.
PLUTO AND THE GOPHER he catches in Miss Minnie's garden create quite a disturbance inside & out.
Although enjoyable, this is a routine film in which Pluto chases yet another canny little critter. The Gopher makes the second (and final) appearance in a Disney cartoon here, having previously provoked Pluto in BONE BANDIT (1948). Minnie Mouse has a small cameo role.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
PLUTO AND THE GOPHER he catches in Miss Minnie's garden create quite a disturbance inside & out.
Although enjoyable, this is a routine film in which Pluto chases yet another canny little critter. The Gopher makes the second (and final) appearance in a Disney cartoon here, having previously provoked Pluto in BONE BANDIT (1948). Minnie Mouse has a small cameo role.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
- Ron Oliver
- Mar 21, 2003
- Permalink
Storyline
Did you know
- TriviaThis marks as Minnie Mouse's final appearance in the Golden Age of Animation and final Disney cartoon to feature her (not counting her cameo along with Donald Duck and Goofy in Pluto's Christmas Tree).
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Pluto and the Gopher
- Production company
- See more company credits at IMDbPro
- Runtime6 minutes
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Pluto et le rat des champs (1950) officially released in Canada in English?
Answer