Le Démon de l'or

I saw this on TV years ago and was very impressed and needless to say the recent DVD release got me really excited. I am pleased to say LUST FOR GOLD lives up to my memory. The first thing that struck me was the film noir aspects of LFG - the flashback structure, the first person narration, the anti-heroes of the flashback story and those dark shadows and sinister characters. I have always loved Ida Lupino and what a great femme fa-tale she makes - cold, greedy and obsessed with "lust for gold". Glen Ford is at his most villainous and gruff - although his German accent comes and goes.Gig Young is the perfect scorned husband patsy. There are surprises galore like the abrupt ending of the flashback and the parallel "natural" threat that is a warning to the modern day hero and the undoing of the villain. Coming a year before WINCHESTER 73, LFG is one of the earliest noir westerns ( like Blood on the Moon and Pursued) and has a cast of noirish actors fulfilling their doomed roles. A real classic!

Lust For Gold is one of those movies where the title tells the story. Everyone in this story from the leads down to the most insignificant extra is just eaten up with a mad, insatiable obsession with gold. I should say everyone in both stories, since this movie presents a story within a story. The modern (1949) story starts with a murder mystery, not resolved until the last reel, after a flashback to the 1880's which takes up most of the running time.

This is a well filmed, well directed, and well acted picture with an intriguing story line, yet it fails to be truly entertaining because it lacks a single well developed character who is likable. The three principle players of the Old West story, Glen Ford, Ida Lupino, and Gig Young are absolutely unredeemable, cruel, wicked scumbags willing to lie, steal, cheat, betray, commit murder and adultery to get the gold and keep it. Even the bland, young hero of the New West story, played by William Prince, though basically decent, seems foolish and unpleasant because of his single-minded obsession with finding the lost gold mine. In the Old West story every minor character is portrayed as vicious, snippy, gossipy, and above all greedy. There is some suspense in the story, or at least it holds your attention and keeps you interested in what happens next. Yet it is not truly suspenseful, because that requires that you care about what happens to the characters. And you can't care about the type of lowlifes who inhabit this unremittingly grim picture. If there had been just one major character I could have cared about, I would have rated Lust For Gold a star higher. As is, it is a very unsatisfying movie.

It's probably a coincidence the producers of this movie decided the print it in sepia tone, but it provides the appropriate look for the type of person who views life thru feces-tinted lenses. Lust For Gold will thoroughly validate this this type's nihilistic philosophy. Those with a happier outlook on life may wish to skip it.

There is nothing more exciting than a quest for treasure. In fact, even if the treasure is only a legend, people will look for it. In "Lust For Gold", the treasure seekers exhibit the lust, greed, and paranoia that often overtakes logic. Glen Ford as Jacob Walz is so afraid that his hidden mine will be found out by the angry crowds following him, that he falls prey to the scheming Ida Lupino and her jealous husband, Gig Young. The story of how the mine was lost, and the supposed reliable clues of how to find it, are told in a very logical flashback scenario. The movie moves quite quickly and is beautifully photographed. Even if there never was a treasure, "Lust For Gold" is a treasure itself. - MERK

Like it's academy award winning predecessor, "The Treasure of Sierra Madre", Gold and the greed that comes with it make for a compelling motion picture.

"Lust For Gold" is really two stories, one set in the present (at least 1949 when the film was made), one set some 50 years earlier. The contemporary part of the story begins with a man named Barry Storm searching for gold. He is no ordinary prospector though. His grandfather was the legendary Jacob Walz who had discovered the "Lost Dutchman Mine". Storm is not the only one looking for the gold however. Among the others are an explorer, and a killer.

A powerhouse trio of stars, Glenn Ford, Ida Lupino and Gig Young, are the protagonists of the historical part of the story. Ford plays Walz, an evil man who finds the gold mine and Lupino, is a no good woman one of many trying to get her hands on the treasure, and Young is equally villainous as Lupino's husband.

There are many elements to this story and they are blended to perfection. S Sylvan Simon, more known as a "B" film director for MGM, had the perfect read on this one. He came into his own as a helmsman with this picture. Unfortunately, this was his last film, succumbing to a heart attach at the age of 41 not long after the completion of this.

Besides, Ford, Lupino and Young, William Prince as Barry Storm has the best role of his acting career. The film boasts a supporting cast of several people who went on to fame and fortune on television. Among them, Edgar Buchanan (Petticoat Junction) Paul Ford (The Phil Silvers Show), Jay Silverheels (The Lone Ranger) and Will Geer (The Waltons).

This film, not made on a big budget, is a real sleeper. It is a great example of what can happen when professionals like these go out to mine a great film. It comes up solid gold

From its initial release in 1949, to the VHS forty years later, to the DVD this year, Columbia Pictures never had a clue how great this movie is. Always under promoted, always passed off as just another cheap western; until it was listed on eBay where buyers have been hungrily going for it. The unique structure has a present day (1948) narrative set in Florence, Arizona, as the Dutchman's grandson seeks the Lost Dutchman mine. This part is the first 20 minutes and the final 20 minutes of the movie. In the middle is a gritty, excellent flashback that tells the Dutchman's story: Greed, romance, betrayal, more betrayal, and more greed. Frankly, I've watched the 40 minute middle of this movie over 50 times. It always grabs me. I was 11 years old when I saw this movie at the Silver. It impressed me then, but more so now. Be sure you see this one.