Le champion

Champion is a gritty boxing movie that is ahead of its time. A combination of Rocky and Raging Bull.

It features a bravura performance from Kirk Douglas as a drifter who graduated from the school of hard knocks.

Douglas plays Midge Kelly, a man who has had to fight all his life for a bit of respect. He has a permanent chip on his shoulder.

Midge and his brother Connie (Arthur Kennedy) who has a gammy leg go out west where they think they have a share in a diner. Along the way Midge fills in at a boxing match when one of the undercard is declared unfit to box.

When the ownership of the diner turns out to be a mirage, they work as waiters. Midge romances the boss's girl Emma (Ruth Roman) and is forced to marry her. Midge abandons her soon after and hooks up with manager Tommy Haley (Paul Stewart) who teaches Midge how to box.

Midge has a natural toughness and shows promise as a boxer. However his refusal to throw a fight causes consternation with a gambling syndicate.

In order to progress Midge abandons Tommy Haley and he soon becomes a world champion.

Douglas plays Midge as pig headed, amoral and uncompromising. He learns quickly from Tommy as to how to box. His brother Connie acts as his conscience.

Women like Grace Diamond and Palmer Harris are there for a good time and help him progress in the boxing game.

Kirk Douglas was Oscar nominated for his performance. He can certainly do the physical side, there is a training montage that would have inspired Rocky. Douglas also shows just how driven Midge is, it eventually becomes a win at all cost mentality. Yet more often than not, Midge remains charming albeit selfish.

Champion also displays the seedy underbelly of boxing. The gamblers who fix matches. Managers like Tommy who know they will be eventually discarded. Even some of the boxers hate it and want to be out of it.

According to the Films of Kirk Douglas book, Douglas was offered a choice between a big budget MGM loan out The Great Sinner and this small independent film Champion about boxing. For the first time in his career Douglas was able to show what a shrewd judge of stories that were tailor made for him.

He chose Champion and for his efforts earned his first trip to the Oscar Sweepstakes. He lost the big prize to Broderick Crawford for All the Kings Men. But from then on in Kirk Douglas was taken seriously as an actor. Douglas was also determined to break free of studio contracts and chart his own career. Some actors can and some are terrible judges of screen property. Kirk Douglas has always been in the first category.

The story involved two brothers, Kirk Douglas and Arthur Kennedy, who when we first meet them are bumming their way across the country to take possession of a diner that was sold to them bogusly. To earn some eating money, Kirk had gone the distance in a four round preliminary fight and came to the attention of fight manager Paul Stewart. Now dead broke, Douglas turns to Stewart who takes him on as a prize fighter, for real.

Douglas can't forget those days in the hobo jungle and is willing to do anything, use anybody to rise to the top of his profession. His role is a complex one, he's ruthless and tough, but he also has to have enough charm to fool the three women who enter his life, Ruth Roman, Marilyn Maxwell, and Lola Albright.

Arthur Kennedy got an Oscar nomination in the Supporting Actor category as Douglas's brother and conscience. Paul Stewart is every inch the wise professional fight manager who steps out of his league when Douglas gets into the big money in the fight game.

There's not a moviegoer who's ever seen Champion who will forget the primeval look on Kirk Douglas's face in the climatic fight scene in defense of his championship as he gets back up from the last of several knockdowns. Like something out of a Hammer horror picture, it's that frightening. You won't forget it either.

During the three years just following World War II, Kirk Douglas had completed seven feature films. He already had caught the attention of key motion picture executives, such as producer Hal Wallis. Success was gradually coming Douglas' way. But, with "Champion", like a sudden knockout punch, Douglas instantly achieved his lofty aim. In this low-budget film gem, populated by outstanding character portrayals, Kirk Douglas' performance as boxer Midge Kelly is the bravura centerpiece. Though the multi-textured character of Kelly, as created by Ring Lardner in his short story, lends itself to a strong performance, it is Douglas who lifts the character into the stratosphere. At age 33, and having been a wrestler while attending New York's St. Lawrence University a decade earlier, Douglas still possessed the phyical tools for this role. His work in the fight and training scenes are accurate and strongly believeable. But it is his performance as Midge Kelly the individual that is stunningly riveting. During "Champion", Douglas becomes the character until it is virtually impossible to separate actor and role. He eagerly assimilates Kelly's various nuances and attitudes. Passion has always been a Kirk Douglas hallmark. Never has he been so powerfully passionate as in this performance. Contemporary audiences may like to compare the screen work of son, Michael, with that of his father. But after seeing Kirk Douglas' unforgettable performance in "Champion", comparisons fade.

In his biography, "Ragman's Son," Douglas tells of watching a screening of "Champion" in the home of a studio mogul who had invited numerous people unknown to the actor...who himself was unknown to the guests. After the screening, Douglas relates, the guests---as one---turned back toward him with overwhelmed expressions. They now had a startled new knowledge of the young actor whose presence at the back of the room they only vaguely had acknowledged.

Joining Douglas, with excellent performances of their own, were Paul Stewart, Marilyn Maxwell, Luis Van Ruten, Ruth Roman, John Day, Arthur Kennedy and Lola Albright. Each was highly believeable.

Even if Carl Foreman's adaptation of Lardner's story was sometimes predictable, the combination of Douglas' volatile performance, and the high-calibre work of the supporting actors make "Champion" a mini-masterpiece.

Kirk Douglas plays Midge Kelley, a talented boxer who uses everyone around him for his own gain. This may be Douglas' finest effort on film. The editing won an Oscar and rightfully so. This might be the finest movie involving boxing ever produced. Available in color but see the original black and white version. Listen for Polly Bergen's voice as a radio/juke box singer.

Mark Robson's (`Bridges at Toko-Ri' `Von Ryan's Express' `Earthquake') 1949 fight film `Champion' is one of the best depictions ever filmed of the fight game. This film is more than just a movie about a boxer, or just another rags to riches/American dream story, but rather a deep character study of man driven to succeed at any cost.

The man is Midge Kelly played brilliantly by Kirk Douglas. Midge's trek from train hopping hobo to dishwasher to prize fighting champion is realistically portrayed in a style that is not unlike Kirk's son Michael's portrayal of Wall Street businessman Gordon Gekko in `Wall Street.' Family, friends, lovers all better steer clear of Midge as nothing is going to intimidate or stop him.

Two other actors are very worthy of mention here; Arthur Kennedy and Paul Stewart. The able Kennedy (`Cheyenne Autumn' `Lawrence of Arabia' `Nevada Smith') plays Midge's honest and idealistic brother, Connie. His role in `Champion' earned him one of his five Oscar nominations. Paul Stewart (`12 O'clock High' `Kiss Me Deadly' `The Joe Louis Story') does a great job of depicting Midge's first manager, Tommy Haley. Besides these two and Douglas I found most of the acting to be typical of the era, overdone.

Lastly, it should be noted that this film one won Oscar; the 1949 award for editing went to editor Harry Gerstad (who also won for `High Noon.') The brilliantly filmed fight scenes are cut in a manner that adds a lot of impact to what is going on in the ring and in the arena. It is safe to say that Martin Scorsese and his editor, Thelma Schoonmaker had seen this film a number of times and borrowed from Gerstad's fight scene editing techniques in `Raging Bull,' which is the one boxing film I would rate higher than `Champion.' Forget Rocky Balboa…remember Midge Kelly and Jake LaMotta.